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1. [Bookplate for Grace Svenningson] [Bookplate for Grace Svenningson] In black ink on white paper, two columns frame the sides of the bookplate, with a banner stretched behind them at the top. Thick vines are hanging from the banner, and a few are wrapped sparsely around the columns as well. There is an urn on the bottom left with some gentle hills in the background. The name is printed in red ink at the bottom of the plate.

2. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

3. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

4. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

5. [Bookplate for Kevin Michael Grace by Lou DuHamel] [Bookplate for Kevin Michael Grace by Lou DuHamel] This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

6. [Bookplate for Notre-Dame-de-Grâce by Avis Selina Fyshe] [Bookplate for Notre-Dame-de-Grâce by Avis Selina Fyshe] The image border, black ink on white paper, depicts the variety of topics of children's literature included in the library: travel, myths, fairy-tales, nature, crafts, sport, pets, legend, music, adventure, history, and science. Each subject is displayed with a representative image, including, train, plane, covered-wagon, trumpeter, knight, dragon, dog, rabbit, sailing boats, people, ostrich, monkey, princess and pegasus.

7. [Bookplate for Paul Hahn by J. M.] [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border.

8. [Bookplate for Castle-Freke Library by Griffiths and Weigall] [Bookplate for Castle-Freke Library by Griffiths and Weigall] This bookplate consists of an escutcheon divided per pale, with the dexter half divided into six, each with unique charges, and the sinister half, gules (red), charged with a simple fess or (gold). The dexter half is charged with three cross crosslet fitched, two over one. The escutcheon is supported by two lions, rampand reguardant. Above the escutcheon are two crests, both straight wreaths charged with an ox's head couped and a lion rampant reguardant holding another beast's head. Above the crests is a baron coronet. Below the escutcheon is a banner, with Latin motto within. Bookplate is cut to border, which has blunted corners.

9. [Bookplate for William Lyon Mackenzie Homestead] [Bookplate for William Lyon Mackenzie Homestead] Depiction of the Mackenzie homestead, a three story brick house with wrought-iron fencing.

10. [Bookplate for Coombe] [Bookplate for Coombe] In black ink. This ex libris displays a sable (black) escutcheon with two bars, argent (silver). The coat of arms is charged with seven bees volant, three-over-three-over-one. The escutcheon is charged with a straight wreath and at the crest a demi-lion rampant. Around the neck of the lion is a coronet. Below the escutcheon appears a banner containing the originators Latin motto. The verso of the ex libris is faintly marbled.

11. [Bookbinder's Tickets for Joseph Fortier] [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.

12. [Bookplate for Hopital Général d'Ottawa] [Bookplate for Hopital Général d’Ottawa] Black ink on cream paper. The bookplate features a border consisting of thick, black wavy lines with arrows on the ends of each line pointing towards the corner. Each corner has three diamonds shaped in a triangle. Inside the border, there is a circular image with a border of two interwoven black wavy lines. Inside that border is capitalized text printed in bold, black, sans serif front. In the center of the circle is a cross coming out of the ground wrapped in vines. Above and below the cross are two ribbons with mottos printed in capitalized, black, sans serif front. At the bottom of the bookplate, outside of the circular design, but inside the first border, is text printed in capitalized, black, serif font.
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