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	Search results for E.    Refine your search Creator 46 () 5 () 4 () 3 () 3 () Show more... results 121-140 of 206 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 121. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 122. [Bookplate for Gilbert Finlay Girdwood] Black ink on white paper. Argent and sable with a straight line down the middle. Left hand side is sable and argent per pale charged with three castle towers, two over one. Right hand side is argent, with a chevron engrailed sable. Chevron surrounded by three roundlets sable, two over one. Shield is wrapped in stylized bordure. At the top, is a crest featuring a demi-lion rampant guardant, tail extended holding a tree in its right paw. Lion sits on a crest-wreath. Below is a motto on a stylized banner with decorative ends. The bottom of the bookplate has typed cursive fond followed by serif font. 123. [Bookplate for Gordon Elliott] In blue ink on white paper, text within a single blue line border. 124. [Bookplate for H. R. N. Flyne by E. F.] Pictorial bookplate. A man seated in a chair, reading and smoking, with piles of books (and a martini) around him. The artist's name and year are inscribed on one of the books in the lower right corner. 125. [Bookplate for Hans Hjordis Hygen by E. B.] The bookplate's central image is done in relief of a house with a walkway and trees of to the sides of the house. The house appears to be a prosperous house with two chimneys and several floors. A mountain with whitcaps sits in the background and several stars are seen above them. 126. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 127. [Bookplate for Harry Hereford by J. B. C.] Printed in black ink on cream coloured paper. The image depicts the surface of a writing credenza which has a small drawer with a twisted handle on its front edge. The surface of the desk holds a closed vellum-bound book. To the left of the book is a small pile of stamped, addressed letters and a single candlestick with a lit candle. To the right of the book sits an inkwell with a quill pen resting in it. The entire scene is framed by two line borders ; the interior line is thicker than the exterior one. 128. [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor. 129. [Bookplate for Hart House] This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third. 130. [Bookplate for Henry Augustus Sims] In red ink on white paper, a border that contains red and black text and black decorative designs. Within the border, in black ink, there is an angled Escutcheon parted per pale. The dexter side is gules (red), containing a chevronel or (gold) with two mullets of six points, pierced, in chief, and one battle axe in base. The sinister side is quartered per cross by a cross argent (silver), with the dexter chief and sinister base quarters in azure (blue) and the sinister chief and dexter base quarters in gules. In each quarter save the sinister base there is a pheon proper. Above the Esctucheon, the mantling is topped by a wreath, from which a lion emerges, holding a battle axe. Below the Escutcheon is a banner bearing the motto, 'Ferio Tego.'. 131. [Bookplate for Henry James Grasett] Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends. 132. [Bookplate for Henry Mott by J. E. H. MacDonald] Black ink. Azure (blue) escutcheon charged with a argent (silver) crescent. Above the escutcheon is a straight wreath, an eight-point star and the originator's name. Below a waving banner displays the originator's Latin motto. All of the elements cited above are framed by a shield shaped border. Additionally, the paper is cut at skewed angles, causing the image to appear lopsided. 133. [Bookplate for Henry Neville Gladstone] This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin. 134. [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size. 135. [Bookplate for Hillfield School] In green ink. This textual print consists of letterpress type and handwritten script. There is a straight wreath crested by a boar's head, above a banner with Latin motto, at the top of the print. 136. [Bookplate for Hope Holmested by Thoreau MacDonald] This bookplate's design features a rising/setting sun on the horizon line of a body of water. Hovering above the water is an angel with hands in prayer, surrounded by several pairs of feathered wings. Stars appear in the heavens above and a fully risen sun or holy light glows from behind the angel's wings. 137. [Bookplate for Hope Innes] Printed in black ink on buff paper, the bookplate features a woman with a basket of flowers reading a book. The background includes blooming climbing flowers on a fence, statues, and a sundial. Ribbons of containing text appear at the top and bottom of the image. 138. [Bookplate for I. O. Körner and J. E. Horvath by K. M. S.] A central panel with the ownership text is surrounded by mantling that comes out of a vase at the bottom. Flanking the ownership panel there are two figures holding books at each side. Hanging from the mantling on the bottom are a drum and lyre, and surrounding the top are various animals. The top of the bookplate is crowned with a globe. 139. [Bookplate for J. E. Horvath by Gabriella Krisztimkovich] The bookplate belongs to J. Eugene Horvath who is a famous bibliographer living in Vancouver. The central image is of a Canadian mapleleaf. The left portion of the leaf has a gilt inlaid ceramic plate with a quill pen over it signifying a love of writing. The central portion of the leaf has a set of mountains signifying the Vancouver area with a camera below it signifying a love of photography. The right portion of the leaf has an image of a Hungarian King St. Ladislas The central portion of the leaf has an image of the Buda side of Budapest and shows the central castle and churches lying in relief above the Danube river. This portion of the bookplate indicates the fact that Horvath was born in Hungary and emigrated to Canada. 140. [Bookplate for J. E. Horvath by M. Trinque] This bookplate, in black ink on white paper with grey background portrays a man seated and thinking atop an architectural spiral. select all : clear all : add to favorites results 121-140 of 206 item(s)  page 7 of 11 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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