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results 21-40 of 248 item(s)  page 2 of 13 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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21. [Bookplate for Thomas Philip Earl de Gray] [Bookplate for Thomas Philip Earl de Gray] This heraldic bookplate is elaborately engraved in Chippendale style. The escutcheon is counterchanged per fess, its primary quarterings (at top left and bottom right) consisting of a barry of six, argent (silver) and azure (blue). The quarter at mid-top is vert (green), divided per chevron, or (gold). The quarter is also charged with three stags statant, two over one. The top left quarter is argent (silver), with a saltier, azure. The quarter is also charged with a roundlet, argent. The bottom left quarter is a gyrony of eight pieces, or and sable (gold). The quarter at mid-bottom is argent, divided per fess, gules (red) with a fillet in the lower part, azure. The quarter is also charged with three rings, gules on both the upper and lower parts. The Chippendale escutcheon is surrounded by two detailed dragons, the dexter supporter with its tailed nowed. Above the escutcheon is a coronet of earl status, and below the shield with Latin motto within. The owner's name is surrounded with elaborate borderwork, in the same style of wreath surrounding the shield.

22. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

23. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

24. [Bookplate for Claude Lamont Wheeler by C. Collmen] [Bookplate for Claude Lamont Wheeler by C. Collmen] Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner.

25. [Bookplate for William Greig] [Bookplate for William Greig] Black ink on yellow cardstock. The central image is of a tonsured, hooded monk writing at desk covered with open books and papers. The monk sits facing to the left, holds a stylus with his right hand and grasps his chin with his left hand. The image is framed in a thin double-line border with curled corners on the right side. The left side of the border is decorated with an ornate pattern of stylized, scrolled leaves. The text is written above and below the image of the monk in Gothic font.

26. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

27. [Bookplate for William Henderson] [Bookplate for William Henderson] Black ink on white paper. Crest features a right hand extending straight out of crest-wreath. The hand clutches a black star fish by one tentacle. The shield is divided per pale with a chief that is also divided in two sections. The top left section is argent and charged with two black elaborate ermine/fleur-de-lis shapes on either side of a black crescent that is almost a full circle. The black crescent has a line in the middle dividing it into two smaller half-moon crescent shapes. The bottom right section is argent and charged with a larger version of the crescent shape. The top right corner is sable and charged with three white five-point stars. The bottom left section has a strip along the left edge of the shield that is argent with sable dots. Next to that is a sable section upon which overlaps three white triangles that extend horizontally from the central dividing line on the shield. Below the shield, there is a curling ribbon with shading on the ends. The motto is printed on the ribbon in capitalized, black, serif font. Below the ribbon is the bookplate owner’s name printed in larger, capitalized, black, serif font.

28. [Bookplate for Ernest E. Goodwin] [Bookplate for Ernest E. Goodwin] Black ink on cream paper. Argent, per pale, left hand side per cross. First quadrant on left hand side has speckled background. Square in upper left hand corner charged with three speckled roundels two on three. Charged with two lions passant guardant. Design is repeated in the fourth quadrant. Second quadrant has argent chief charged with three sable stars. Below the chief is sable charged with displayed bird mirrored vertically. Design is repeated in third quadrant. Middle third right hand side is sable charged with three fleurs-de-lis. Crest of demi-lion rampant guardant holding in its forepaws a circle with speckled interior on crest-wreath. Motto featured in capital letters on ribbon banner with curled ends. Name written in typewritten cursive sentence case.

29. [Bookplate for John George Hodgins] [Bookplate for John George Hodgins] Black ink on white paper. The crest features a displayed black bird on a crest-wreath. At the top left of the bird, next to the tip of its wing, is a small radiating sun with a face in the middle. There is an esquire’s helm surrounded by dark, feathery mantling. The border of the shield is similarly elaborate. The shield is argent and charged with an argent cross with thin black border around each rectangular section. The shield is also charged with five black flowers that have five round petals and a circular black center. There is a flower in each corner of the shield and one in the center of the cross with a thin, black, square border. Below the shield, the motto is printed on a ribbon with curling, darkened ends. The motto is written in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in black, sentence case, Gothic font.

30. [Bookplate for Rev. Wm. Hamilton] [Bookplate for Rev. Wm. Hamilton] Black ink on pink paper. The bookplate depicts a heraldic shield placed at an angle in a nature scene. A leafy tree trunk extends up alongside the right side of the shield and leafy branches arch over the top of the bookplate to the left. At the base of the tree trunk is a globe in a stand. Two closed books are placed in front of the globe on grassy ground. There is some foliage next to the bottom left of the shield as well. Regarding the heraldry, the crest features a tree growing from a crown with leafy points and a diamond pattern on the base. The tree trunk grows through a saw like rectangle, upon which a motto is printed in capitalized, serif, block font. The tree extends upwards into a dense leafy top. The shield has sable stripes, charged with three flowers, two over one. The flowers are stylized with four elaborate petals around a round center. There are some decorative curlicue elements on the side borders of the bookplate. Curling, curving lines extend from the left side of the bookplate like mantling. A white cloth is draped over the top right corner of the shield and pools onto the ground below. At the base of the shield, another motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in curling, sentence case cursive.

31. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections.

32. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.

33. [Bookplate for J.E.G. Bibliothèque] [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.

34. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] A ragged edge of a central image is covered in a grey coloured wash. The central image is of a woman in a traditional flowered kimono dancing, done from a woodcut. The woman is facing to the left and her right hand, in the lower left of the picture, holds a hat.

35. [Bookplate for George Macaulay Booth] [Bookplate for George Macaulay Booth] This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription.

36. [Bookplate for Ivan Glen Campbell] [Bookplate for Ivan Glen Campbell] The central image is a portrait shaped frame with banners along the top and bottom of the frame. Between the banners and contained by the frame is the central image of an open book behind a metal lamp with a black shade shedding light onto the book and everything else in the image. In front of the lamp on the left side is an ink jar and spare nibs and on the right is an ashtray and smouldering cigarette with the smoke drifting upwards and surrounding the lamp and book from above. While the two banners have statements within them the lower one also has four maple leaves, 2 on the right, and 2 on the left.

37. [Bookplate for David L. G. Dryden] [Bookplate for David L. G. Dryden] A yellow frame surrounds the central image. The central image is of a young man in medieval armour leading a white horse to the left of the image. The image is in a forest setting with several trees observable. Two notable trees are standing, one on the left, and one on the right side of the man providing a frame for the image. The entire scene is evocative of a Pre-Raphaelite painting.

38. [Bookplate for Aemila Mailiake by F. M.] [Bookplate for Aemila Mailiake by F. M.] This pictorial bookplate (blank ink on white paper) portrays a displayed [wings expanded and legs spread] eagle with tongue protruding ; on its chest is an argent shield with "M" on it. Below the eagle is a bushel of wheat, to the right and left of which is "F" "M" [the artist's initials]. Flowers blossom from the upper right and left corners.

39. [Bookplate for John Allen Brown by C. Bird] [Bookplate for John Allen Brown by C. Bird] The bookplate portrays a prehistoric scene shown from the perspective of a fur-clad man and woman looking from inside a cave towards a primitive wilderness scene (with stags and a mammoth). The image is framed by an assortment of artifacts, such as vases, swords, axe heads, flints, and other weapons. At the right bottom of the frame is a dagger with a flag inscribed with the initials "S.P.Q.R." an acronym for the Latin phrase "Senatus Populusque Romanus" ("The Senate and Roman People"). Below the picture is an open book on the left side of which is a shield and on the right side the bookplate text. The shield is blue with a gold chevron and three clams. At the top of the shield is mantling and closed helmet signifying esquire or gentleman. On the left side of the shield is a banner reading: "MENTE ET MALLEO."

40. [Bookplate for Margarete Voigt and Michael B. Kunze] [Bookplate for Margarete Voigt and Michael B. Kunze] In black ink, an image of a young grecian woman wearing a flowing, pleated gown. In her arms, she holds a vase into which pours water from a hole in a wall. The wall is elaborately decorated, and contains what appears to be the image of an owl in the lower left corner. A heavy and elaborate frame borders the entire image.
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