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1. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

2. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

3. [Bookplate for Thomas B. Greening] [Bookplate for Thomas B. Greening] Printed in black ink on cream paper. In the centre of the image, a heraldic shield is depicted. The shield is decorated by two thick intersecting lines with reversed scalloped edges, forming a cross shape. The lines are incised with a pattern of thin, close-set vertical lines and contrast against a solid background. Below the shield, a banner with chevron-ed edges contains the phrase ‘A TOUTE FORCE.’ Above the shield, the head and neck of a horse is shown in profile, facing left, with its mouth open and mane flowing.

4. [Bookplate for Myrtle Bryce by Stanley Harrod] [Bookplate for Myrtle Bryce by Stanley Harrod] In black ink. The Gothic letters "B" and "M" serve as a border for a picture of a man holding a book. "MYRTLE BRYCE" is boxed below.

5. [Bookplate for D. Benzie by Stanley Harrod] [Bookplate for D. Benzie by Stanley Harrod] In black ink. Decorative border surrounding an etched picture of a man standing on a cliff with his hand on a piece of equipment holding a bag overlooking water, a city skyline, and mountains hiding the sun. Below the picture is a box with the text.

6. [Bookplate for L. M. Stauffer by Stanley Harrod] [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

7. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

8. [Bookplate for Andrew Allan] [Bookplate for Andrew Allan] In black ink on red paper, this bookplate features an ornate border surrounding text in the center.

9. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.

10. [Bookplate for Ruth Goodell by Alexander Scott Carter] [Bookplate for Ruth Goodell by Alexander Scott Carter] Black ink on yellow paper. The scene is framed by an architectural arch with a column on each side, decorated with stylized vines and leaves. At the top left- and right-hand corners, initials are separated by a banner in the centre. The background features a mountain with a silhouette of a tree (possibly a laurel) on the left-hand side. The foreground depicts an ancient Greek amphora (vase with handles) with a frieze of figures and decorative patterns. To the left is an open book with a scroll above it identifying the artist and date of the bookplate. To the right of the vase is a globe showing a stylized representation of North and South America. Other closed books surround these objects.

11. [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.

12. [Bookplate for Hugel] [Bookplate for Hugel] Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.

13. [Bookplate for Ralph H. Kilby] [Bookplate for Ralph H. Kilby] Black ink on white paper. The crest features a circle with a border with black outlines and horizontal black lines. Inside the border there is a crown. The crown as three leafy designs at the top and the band is decorated with different jewels. The crest sits upon a crest-wreath. The shield has a border comprised of curling sections with ornate decorations on the ends. The shield is charged at the top with three black circles with white centers ; smaller versions of the black border featured in the crest. Below the circles are three horizontal black stripes. In the center of the top stripe is a white circle with black dots. Underneath the shield, the motto is printed on a curling ribbon in capitalized, sans serif black font. The bookplate owner’s name is printed in large, cursive, sentence case black font.

14. [Bookplate for Stanley Harrod by S. Harrod] [Bookplate for Stanley Harrod by S. Harrod] Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.

15. [Bookplate for Stanley Harrod by T. Z.] [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.

16. [Bookplate for Morley Ayearst by Stanley Howard] [Bookplate for Morley Ayearst by Stanley Howard] Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A.

17. [Bookplate for George E. Longley by Francis Adams Sc.] [Bookplate for George E. Longley by Francis Adams Sc.] Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font.

18. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Black ink on cream paper. The bookplate features an elaborate border. A thin black line outlines a thick black and white design featuring repeating white floral motifs in diamond shapes on a black background. A thin white border separates the border from the internal image. The image features a monk writing at a desk. The monk is in white clothes and the wooden desk and chair are black. The desk has a special stand for writing. Above the monk to the left is a window with the shutters open, showing several buildings, one of which is a tall tower, outside. There are trees amongst the buildings and a large fluffy cloud behind the tower. Inside the room, directly above the monk, are several bookshelves attached to the wall. There is some pottery on the top shelf and three rows of books, spines facing out, below. To the top right of the monk is another window with the shutters closed. The shutters appear wooden with round circles cut out of them. The walls and floors of the room are also wooden. On the floor to the right of the desk is a closed book. Below this image, surrounded by a thin white border, is a white rectangle with capitalized, black, serif font printed in it. The words are separated by centered black dots. Between this rectangle and the larger overall border are white, curling ribbons.

19. [Bookplate for Joseph Jopling] [Bookplate for Joseph Jopling] Black ink on cream paper. Paper has some damage and discolouration. The crest features a forearm and hand holding onto a shell atop a crest-wreath. The shield is charged with white stars two over one. The stars have shading and have black spots on them. In the center of the shield between the stars is a black crescent moon facing to the left. In the inner curve of the moon is half a human face looking outward. Below the shield, the motto is printed on a curling ribbon in capitalized, black, serif font.

20. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.
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