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	Search results for EX    Refine your search Creator 8 () 6 () 5 () 4 () 4 () Show more... results 241-260 of 374 item(s)  page 13 of 19 : ( <<  11  12  13  14  15  16  17  18  19  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 241. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In green ink, image of four blooming flowers emerging from the ground, set on an arched background, with solid green border. 242. [Bookplate for Leida Eerme and A. Lavdovsky by A. Lee] In black and blue ink, an image of a butterfly in the centre, and a flower in the bottom right corner. Curving black lines border the four corners. Text is written vertically on the wings of the butterfly. 243. [Bookplate for Leopold Bauer, Elsa Bauer, and J. E. Horvath] Black ink on tan paper. Monumental fountain sorrounded by vegetation and neoclasical architectural elements. 244. [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk. 245. [Bookplate for Lewis Hutchens by Don Wier] This bookplate's design features a devil looking upwards and leaning against a book. He seems to point towards the bookplate originator's name with his left-hand, while holding a fountain pen in the crook of his other arm. Stylistically, this ex-libris appears to have originated in the early part of the 20th-century. 246. [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery. 247. [Bookplate for Lilian Guest Cape] Black ink on cream paper. A crest features a lion passant with a sword in its right paw standing on a torse. A motto is printed on a small ribbon in capitalized, sans serif, black font. Bolder capitalized, sans serif, black font is below the motto. A larger ribbon with elaborated curled ends features capitalized, serif, black fond. Many lines of text follow below in a roughly diamond shape. The text is printed in capitalized, bold, serif, black font. There one final ribbon at the bottom of the bookplate featuring the owner’s name in thinner, sans serif, black font. 248. [Bookplate for Linnu Eerme by A. Lee] In black and brown ink, an image of two birds, flowers, trees, and a bird feeder are portrayed on ivory paper. 249. [Bookplate for Lipot Kecskemeti and J. E. Horvath] In brown ink, this elaborate bookplate depicts an artistic representation of the light of ten candles radiating through what appears to be the shape of the ten commandment tablets. The light energy streams up between a floral arrangement of roses and another flower through an encircled Star of David and into the heavens represented by stars and a cresent moon. 250. [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name. 251. [Bookplate for Lorenzo Spallino and Michael B. Kunze by T. M.] In black ink, a nude male figure stands at the base of a tree from which he picks fruit. The foliage of the tree is framed by a circular border. The base of the tree rests on an open book on which the text is written. 252. [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand. 253. [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus. 254. [Bookplate for Louis C. de V Carrier] Two lines of plain text with a dotted line under the last line. 255. [Bookplate for Ludger Gravel] Printed in blue ink, surrounded by a border composed of three wavy lines, the bookplate features a coat of arms. The Jerusalem Cross is borne in red on a gold field in the chief. The lower shield features Hermes and the Caduceus on a red field. It is topped by a closed helm of gold, in profile. A banner is beneath the coat of arms, as well as the owner’s name. 256. [Bookplate for Lyman Tower Sargent] This bookplate is executed in brown ink on white paper. In the background is a framed picture of a ship. There is also a globe and a range of books supported at each end by bookends of monks sitting and reading. In the foreground is an open book with a ink well and quill. 257. [Bookplate for M. J. Freie] Pictorial bookplate created with black ink on ivory paper. A clock tower is visible through a stone, oval, window. In the upper right and left corners are shields: On the left side is an or shield with a displayed double-headed bird ; on the chest of the bird is an argent shield with a vert fess. The shield on the right side is sable with a ship. In the bottom right corner is an owl perched atop books and in the left corner is a painter's pallet and brushes. 258. [Bookplate for MacDougall] The bookplate design consists of an elaborate border (1 CM thick) with urns, winged angel heads, and flourishes. 259. [Bookplate for MacMahon by L. R.] A series of buildings are portrayed. In the foreground are rooftops and a chimney stack behind which is a circular building with columns. In the background are a series of low-rises and two high-rises. 260. [Bookplate for Mae Burke Craft by A. H.] Central image is of a window with gables to the left and right above a large number of deciduous and coniferous plants and shrubs. The window looks onto a scene with an empty fireplace and a roman mantle above it holding a mounted mirror on top of it. There are various other pictures and bookcases/books held within the room in addition to an open book sitting on an antique armchair partly facing towards the open window. Hanging from the mantlepiece above the fire is a family crest, but it is too small to discern more than general details. The whole image is surrounded by a triple filleted black border. select all : clear all : add to favorites results 241-260 of 374 item(s)  page 13 of 19 : ( <<  11  12  13  14  15  16  17  18  19  >> ) :: previous : next
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