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41.
[Bookplate for Kevin Michael Grace by Lou DuHamel]
This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).
42.
[Bookplate for Elizabeth Rogers]
This bookplate is executed in black ink on crème paper, and is rife with heraldic and pictorial imagery denoting peace, freedom, and benevolence. The center image is one of peace, as it contains a great tree spreading its branches over meadows and pastures under the rays of a setting or rising sun. This is flanked by standards bearing roses. The heraldic imagery is placed above the scene of peace, as if resting on the tree. A shield in the center contains a mullet over purple in the lower half, and roses over black in the upper half. It is topped by a closed helmet out of which springs what is most likely a fox. Underneath the image of peace are three French military medals for providing aid in times of war.
43.
[Bookplate for Norman M. Keith by W. W. A.]
This bookplate's design features a lakeside camping scene with mountains visible in the distance. It is framed by Scottish thistles. Above the scene are three logos representing the Royal Army Medical Corps, the University of Toronto, and Johns Hopkins University. A globe and stack of books are featured in the lower left corner and a small escutcheon of the University of Toronto sits at the bottom centre of the design.
44.
[Bookplate for J. W. Eastham]
This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat.
45.
[Bookplate for George Macaulay Booth]
This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription.
46.
[Bookplate for Mary Katharine Black by Thoreau MacDonald]
This pictorial engraving was created using black ink on white paper and portrays an island with two wind-swept trees with a rising/setting sun on the horizon.
47.
[Bookplate for Ellen A. Hoffman by Walter J. Phillips]
This wood-engraved bookplate's design is based from on a view near Lake Louise in Banff, Alberta. It features a running stream, grass, and trees. Bookplate image is surrounded by a stylized border, which features the grass of parnassus, which is also featured in the foreground of the scene. Bookplate is printed in black ink, on very thin paper.
48.
[Bookplate for Herbert Spencer Stvdy]
Woman is Mnemosyne, personification of memory in Greek mythology, or Vigilanza / Vigilantia wearing a loose gown and with hair tresses. Holding oil-lamp in her left hand, and closed book in her right hand. Flanking the right side of Vigilantia is an olive tree. Behind the torso of Vigilantia is a shelf of books, and behind her head is a landscape with a castle overlooking a lake, surrounded by mountains, and a cloudy sky. Ex Libris part of image.
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