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results 21-40 of 42 item(s)  page 2 of 3 : ( <<  1  2  3  >> ) :: previous : next
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21. [Bookseller's Tickets for Chapman's Book Store] [Bookseller's Tickets for Chapman's Book Store] 1) In metallic gold ink on black glossy paper, the bookseller's ticket consists of plain text with no border or decoration.
2) In metallic gold ink on black matte paper, the bookseller's ticket consists of a gold border surrounding gold text.

22. [Bookseller's Ticket for James Bain] [Bookseller's Ticket for James Bain] In black ink on white paper, the bookseller's ticket consists of a serpentine black border with decorative elements in the four corners surrounding black text in roman and italic type.

23. [Bookplate for Brockville Public Library] [Bookplate for Brockville Public Library] In black ink on white paper, the bookplate consists of the seal of Brockville, incorporating scenes of ships, trains, beehives, and a beaver, in the upper right corner and black text.

24. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

25. [Bookplate for Burton's Limited Circulating Library] [Bookplate for Burton’s Limited Circulating Library] In black ink on tan paper. A simple border frames the text.

26. [Bookplate for Carnegie Library of Ottawa] [Bookplate for Carnegie Library of Ottawa] There are two solid, black line borders around the text. The bookplate is printed in black ink, and the words 'Carnegie Library of Ottawa' are printed in red ink in a Gothic script. Two thin black lines separate the words 'Carnegie Library of Ottawa' from the 'library rules' text.

27. [Bookplate for Dundas Mechanics' Institute] [Bookplate for Dundas Mechanics’ Institute] Black ink on grey paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.

28. [Bookplate for Dundas Mechanics' Institute] [Bookplate for Dundas Mechanics’ Institute] Black ink on cream paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.

29. [Bookplate for Dundas Public Library] [Bookplate for Dundas Public Library] Black ink on brown paper. A border made up of pommy crosses houses the name of the library and its borrowing policies. The title of the library is printed in Germanic text, and beneath it is a double-lined, horizontal divider. In the bottom half of the plate is printed the borrowing policy.

30. [Bookplate for Dundas Mechanics' Institute and Library Association] [Bookplate for Dundas Mechanics’ Institute and Library Association] Black ink on cream paper. A border of small circles surrounds the title of the library, its classification information, its opening hours, and its borrowing policies. Beneath the title of the library is a vertical dividing line. The classification row contains several hand-written notes in black ink. Above the borrowing policy is short, curvy dividing line.

31. [Bookplate for Elora Mechanics' Institute] [Bookplate for Elora Mechanics’ Institute] Black ink on cream paper. A stylized border surrounds text in multiple fonts, including a Gothic title. A number is handwritten at the top of the plate in pencil.

32. [Bookplate for Oeuvre des Bons Livres de Montreal] [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

33. [Bookplate for Oeuvre des Bons Livres de Montreal] [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

34. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.

35. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

36. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

37. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on pale pinkish tan paper. Ornate curlicue border with circular corner designs. Multiple fonts are present. The library title is written in bold and non-bold capital letters, while the institute name is written in title case with gothic script. Separated by thin straight lines, the card number field is written in stylized bold font. The lending rules are written in serif font.

38. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on tan paper. Curlicue and straight-line border. Multiple fonts are present. The library title is written in bold and non-bold capital letters, with the institute name in sentence case gothic script. Separated by centered, thin straight lines, there is a left aligned field for class and a right aligned field for card number written in bold serif font. The lending rules are written in italicized serif font.

39. [Bookplate for Library of the Hamilton and Gore Mechanics' Institute] [Bookplate for Library of the Hamilton and Gore Mechanics’ Institute] Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.

40. [Bookplate by William Walker Alexander] [Bookplate by William Walker Alexander] Black ink on cream paper, depicting a man holding a book and sitting beneath a large tree, with more trees in the background.
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