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	Search results for Head    Refine your search Creator 7 () 3 () 2 () 1 () 1 () Show more... results 81-100 of 108 item(s)  page 5 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for Max Hermann] Printed in black ink on cream paper. The image shows an older man sitting, facing left. The man has long hair and wears a pillbox hat and a robe. He sits in a carved wooden chair, hunched over a large book that rests on a lectern and turns the pages with his left hand. His head is shown in profile, framed by a circular sun with lines radiating out in all directions. 82. [Bookplate for McLean] In black ink, though somewhat faded, this bookplate consists of an escutcheon divided quarterly, with a gules (red) bordure ; the first and fourth quadrants, argent (silver), are charged with two eagles heads addorsed, gules and erased above a mountain ; the second quadrant, argent, is charged with a dexter arm, gules, holding a cross crosslet fitchy, azure (blue) ; and the third quadrant, argent, is charged with a galley, sable (black), over a fish, azure and naiant (swimming fesswise). The escutcheon is crested by a dexter helmet, open and containing a lion head, topped by a curved wreath and two laurel branches, crossed. From either side of the helmet flows elaborate mantling. Below the escutcheon is a banner containing the Latin motto. 83. [Bookplate for Nathaniel W. Conkling] In black ink, this bookplate consists of a stag's head, erased, atop a straight crest wreath. 84. [Bookplate for Nicholas Garry] Printed in black ink on off-white paper. In the centre is a family shield, decorated with with a chevron pattern in solid black and white ground with a spotted pattern. A ‘V’ shape in the centre of the shield intercepts and counterchanges the chevron colours. Above this is an extended arm in armor holding a circular disc that repeats the pattern on the shield. 85. [Bookplate for Norman MacKenzie] The shield is red with four argent bands and rays of the sun emanating from the bottom. On the shield is a black stag's head above which is an arm holding a dagger and protruding from a wreathe. At the top of the shield is an open book with buckles. 86. [Bookplate for P Kelly] In black ink. This bookplate consists of an escutcheon, azure (blue), a tower triple towered with three crosses couped, two over one on the tower, supporters, two lioncels combatant. Vizored helm of an esquire or gentleman above the escutcheon, with mantling. Above the helm is a curved crest wreath topped with an unidentifiable beast with the head of a bird, front feet cloven, and hindquarters of a dog, statant. Below the escutcheon is a banner containing the Latin motto. 87. [Bookplate for P. I. P. Sherburne by Elvey] This bookplate, in black ink, consists of an escutcheon divided quarterly. The first and fourth quadrants, vert (green), are charged with an eagle, displayed. The second and third quadrants, argent (silver), are charged with a lion, rampant. Above the escutcheon is a straight crest wreath, topped by a unicorn's head, horned and couped. Below the escutcheon is a banner containing the French motto. 88. [Bookplate for Peter Edward Hicks] Black ink on cream paper. Crest features a stag head. The stag has large antlers and has a leafy wreath around its chest. The stag sits on a crest-wreath. The shield has sable stripes and is charged with three white fleurs-de-lis, two over one. The shield is divided per fess. The dividing section is curved and argent with sable stripes. The motto is printed on a curling ribbon in capitalized, serif, black font. The words are separated by black dots. Below the motto, the bookplate owner’s name is printed in large, black, sentence case, cursive font. 89. [Bookplate for Philip Southcote] In black ink, this bookplate consists of an elaborately bordered escutcheon, argent (silver), charged with a chevron, argent, three ducks, two over one and dexter, and an annulet at the precise middle chief. The annulet symbolizes the fifth son. The escutcheon is crested by a dexter closed helmet. Atop the helmet is a curved wreath and another duck, dexter. From either side of the crest flows elaborate mantling. 90. [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue). 91. [Bookplate for Richard Whitmore Norman] This simple heraldic bookplate consists of a straight wreath charged with a stag's head, erased. Above the charged wreath is a banner, with Latin motto within. 92. [Bookplate for Robert Butts by B. Cole] This elaborate chippendale bookplate consists of an escutcheon, parted per pale. First, the dexter side, azure (blue) and charged with three etoile, two over one, and a chevron, or (gold) with three lozenges, gules (red). Second, the sinister side, azure, is charged with three talbots' heads two over one, erased, and a bar, or, with three cross pattee, argent (silver). The shield is crested by a curved wreath and a unicorn's head, muzzled. The escutcheon is surrounded by a mass of asymmetrical wave-like mantling and flora. 93. [Bookplate for Rufus Hawtin Hathaway by J. E. MacDonald] Printed in black ink on cream-coloured paper. An interior scene depicts a robed and tonsured monk sitting in a study room. The monk is seated with his head resting in his right hand on the far side of a lectern that holds three open, vellum-bound manuscripts. Behind the monk, an open wooden cupboard is topped by a niche shelf with many closed, bound vellum manuscripts and a human skull. To the far left, there is a recessed bench seat at a diamond paned window containing several objects, including a crucifix, an hour glass, and another manuscript. The entire scene is framed by a border that contains the owner’s name and motto, as well as decorative vine-leaf scrollwork. 94. [Bookplate for Seeli Armitage-Stanley and Earl Spencer] In black ink on white paper, this heraldic bookplate consists of an Escutcheon quartered per cross and incorporates aspects of both the Armitage and the Stanley family crests. The dexter chief and sinister base sections are drawn from the Stanley crest and contain an azure (blue) garter, which holds three stag's head caboshed, on argent (silver). The sinister chief and dexter base quarters, taken from the Armitage crest, are gules (red) with three crosslets argent, two in chief and one in base, and a lion's head in fess. The helm consists of two helmets, to signify the incorporation of the two families, and is surrounded by mantling. Above the helm there is a small banner bearing the Armitage family motto, 'semper paratus.' Below the Escutcheon is another banner bearing the motto of the Stanley family, 'sans changer.'. 95. [Bookplate for Sir Charles Cockerell] Armorial bookplate. The shield is divided in half to show the arms of both the husband and wife. The left shield, representing the husband, is divided into six sections two of which portray roosters, between which is a face surrounded by leaves. Above the top rooster is a crescent signifying the second son. The middle section is argent (silver or white) with two chevrons. The top chevron is adorned with three flowers and at the top and bottom of the chevron are three eagle heads ; the bottom chevron is adorned with three roundlets and above and below the chevron are three flowers or leaves. Between the chevrons and at the centre of the six sections is a small shield with a left hand facing palm-out. The top right corner shows two lion heads and a bend adorned with three fleur-de-lis. On the bottom left corner is a lion. The second shield shows two lions passant guardant on a black background with an or border. Above the shield is a wreathed helm facing forward with a raised visor therein signifying barony or knighthood. Above the helm is a crescent and crowned tiger head. On both sides of the shield are angelic supporters each carrying a flag staff (adorned with the sun and crescent moon) as well as palm/laurel fronds (on which birds are perched). The figures are adorned in robes decorated with fleur-de-lis and their chests are imprinted with crosses. 96. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 97. [Bookplate for Thomas B. Greening] Printed in black ink on cream paper. In the centre of the image, a heraldic shield is depicted. The shield is decorated by two thick intersecting lines with reversed scalloped edges, forming a cross shape. The lines are incised with a pattern of thin, close-set vertical lines and contrast against a solid background. Below the shield, a banner with chevron-ed edges contains the phrase ‘A TOUTE FORCE.’ Above the shield, the head and neck of a horse is shown in profile, facing left, with its mouth open and mane flowing. 98. [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto. 99. [Bookplate for Thomas Troughton] Printed in black ink on white paper, in the upper left of the ex libris appears the crest of a lion erased issuing from a straight wreath. At the base of the lion's head is a veil sable with two pellet over one plate. To the right is the crest of a stag statant issuing from a straight wreath. Below the two crests appears a banner bearing the motto 'CARPE DIEM.' At the bottom of the ex libris appears the name of the owner, 'The Revd. Thomas Tronghton.'. 100. [Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter] Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon. select all : clear all : add to favorites results 81-100 of 108 item(s)  page 5 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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