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21.
[Bookplate for Denis Le Marchant]
In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.
22.
[Bookplate for Franklin Billner]
In black ink. Escutcheon tilted to the left and parted per pale. The dexter half, or [gold], with a lion, gules [red], coward, holding a fan-like object between its front paws. The sinister half parted per fess, sable [black], on a field, or, with decorative patterns not typically seen in heraldry. Escutcheon surrounded by leafy mantling. Above is a tilting helmet on top of which sits an unidentifiable crown. On top of the crown is a lion, gules, coward, holding a fan-like object in its front paws. Wings, displayed, fan out from the top of the crown surrounding the lion.
23.
[Bookplate for E. F. Webb]
In black ink. Decorative escutcheon, or [gold], parted per cross, gules [red] and sable [black]. In the first quarter, an eagle, displayed, sable.
24.
[Bookplate for Charles Manby by Suffield]
In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto.
25.
[Bookplate for C. A. Walkinshaw]
In black ink, an architectural border surrounds an image of a stylized Greco-roman figure sitting on a seat, reading a book, with others at his feet. There is also a bird and scroll imposed on the white space within the side of the seat.
26.
[Bookplate for Arthur Richard Springett]
In black ink on white paper, this bookplate consists of a shield or escutcheon Gules (red) party per fess wavy with three crescents, two over one, Argent (silver). The closed, barred helm in profile toward the dexter half bears a crest of a displayed eagle upon a nowed snake in a figure eight and a straight wreath. The helm is surrounded by mantling. Below the escutcheon, a banner bears the motto 'MEMOR ET FIDELIS' [Latin: Mindful and Faithful].
27.
[Bookplate for Gerald Lynham Porte Grant-Suttie]
In black ink on white paper, this bookplate consists of a shield Azure (blue), three eagles displayed two over one, a chief, Or (gold), a demi-lion rampant queue fourche. Issuing out of a Crown Vallary, the crest of a demi-lion rampant queue fourche and holding in the forepaws a star of seven points. Below the escutcheon, a banner bears the motto 'VINCIT QUI POSSE CREDIT' [Latin = He who believes that he can, succeeds].
28.
[Bookseller's Ticket for W. C. Chewett and Company]
In black ink on white or yellow paper, the bookseller's ticket consists of a double border surrounding black text.
29.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
30.
[Bookplate for Holland House]
In black ink , a chapeau crimson (red), lined with ermine (white powdered fur with black tufts), a fox sejant, or (gold), floating above is a coronet of a baron.
31.
[Bookplate for Vincent Stuckey]
In black in, this bookplate consists of and escutcheon divided per pale. The dexter half is divided per bend sinister, or (gold), azure (blue) and dove-tailed, and charged with a lion, rampant and ermine with a tail queue fourché. At the dexter chief of the half is an azure canton charged with a mascle, or. The sinister half of the escutcheon is identical to the dexter, except that at it also contains a crescent at middle chief. The escutcheon is crested by a straight crest wreath and a demi-lion with tail queue fourché, ermine and charged with a mascle, azure. Below the escutcheon is a banner containing the Latin motto.
32.
[Bookplate]
Five lines of text enclosed within a double border of one thick and one thin line. The words 'Cote St. Antoine' are written in a slightly curled font, and the words 'Methodist S.S. Library' are in bold. There is a space for the number of the book to be written in by hand. The bookplate also includes the terms of borrowing.
33.
[Bookplate for David Cleghorn Thomson]
Bookplate design features a running stag and hound.
34.
[Bookplate for Canadian School of Missions]
Bookplate design consists of a bible beneath a map of the world shaped as a heart. Bookplate text is contained within scroll beneath bible. Grape leaves and grapes pictured in background. Entire bookplate design encased in a frame.
35.
[Bookplate for Charles Carroll]
Bookplate consists of an escutcheon, in a scalloped chippendale style, charged with two lions rampant, between which is a sword. Escutcheon is charged with a straight wreath and an eagle with wings elevated. Cherub also stands beside the escutcheon.
36.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.
37.
[Bookplate for William Greig]
Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.
38.
[Bookplate for Library of Diocesan Theological College]
Black ink on white paper. There is italicized black text with a dotted line at the top of the bookplate. There is an almond shaped design with double lined black borders. The border contains capitalized black sans serif font. In the center are two shields. A white shield with an anchor partially covers a black shield. A bishop’s hat sits atop the shield. A motto is printed in the banner. Below more italicized text is printed with a dotted line. There are several lines of stylized black gothic fond, one line of sans serif capitalized black font, and then one final line of italicized text with a dotted line.
39.
[Bookplate for Barclays Bank]
Black ink on white paper. Border and paper have indented corners. Text in shield-shaped area. Shield at topf of plate shows eagle displayed with three crowns across its wing span.
40.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.
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