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	Search results for EX-LIBRIS    Refine your search Creator 47 () 2 () 1 () 1 () 1 () Show more... results 21-40 of 83 item(s)  page 2 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 21. [Bookplate by Eiichi Hirose] A ragged edge of a central image is covered in a grey coloured wash. The central image is of a woman in a traditional flowered kimono dancing, done from a woodcut. The woman is facing to the left and her right hand, in the lower left of the picture, holds a hat. 22. [Bookplate by Eiichi Hirose] A red outline surrounds the central picture of the rock garden and reflection area in Ryoan-ji temple in Kyoto with the oil died wall in the background. Images have also been carved into the gravel. 23. [Bookplate by Eiichi Hirose] A tall gailly blue, beige, and red stripped ceremonial pole is the central image. There is a small blue and orange bag mounted a third of the way from the bottom of the pole, a black and orange ribboned head-dress to the pole and a green and yellow arc is at the bottom of the pole. The pole leans from the upper left towards the lower right position. 24. [Bookplate by Eiichi Hirose] A yellow frame surrounds a side view of a Japanese woman with a traditional headpiece, and blue/white robe. 25. [Bookplate by Eiichi Hirose] An image of a Japanese festival paper lantern is shown. The three (Hirigana/Katakana) symbols written on the lantern are pronounced, "Se-ro-hi". The lantern has a black top and bottom rim with a carrying handle at the top. An orange tassel emerges from the bottom of the lantern. The lantern is sitting at the center of the page. The symbols start at the lower left of the lantern and move towards the upper right. 26. [Bookplate by Eiichi Hirose] An image of a Japanese woman with a kimono and obi with a circular bowl shaped hat on her head. 27. [Bookplate by Eiichi Hirose] An image of an orange cowl surrounding a face. There is a Japanese Kanji Character drawn below the face amongst the cowl. The image is of a classical figure from Japanese mythology. The myth is of a hermit who goes to a cave and does not move for many years causing his limbs to whither until only a head remains. A grey border outlines the figure and the text. The face is facing towards the right. 28. [Bookplate for Alton Goldbloom] Black and gold ink on cream paper. Art deco stylized capitalized font printed a top an image of a baby emerging from the torso up out of a gold, three-petal flower. Black stripes of alternating thick and thin width appear behind the baby. The vertical stem of the flower has a gold centre and two leaves, one on each side of the stem, that are half black and half gold. The stem expands in width at the base and capitalized font is written in the non-printed space at the black base. Black ink capitalized font is written below. 29. [Bookplate for Roxie Jayne Gebhardt] Black ink on cream colored paper with an adhesive backing. A fine-line drawing of a tall ship at sea, with all sails unfurled and a British flag (Union Jack) flown as ensign at the stern. The ship sails on choppy waters. To the left, there is an outline of two clouds and three birds in the sky, along with a silhouette of another ship in the distance on the water. The entire drawing is framed by a black, thin-line border with no additional decorative detail. 30. [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso. 31. [Bookplate for Heinz von der Linden and Michael B. Kunze] Black ink on tan paper. Crest of gules rooster stands on a barred helmet in profile. Shield is quartered. Upper left quarter shows four or and three sable bars. Remaining three quarters each display a crescent moon. Light mantling. Text at top and bottom. 32. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 33. [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon. 34. [Bookplate for University of British Columbia by Ladislas Kardos] Bookplate has an imposed skyline drawn against a gray background. The background, skyline and the text following is printed on an argent background with the UBC crest located in the lower dexter chief position of the bookplate with "The Library" printed below it. 35. [Bookplate for Charles Fyfe by R. P.] Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background. 36. [Bookplate for James Lee] Brown and red ink on cream paper. A thick brown border surrounds the bookplate. Inside is a thin red border. Underneath the top of the red border are two leaves printed on the left and right side of block, capitalized, serif text. At the base of the red border, text is printed in the same block letters in a slightly larger size. There is a second thin red border within the first one, inside of the block text. Inside this border is the image of a man sitting indoors reading a book. The man has long hair tied with a bow in the back and is wearing a long dark coat and large pants cropped at the knee. He also has simple shoes with bows on his feet. He is sitting in a large wooden chair and smoking a pipe. Behind him to the right is a window with diamond patterns. To the left of the window is a small frame with little detail. The man and his chair are in profile. In front of them, half a round table is visible. A small vase and a thin glass are atop the table. At the man’s feet, a small black cat lies curled atop a closed book. 37. [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog. 38. [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor. 39. [Bookplate for Frances Wahlstad Cochrane] Central image is of a portrait shaped rectangular frame surrounding a chequered field suggesting a window. Only black and the natural paper color are used. There is an elaborate metal candelabra on the lower left side of the chequered field. The metal of the three candle holders is coiled counter-clockwise down towards the base, and has a roman column base. There are three burning wax candles with white streamers flowing upwards from them mounted on the candelabra. Next to the candelabra are three horizontally stacked books. They are stacked with the bottom and topped books having the spine oriented at an angle towards the right front side of the image. The middle book has the opposite orientation of the spine. 40. [Bookplate for Frederick Starr] Colour woodblock print in two blocks. In yellow and blue ink. Bordered image of a nude woman. Bookplate text above. select all : clear all : add to favorites results 21-40 of 83 item(s)  page 2 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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