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41.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font.
42.
[Bookplate for McIntosh Art Gallery by Leslie Victor Smith]
Black ink on cream paper. White ivy border over stippled black background. Names of John Gordon McIntosh and Wilhelmina Morris McIntosh inscribed on facing pages of book, behind which is a lit torch whose rays span out from the center of the plate. The text of the plate is on a scroll which is woven around a lyre, a symbol of harmony.
43.
[Bookplate for A. C. Jones by Clare Victor Dwiggins]
Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.
44.
[Bookplate for Charles Theodore Hart]
Black ink on cream paper. Crest features the head of a stag in profile on a crest-wreath. The shield is pointed at the top left, top right, and bottom corners. The bottom of the shield curves to a central point. The shield is argent with a sable chevron charged with two stars on the top left and top right sides. The stars are white with black shading and a black circle in the center. Below the chevron the shield is charged with a springing stag. Below the shield the motto is printed on a ribbon in capitalized, serif font. Underneath the motto is the bookplate owner’s name in curling, italicized font.
45.
[Bookplate for Gamble Geddes]
Black ink on cream paper. Crest features half a fish hauriant showing a fin, gills, and a head with teeth atop a crest-wreath. Sable shield charged with three of the aforementioned fish heads two over one and an argent insecutcheon. There is a ribbon-like banner with the motto below the shield with curling ends. Each side of the ribbon is angled towards a downward point. On the left side is text in capitalized black serif-font. The right side of the ribbon overlaps the left and has text in the same font. Below the motto, the owner’s name is written in curling sentence-case font.
46.
[Bookplate for Ecole Modele Jacques-Cartier by John Henry Walker]
Black ink on cream paper. An insignia tops the bookplate, featuring a radiant cross and open book above a beaver and surrounded by maple leaves. Included is a banner with a motto. Below, the name of the school and a pre-formatted prize text is printed in two fonts. The class, date, name of the recipient and signature of the principal are handwritten in black ink. An ornate scrolled border surrounds the text and insignia. The printer is listed at the bottom.
47.
[Bookplate for Elora Mechanics’ Institute]
Black ink on cream paper. A stylized border surrounds text in multiple fonts, including a Gothic title. A number is handwritten at the top of the plate in pencil.
48.
[Bookplate for Frederic William Howay]
At the top is a sea otter resting on the sand with a mountainous coast in the background. Below that within a shield-shaped frame is a picture of a sailing vessel with the title "SEA OTTER" on the stern. The shield is surrounded by various sea shells, with a banner displaying the bookplate text.
49.
[Bookplate for Ecole Normale Jacques-Cartier and Joseph Denis by John Henry Walker]
An insignia tops the bookplate, featuring a radiant cross and open book above a beaver and surrounded by maple leaves. Included is a banner with a motto. Below, the name of the school and a pre-formatted prize text is printed in three fonts. The class, date, name of the recipient and signature of the principal are handwritten in black ink. A border surrounds the text and insignia. The entire plate is printed in black ink. The paper includes a watermark.
50.
[Bookplate]
A stylized floral border surrounds the text, which is written in several different fonts and is found in the middle of the bookplate. The word 'Catholic' is written in a curly font with the words 'Circulating Library' printed in Gothic below. The book number is printed underneath, and there is a line dividing the upper part of the text from the middle, which lists the library rules. Below the library rules is another line, and below this is a hand symbol which points to further information on the library hours. The cost of subscription is given in cents, dating this bookplate after 1858, the year in which currency decimalization came into force in Canada.
51.
[Bookplate for James Stevenson by H. Wilson]
A Latin phrase is written on a banner at the top of the plate. Beneath it is a hand ascending from a heraldic silk wreath, holding a crown of leaves. While illustrated in a pictorial style, the image is reminiscent of the heraldic image of a dexter hand couped at the wrist, holding a crown of laurel or bay leaves.
52.
[Bookseller's Tickets for Samuel Carsley]
1) In dark blue ink on white paper, the bookseller's ticket consists of a field of dark blue ink with a thin white / reserved-out border surrounding white text.
2) In gold metallic ink on red glossy paper, the bookseller's ticket consists of a simple gold border surrounding gold text.
53.
[Bookbinder's Tickets for Joseph Fortier]
1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.
54.
[Bookseller's Tickets for J.A. Carveth & Co Limited]
1) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text.
2) In blue ink on white paper, the bookseller's ticket consists of a thin blue border surrounding blue text.
3) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text.
55.
[Bookseller's Tickets for Zephirin Chapeleau]
1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text.
2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text.
3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.
4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text.
56.
[Bookbinder's Tickets for Zephirin Chapeleau and J.M. Lamothe]
1) In black ink on gray paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
2) In black ink on yellow paper, the bookbinder's ticket consists of a black decorative border surrounding black text.
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