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	Search results for England).    Refine your search Creator 47 () 19 () 11 () 8 () 5 () Show more... results 161-180 of 1231 item(s)  page 9 of 62 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 161. [Bookplate for George Benson Strutt] This bookplate consists of an escutcheon, sable (black), containing a chevron, ermine (white powdered fur with black tufts), and charged with three cross crosslets fitchy, or (gold). Above the escutcheon is a straight crest wreath, and a cubit arm habited (vert [green] sleeve and ermine cuff) containing a cross crosslet fitchy, argent (silver), and holding a rolled scroll. Above the crest is a banner containing the Latin motto. 162. [Bookplate for Hugh Lyle Smyth] In black ink, this bookplate consists of an escutcheon, argent (silver), containing an invected bend, azure (blue). The escutcheon is charged with two unicorn heads, gules (red) and erased, at dexter base and sinister chief ; the bend is charged with three lozenges, ermine (white powdered fur with black tufts). Above the escutcheon is a dexter closed helmet, which is topped by a ducal coronet and a unicorn head, gules and erased, with lozenge, ermine. From either side of the helmet flows elaborate mantling. Below the escutcheon is a banner containing the Latin motto. 163. [Bookplate for Vincent Stuckey] In black in, this bookplate consists of and escutcheon divided per pale. The dexter half is divided per bend sinister, or (gold), azure (blue) and dove-tailed, and charged with a lion, rampant and ermine with a tail queue fourché. At the dexter chief of the half is an azure canton charged with a mascle, or. The sinister half of the escutcheon is identical to the dexter, except that at it also contains a crescent at middle chief. The escutcheon is crested by a straight crest wreath and a demi-lion with tail queue fourché, ermine and charged with a mascle, azure. Below the escutcheon is a banner containing the Latin motto. 164. [Bookplate for Francis Fortescue Knottesford] In black ink. This bookplate consists of an escutcheon parted per pale. The first pale is parted per quarter. Quarters one and four are azure (blue), a bend engrailed, or (gold), coticed, argent (silver). Quarters two and three are argent, cross engrailed, gules (red), in canton cinquefoil, azure (blue). The second pale is parted per quarter, in quarter one, a barry of eight, argent and vert (green), charged with a gryphon, rampant, segreant. Quarter two is argent, with a chevron, ermine, fimbrated sable (black), with two canons placed two over one around the chevron. Quarter three is argent, with a chevron, sable, charged with a bird displayed. Quarter four is azure charged with a lion rampant. Above the escutcheon is a straight wreath charged with a tyger passant atop a peer helmet. Below the escutcheon is a banner containing text. 165. [Bookplate for Benjamin Gott] In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed. 166. [Bookplate for Charles Collier] Bookplate design consists of an escutcheon azure (blue), with a fess argent (silver), charged with three heraldric roses, two over one. Above the escutcheon is an esquire helmet, along with mantling. Above the helmet is a straight wreath, charged with a human figure holding a heraldric flower. Below the shield is a banner containing Latin motto. 167. [Bookplate for George Grote] This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements. 168. [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. 169. [Bookplate for Mechanics Institute of Montreal] Black ink. The seal of the Mechanics' Institute of Montreal is located in the upper portion of the bookplate with pre-printed lines for library information below. The seal contains an escutcheon quartered per saltire with argent (silver) and gules (red) backgrounds. The chief quarter features a train car, the sinister quarter a couped arm with hammer, the base quarter a lever and the dexter quarter a telescope. Though difficult to decipher, the seal appears to declare ; Knowledge is Power, in a framed ring at the fess point. 170. [Bookplate for J. W. Dunbar Moodie] Escutcheon divided per quarterly. Dexter chief and sinister base display three ships in full sail on azure (blue), below a tower over background gules (red). Sinister chief and dexter base display three arrow heads, argent (silver) on an azure base, with a hunting horn above a chevron, ermine. Above the escutcheon is a vizored helm with a naval coronet ; above that is a lion, passant guardant, holding a flag. The motto is inscribed in a scroll above the lion. 171. [Bookplate for Mary Alice Peck] Black ink on grey paper. The top portion of the bookplate features a series of vines on which appear to be bell shaped flowers, beneath which lies the owner's name. 172. [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'. 173. [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools. 174. [Bookplate for Marcus Brown Westhead] In black ink on white paper, this bookplate consists of a shield quartered. First and fourth quarter, argent, two barrulets dancette sable, between three Saracens' heads couped at the shoulders proper, wreathed round the temples, of the first and second. Second and third quarter, azure, on a fesse argent, between three martlets in chief, and the Roman fasces erect surmounting two swords in saltire, and encircled by a chaplet in base or, three chess-rooks sable. Center inescutcheon, party per chevron or and azure, in chief a mullet of six points lies between two crosses pattée of the last, and in base the front elevation of a chapel argent, the whole being charged with a crescent for difference. First crest, on a wreath of the colors, within a fetterlock or, a Saracen's head couped proper, wreathed round the temples argent and sable. Second crest, on a wreath of the colours, a demi-eagle displayed with two heads azure, charged on the breast with the fasces, swords, and chaplet, as in the arms. The escutcheon is surrounded by mantling and below a banner bears the motto 'ORA ET LABORA.'. 175. [Bookseller's Tickets for Samuel Carsley] 1) In dark blue ink on white paper, the bookseller's ticket consists of a field of dark blue ink with a thin white / reserved-out border surrounding white text. 2) In gold metallic ink on red glossy paper, the bookseller's ticket consists of a simple gold border surrounding gold text. 176. [Bookplate for William C. Hawes by Alfred Adlard] In black ink on white paper a large building is shown surrounded by a fence, smaller buildings, and trees. 177. [Bookplate for J. Rumsey] Printed in black ink, a simple linear border with sparsely set flowers surrounds the text. The seal in the center of the bookplate displays an image of the Calvary Church. 178. [Bookplate for J. G. Chilcott] The text is in the centre of the bookplate, surrounded by a vine-like border. Four small flowers are in each corner of the border. The text 'TRURO' is bolded. 179. [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons. 180. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. select all : clear all : add to favorites results 161-180 of 1231 item(s)  page 9 of 62 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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