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1.
[Bookplate for Mark Rowe by J. P.]
In brown ink on thick paper, a wreath containing the words, 'EX LIBRIS,' and two urns sit on top of a decorative box within which is another urn, fruit, floral swags, and a suspended book. At the bottom of the image is an ornamental box containing the name Mark Rowe.
2.
[Bookplate for Mark Rowe by J. P.]
In black ink on thick paper, a wreath containing the words, 'EX LIBRIS,' and two urns sit on top of a decorative box within which is another urn, fruit, floral swags, and a suspended book. At the bottom of the image is an ornamental box containing the name Mark Rowe.
3.
[Bookplate for Mark Rowe by J. P.]
In black ink on thick paper, an architectural image contains a view of an inner library or study, with a wreath encircling the words, 'EX LIBRIS,' at the apex and a box or plaque with the name, Mark Rowe, at the bottom.
4.
[Bookplate for Mark Rowe by H. N.]
In black ink on thick paper, a wreath containing the words, 'EX LIBRIS,' is positioned at the top of an architectural structure housing an image of the inside of a library and a reader or librarian holding a book. At the bottom of the image there is an ornamental box containing the name Mark Rowe.
5.
[Bookplate for Mark Rowe by W. J. B.]
In brown ink on thick paper, the Latin motto sits above swags of maple leaves and flowers which surround a shield with the stylized initials, M.R., located in the centre of the bookplate.
6.
[Bookplate for Mark Rowe by L.]
In black ink on thick paper, a stylized architectural image contains a window which opens on a view of a library or study.
7.
[Bookplate for William Hale White]
Executed with black ink on ivory paper, this bookplate depicts a sailing vessel heading towards the horizon where the sun is rising/setting. The vessel is framed by two obelisk-shaped pillars.
8.
[Bookplate for Lieve Van Kerkhove and Martin Jackson]
In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.
9.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
10.
[Bookplate for Otto Braun and Michael B. Kunze by F. Nickel]
In brown in on tan paper. Shield in upper left hand corner above which is mantling and a closed helmet in profile, indicating equires and gentlement. Three fusils vert on centre of shield. Bottom and right hand side of plate decorated with scales, compass and triangle. Artist's mark outside bottom right hand corner.`.
11.
[Bookplate for Ágoston Tamás-György and J. E. Horvath by K. M. S.]
This bookplate uses some architectural features to create a grid with nine cells. The centre of the image has a panel with the ownership information. The top of this panel serves as the floor for two figures practicing fencing that are framed with an arch. This arch is supported on two square boxes at the top corners of the image. There is a flower vase on top and books inside each box. Similar boxes with apple branches mark the bottom corners. The spaces between these boxes are supported by columns that flank two sportive figures, a hockey player on the left and a hunter on the right. In the bottom central area a small row boat sits in water.
12.
[Bookplate for J. H. Ainsworth by T. E.]
This heraldic bookplate consists of an escutcheon divided per pale. The gules (red) dexter of the shield contains a small crescent at precise middle chief, and three battle axes argent (silver), two over one. The battle axe is an ancient military weapon, and placed on a shield represents a mark of prowess. The argent sinister of the shield contains a gules canton at dexter chief. The canton contains a talbot's head, erased. The sinister side of the shield also contains a chevron, ermines (a fur represented by white spots on a black field). Atop the escutcheon is the helm, grated and in profile. The helm is topped by a straight crest wreath and an armored figure holding a battle axe in his dexter hand. Below the escutcheon is a banner containing the latin motto.
13.
[Bookplate for William Brummell]
This bookplate consists of an azure (blue) escutcheon with a wavy argent (silver) fess. At the dexter, middle, and sinister chief are three birds, wings closed. Above the middle chief bird is a label, the mark of an eldest son. At the base are two etoiles. Perched atop the shield, on a straight crest wreath, is a fourth bird holding a twig in its beak. The shield is framed with floral mantling.
14.
[Bookplate for Alexandri Barbaro]
This elaborately decorated bookplate consists of an argent (silver) escutcheon with a gules (red) annulet at the fess point, or centre. The annulet is often the mark of the fifth son. Atop the shield is a diadem or ducal coronet. On either side of the shield are flags and branches, and on the right is a horn. The bookplate is double-framed, first on the interior with a rectangular chaplet, and then on the exterior edge with a double line.
15.
[Bookplate for Gordon Elliott]
In blue ink on white paper, text within a single blue line border.
16.
[Bookplate for George Herbert Wailes]
This bookplate consists of a combination of heraldic and pictorial elements. At the centre, is an ovular frame containing an image of a nude woman in a crouching position, and holding a flower pot in her open hands. From the pot, stands a single flower. Above the frame is a small escutcheon, argent (silver), charged with a crane. The crest is a dexter helm, itself topped by a straight wreath, and a horseman's spur and strap, accompanied on either side by a pair of wings erect. Behind the crest is a banner containing the Latin motto.
17.
[Bookplate for T. S. Estcourt by William Haskoll]
This chippendale style bookplate consists of an escutcheon, ermine (white powdered fur with black tufts), with a chief, or (gold) and indented. The chief contains 3 mullets, sable (black). The crest consists of an unidentifiable bird, erased and displayed with wings inverted, upon a curved crest wreath. The escutcheon is surrounded by elaborate floral mantling.
18.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate.
19.
[Bookplate for William Delmar by B. Warwick and J. Warwick]
In black ink, this bookplate consists of an escutcheon, azure (blue), divided by three barrulets dancetty, argent (silver). The escutcheon is charged with two lions passant. The crest is a lion sejant, on a crest wreath, with the lion's dexter forepaw resting upon a fleur-de-lis.
20.
[Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb]
This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order.
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