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1.
[Bookplate for Norman H. Friedman by A. G. Racey]
Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog.
2.
[Bookplate for Gerald E. Hart by Edwin Cox & Co.]
Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.
3.
[Bookplate for Charles Theodore Hart]
Black ink on cream paper. Crest features the head of a stag in profile on a crest-wreath. The shield is pointed at the top left, top right, and bottom corners. The bottom of the shield curves to a central point. The shield is argent with a sable chevron charged with two stars on the top left and top right sides. The stars are white with black shading and a black circle in the center. Below the chevron the shield is charged with a springing stag. Below the shield the motto is printed on a ribbon in capitalized, serif font. Underneath the motto is the bookplate owner’s name in curling, italicized font.
4.
[Bookplate for Arthur Lowndes]
Black ink on white paper. The bookplate features an oval shape with a thin, pale black border. At the top of the bookplate is a rounded section with a base that goes down a point towards the middle of the bookplate. The image depicts a procession of men entering what appears to be a brick church. The man at the front of the procession is carrying a cross. There is foliage growing on the church exterior. The men are entering an arched doorway and there are windows above and to the right of the doorway. To the right of a procession is a small metal fence with a brick pillar, behind which is a tall, leafy tree. Other trees are silhouetted in black on the far horizon. The base of the image is decorated with leaves and flowers with many petals. Below, the background is a speckled grey wall and there are two crests, one of the left and one on the right. On the left, the crest features a tall leafy tree on a crest-wreath. To the right of the tree is an argent shield charged with three sable fleurs-de-lis, two over one. At the base of the tree trunk, a ribbon billows out to the right with text printed in capitalized, black, sans serif font. The shield is argent with a bend. The bend has a border of two thin sable lines and is charged with three argent leaves. Below the shield, the mottos is printed on a curling ribbon in capitalized, black, sans serif font. On the right, the crest features a sable erased dragon’s head floating above a crest-wreath. The shield is all argent with a lozengy field. There is an argent canton in the upper left corner of the shield charged with a smaller version of the sable erased dragon’s head from the crest. Below the shield, the motto is printed on a curling ribbon in capitalized, black, sans serif font. Below the crests is a large fireplace. The mantle is covered with books. There is a lamp on the left side of the mantle and a vase filled with plants on the right side of the mantle. Alongside the fireplace, books are stacked on shelves on the left and right-hand side. The mantle itself is decorated with simple vertical black lines. There is a simple iron grate in front of a roaring wood fire. On the left and right hand side of the fireplace itself are square shaped decorative features. There are also fireplace implements on either side of the fireplace. On the floor in front of the fire are a dog and cat. The dog is black and white and is lying down on the left side of the bookplate. The cat is also black and white and is sitting on the right side of the bookplate. Below the cat and dog, the bottom portion of the bookplate features a dense floral decoration. On top of the decoration is a banner with curling ends upon which the bookplate owner’s name is printed in capitalized, serif, black font.
5.
[Bookplate for Mae Burke Craft by A. H.]
Central image is of a window with gables to the left and right above a large number of deciduous and coniferous plants and shrubs. The window looks onto a scene with an empty fireplace and a roman mantle above it holding a mounted mirror on top of it. There are various other pictures and bookcases/books held within the room in addition to an open book sitting on an antique armchair partly facing towards the open window. Hanging from the mantlepiece above the fire is a family crest, but it is too small to discern more than general details. The whole image is surrounded by a triple filleted black border.
6.
[Bookplate for Charles N. Hood, Mary K. Hood, and Dorothy Hood by A. H. N.]
Pictorial bookplate. Within an elaborate floral border is a square divided into both text and an image of a fireplace and bookshelf. At the bottom of the frame is face, below which is the artist's initials and date.
7.
[Bookplate for Mechanics-Mercatile Library by Arthur F. Mathews]
Black ink on tan paper. Picture shows men working on a large, domed building. Text at bottom.
8.
[Bookplate for Ödön Stern and J. E. Horvath by B. I.]
Black ink on cream paper. This bookplate combines Art Deco and Egyptian style and imagery. The black ink provides the background with most of the objects delineated in white from the paper. A figure in profile to walks towards the right of the scene holding high three books in offering. Behind the figure there is a curtain with a weaved pattern. Further back on the right hand side there is a vase with flowers, and two urns. One sits on the floor. Fire rises from the second one on a stand.
9.
[Bookplate for Fred Bowman]
In black ink, a man sitting in a chair with his feet resting on a table reading a book and smoking a pipe. The smoke is the signature of Fred Bowman. There is a lamp and a mouse behind him. He is sitting in front of a fireplace with a clock and dishes on the mantle and a cat in front of the fire. There is a bookshelf opposite him and two pictures on the wall. The scene is surrounded by a lined border.
10.
[Bookplate for Frederick Claude Vivian Lane and Frederick Starr]
Colour woodblock print. In black, blue, nude, red and white ink. Image of birds in water with a fire in a basket at top left and (possibly) a boat top right.
11.
[Bookplate for James Bruce MacKinnon]
Black ink. A straight wreath is charged with a boar's head, erased, holding a deer's shank bone in its mouth. Below the boar's head waves a banner containing the MacKinnon family motto.
12.
[Bookplate for London Public Library and Art Museum]
This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.
13.
[Bookplate]
In blue ink on yellow paper. This bookplate displays a mounted trumpeter, suited in armour. Behind his right leg hangs a shield charged with what appears to be an eagle displayed. The equestrian is surrounded by a rectangular frame containing alternating vegetative designs and open books resting on book stands. Above the figure, within the frame appears the work ex-libris and below, in the base of the frame the institution name.
14.
[Bookplate for C. Gordonsmith]
Printed in brown ink, the bookplate depicts an interior room scene with a fire place and mantel, book shelf, and arm chair. Pictorial.
15.
[Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats]
Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
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