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1. [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] [Bookplate for Garnet Joseph Wolseley by Charles William Sherborn] This heraldic bookplate consists of an escutcheon, argent (silver), charged with a talbot passant, gules (red), and a mullet above at centre chief. The escutcheon is supported by a wolf, rampant clutching swords at dexter and sinister. The escutcheon is set within a garter-like setting, from which various military medals hang. Above the escutcheon is a viscount coronet, sans the cap, with a grated helmet at three-quarters, further delineating the rank of viscount. Upon the helmet rests a ducal coronet, which is charged with a wolf's head. Behind the wolf is a small banner with first Latin motto within (the family motto of Wolseley of Wolseley, Co. Stafford, Barts.), and below the supporters and escutcheon is a second banner, with second Latin motto within (the family motto of Wolseley of Mount Wolseley, Co. Carlow, Barts.), along with a larger banner with bookplate owner's name and title. Elaborate mantling radiates from the helmet, and the entire bookplate is encased in a ribbed border.

2. [Bookplate for J. E. Horvath] [Bookplate for J. E. Horvath] Brown ink on cream paper. Cupboard with an array of ceramic pieces including candle sticks, jugs, bowls and figurines. The text box is centered infront of the cupboard and shield with a tea pot appears on top of the tex box.

3. [Bookplate for Richard Whitmore Norman] [Bookplate for Richard Whitmore Norman] This simple heraldic bookplate consists of a straight wreath charged with a stag's head, erased. Above the charged wreath is a banner, with Latin motto within.

4. [Bookplate for Cosmo Nevill] [Bookplate for Cosmo Nevill] This heraldic bookplate consists of an escutcheon, divided per cross. Quarters one and four are gules (red), charged with a saltier, ermine (fur, white powdered with black tufts). Quarters two and three are argent (silver), with a fretty of eight pieces, gules. Quarters two and three have a canton at dexter chief, divided per pale, or (gold) and argent, charged with a galley with three masts. Above the primary escutcheon is a grated helmet at three-quarters profile (denoting a degree of peerage under a duke). Above the helmet is a straight wreath charged with a ducal coronet around an ox head, erased and ermine. Radiating from the helmet and escutcheon is elaborate mantling. Beneath the escutcheon is a banner, with Latin motto within.

5. [Bookplate for Frederick Claude Vivian Lane and Frederick Starr] [Bookplate for Frederick Claude Vivian Lane and Frederick Starr] Colour woodblock print. In black, blue, nude, red and white ink. Image of birds in water with a fire in a basket at top left and (possibly) a boat top right.

6. [Bookplate for Henri Rainville] [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume.

7. [Bookplate for Charles Hughes] [Bookplate for Charles Hughes] Pictorial bookplate. Portrays England and Ireland surrounded by frame of lions and kangaroos.

8. [Bookplate for Maria Anna Grimaldi] [Bookplate for Maria Anna Grimaldi] This heraldic bookplate consists of an escutcheon, or (gold), charged with three esquire helmets, sable (black), en profile at fess, and a lion passant below. Above the escutcheon is an esquire helmet, above which is a crest of an armoured arm embowed clutching a curtana, or a pointless sword of mercy. The escutcheon is surrounded by elaborate mantling, and the entire crest by a stylized border. Below the heraldic image is the Latin text.

9. [Bookplate for William Greig] [Bookplate for William Greig] Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.
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