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1.
[Bookplate for Charles Theodore Hart]
Black ink on cream paper. Crest features the head of a stag in profile on a crest-wreath. The shield is pointed at the top left, top right, and bottom corners. The bottom of the shield curves to a central point. The shield is argent with a sable chevron charged with two stars on the top left and top right sides. The stars are white with black shading and a black circle in the center. Below the chevron the shield is charged with a springing stag. Below the shield the motto is printed on a ribbon in capitalized, serif font. Underneath the motto is the bookplate owner’s name in curling, italicized font.
2.
[Bookseller's Tickets for Samuel Carsley]
1) In dark blue ink on white paper, the bookseller's ticket consists of a field of dark blue ink with a thin white / reserved-out border surrounding white text.
2) In gold metallic ink on red glossy paper, the bookseller's ticket consists of a simple gold border surrounding gold text.
3.
[Bookplate for L. Emile Grothé by Aimé Dufesne]
Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.
4.
[Bookplate for James Phinney Baxter]
In black ink. This ex-libris includes a portrait of the originator in the upper-right-hand corner, identified by his name and geographic locale. The remaining two-thirds of the bookplate consist of a depiction of the interior of a library. In a section spanning the base of the bookplate is a cursive, printed motto and a hand-written book number. The printed text is drawn from the last two lines of the second stanza of a poem composed by Baxter, entitled, "The Library."
5.
[Bookplate for George H. Fensom by Walter Lohse]
Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window.
6.
[Bookplate for Frederic Lumb Wanklyn]
In brown ink on white paper, a flying duck within a darkened circle is at the centre of the bookplate. It appears to be affixed to a post, on top of which there is a sign that reads 'Ex Libris F.L. Wanklyn.' The post is standing in a marsh.
7.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
8.
[Bookplate for Robert A. Harrison]
Black ink on cream paper. Crest features a demi-lion rampant on the top part of a castle tower. The lion is wearing a crown and holding a floral wreath in its paws. There is a gentlemen and esquire’s helm surrounded by elaborately curling sable and argent mantling that extends out to each side and tapers down to the base of the bookplate. Shield is sable and charged with three demi-lions rampant, two over one. The lions are wearing crowns. The motto is below the shield printed in capitalized block white letters on a banner with curling ends. The bookplate owner’s name is printed in black, gothic sentence-case font at the bottom of the bookplate.
9.
[Bookplate for Paul Gouin]
Black ink on cream paper. Border consisting of two thin black lines with solid black squares in the corners. Capitalized black serif-font written inside the border around an image. Image depicts a wooden house with a road in front. There are several clouds in the sky. There is a large tree in front of the side of the house, with the branches of another tree in the top right corner. The house has a wooden fence. In the foreground in the bottom right corner is grass.
10.
[Bookplate for George Macaulay Booth]
This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription.
11.
[Bookplate for Francis Henry Johnson]
Pictorial bookplate. Portrays single totem pole.
12.
[Bookplate for Malcolm McGregor]
This bookplate is rendered in the bright, vibrant red and green colours of the McGregor tartan. Outlined in black, the text stands out from the tartan in thick, white, block letters. Beneath the text is a green thistle.
13.
[Bookplate for Marjorie Vivien Smith]
A winged horse in flight among stars at night framed by a border with stars and planets is depicted. Bookplate still affixed to a portion of the book cover that has been cut out ; book is "The Voluntary worker in the social services. Report of a committee jointly set up by the National Council of Social Service and the National Institute for Social Work Training under the chairmanship of Geraldine M. Aves" (Beverly Hills, Calif., Sage Publications: 1969).
14.
[Bookplate for William Hale White]
Executed with black ink on ivory paper, this bookplate depicts a sailing vessel heading towards the horizon where the sun is rising/setting. The vessel is framed by two obelisk-shaped pillars.
15.
[Bookplate for Claude Ernest Dolman]
Laurel frames a compound optical microscope. Bookplate is on its original adhesive backing.
16.
[Bookplate for Clark. William Mortimer]
In black ink, a circular belt/garter provides the border. Within is a cat, sejant rampant, upon a straight crest wreath. The belt contains the English motto.
17.
[Bookplate for Frank Marx Etting]
In black ink, this bookplate consists of an escutcheon, argent (silver), containing a chevron, gules (red). On the chevron are three roundlets, argent. The escutcheon is bordered by mantling, and crested by a dexter cubit arm holding a sword. Impaled on the sword is a boar's head. The boar's head is said to represent unflinching courage and fierceness on the battlefield. In Irish literature, it was symbolic of aggression and savegery, and symbolized the Devil.
18.
[Bookplate for George Wilkins]
In black ink. This bookplate consists of an escutcheon, gules (red), charged with two swords saltier, and on a chief argent (silver) are three mullets pierced, sable (black). Above the escutcheon is a straight wreath charged with a demi-gryphon, rampant, regardant, segreant, gules, holding aloft a sword. Below the escutcheon is a banner displaying the originator's Latin motto.
19.
[Bookplate for Spencer Walpole]
This bookplate consists of an escutcheon, or (gold), with a fess sable (black), charged with three cross crosslets, or. Top and bottom sections are charged with a chevron, sable. Entire shield is placed within a circle, with bookplate owner's name circling at the border.
20.
[Bookplate for Octavius Wigram by Suffield]
In black ink. Argent, a pallet, gules, charged with three escallops, one over two divided by a chevronnel, engrailed, countercharged, gules (red). A chief, argent (silver), a ship representing an English vessel of war of the 16th century, with four masts, sails furled proper, and a flag, azure (blue), sitting on the water. Above the escutcheon is a straight crest wreath on which is a mount supporting a hand in armour, in fess, couped at the wrist proper, charged with an escallop and holding a fleur-de-lis erect. Below the escutcheon is a banner containing the Latin motto.
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