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	Search results for LOUIS    Refine your search Creator 1 () 1 () 1 () 1 () 1 () 1 () results 1-20 of 30 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 1. [Bookseller's Tickets for Zephirin Chapeleau] 1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text. 2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text. 3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 2. [Bookplate] This royal bookplate, in black ink, contains two shields surrounded by a border of floral branches and elaborately twisting rope. The dexter shield represents the Arms of the ducs de Berry (after 1376). This shield, azure (blue), with an embattled bordure, gules (red) is charged with three fleurs-de-lis, two over one. The sinister shield represents the coat of arms of the Kingdom of the Two Sicilies. Above the two shields is a royal crown adorned with fleur-de-lis. 3. [Bookplate for Stanley Harrod by T. Z.] Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T. 4. [Bookplate for R. D. Stuart] Consisting of a decorative border with the text of Swallowfield Farm sitting on a spear that is horizontal across the middle of the bookplate. 5. [Bookplate for Pretre L. Bertrand] An ornate border of foliage, flowers, ribbons, and musical instruments surrounds the text. Below the printed text is a manuscript note. The back of the bookplate is covered in marbling, presumably lifted from a book when the bookplate was removed. 6. [Bookplate for Pierre Louis Deschenaux] The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics. 7. [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns. 8. [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog. 9. [Bookplate for Maria Anna Grimaldi] This heraldic bookplate consists of an escutcheon, or (gold), charged with three esquire helmets, sable (black), en profile at fess, and a lion passant below. Above the escutcheon is an esquire helmet, above which is a crest of an armoured arm embowed clutching a curtana, or a pointless sword of mercy. The escutcheon is surrounded by elaborate mantling, and the entire crest by a stylized border. Below the heraldic image is the Latin text. 10. [Bookplate for Lyman Tower Sargent] This bookplate is executed in brown ink on white paper. In the background is a framed picture of a ship. There is also a globe and a range of books supported at each end by bookends of monks sitting and reading. In the foreground is an open book with a ink well and quill. 11. [Bookplate for Louis N. Dumouchel] Black ink on yellow paper in the shape of a rectangle with clipped corners. It features a border around the text. A number is handwritten in black ink at the top. 12. [Bookplate for Louis C. de V Carrier] Two lines of plain text with a dotted line under the last line. 13. [Bookplate for Louis Berger by Rene de Brem] In black ink. An open window looking out on a town and cathedral in front of clouds. An old man looking into a microscope with a skeleton and a nude woman (possibly Venus) looking over his shoulder. There are open books and a jar containing an indistinguishable object, possibly a fetus. 14. [Bookplate for Joseph-Olivier Archambault] In black ink on yellow paper. A decorative border with integrated flowers and ornamentation in corners surrounds the text. 15. [Bookplate for John A. Macdonald] Black ink on cream paper. Above the escutcheon sits a dexter hand, erased, holding a cross crosslet, gules (red), on a vizored helm with mantling. Escutcheon is divided per quarter. The quarterly field near dexter chief is argent (silver) with a lion rampant, gules, and near sinister chief, or (gold), is a dexter hand, erased, holding cross crosslet, gules. The quarterly field near the sinister base displays a fish naiant on water, vert (green), and near the dexter base, argent, is a lymphad in sable (black), azure (blue), and gules. 16. [Bookplate for Jenkins] Black ink on cream paper. The crest features a furry lion passant reguardant standing atop a castle tower. The castle tower is above a crest-wreath. Elaborate, curling, feathery black and white mantling extends from the top of the shield and expands out along the sides. The shield is divided per pale. The left section has a white background with black dots and is charged with a black lion rampant reguardant. The right section of the shield is charged with a bird perched on a tree branch growing out of the ground. There is no background except for the branch and ground that is lighter on top and darker at the bottom. The motto is printed on a curling ribbon below the shield. There is shading on the ends of the ribbon. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in a more stylized, paler, capitalized, black serif font underneath the motto. 17. [Bookplate for James Moores Ball] Black ink on white paper. 18. [Bookplate for Henri Rainville] This bookplate depicts a large, bespectacled rat, dressed in what appears to be eighteenth-century attire and displaying a prominent tail and whiskers. Facing away from the viewer, the rat is seated at a table in front of a window, through which the leaves of a tree can be seen. The rodent holds a quill pen and is poised to continue writing in a book that is propped open on the table with a second, closed volume. 19. [Bookplate for George T. Turner by H. L. Peckmore] This philatelic bookplate consists of images of eight stamps. Six of the stamps (one elongated stamp in brown ink, two stamps in blue ink, and 3 in red ink) encircle a large circular stamp printed in black ink. At the lower right corner of the bookplate is the eighth stamp, printed in brown ink. Those stamps which are identifiable include: The stamp containing a hand of cards represents a stamp from the New York Consolidated Card Co., in use from 1876 to 1883 ; the stamp of a healthy man assualting a skeleton represents Sc. RS56, from 1880 for William E. Clarke - Hunt's Remedy ; the stamp containing a battleship represents a an issue from the Battleship Series of1898 ; and the stamp containing a bi-plane in the lower right corner represents the 1918 First Airmail Series - 6 Cents Curtiss Jenny. The remaining stamps have not been exactly identified. A circular seal at the lower left corner of the bookplate contains the originator's name and date ; and at the middle base is a rectangular box containing an identification of the library and an image of a set of books between book-ends. To the right can be found the artist's mark, "H. L. Peckmore". H. L. Peckmore & Son is a US printer of philatelic materials. 20. [Bookplate for Frank Louis Flight] In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others. select all : clear all : add to favorites results 1-20 of 30 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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