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CONTENTdm Collection


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results 601-620 of 966 item(s)

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	Title:	Description:

601.	[Bookplate for Steve Borden by Larry Reynolds]	This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature.

602.	[Bookplate for John Peter Braselmann]	Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners.

603.	[Bookplate for Maija Calite by Richards Skrubis]	Image is of a side profile of a woman (possibly originator) against a black and white background. There is a braid done in a circular pattern at the back of her hair and she is facing to the right.

604.	[Bookplate by Eiichi Hirose]	A picture on a grey background of a Japanese woman staring downward in a kimono facing towards the left.

605.	[Bookplate by Eiichi Hirose]	A picture on a grey background with a Japanese man in a kimono with a Japanese ceremonial sword facing to the right.

606.	[Bookplate by Eiichi Hirose]	An image of a Japanese woman with a kimono and obi with a circular bowl shaped hat on her head.

607.	[Bookplate for J. W. Eastham]	This is a pictorial bookplate created using black ink on white paper. The "Lions" mountain range is portrayed surrounded by flowers and wheat.

608.	[Bookplate for Beatrice Eleanor Paget by T&H Sc. and A. S.]	This pictorial bookplate, created using brown ink on white paper, portrays Wilton House (Wilton, England) built during the 17th century and the seat of the Earl of Pembroke. It is believed that Sir Philip Sidney wrote Arcadia at Wilton House. The picture is framed with vertical columns and garlands. The creator of the bookplate is listed as [T & H / Sc. A.S.].

609.	[Bookplate for Frederick Epplen by F.]	This pictorial bookplate (created with black ink on white paper) portrays in the foreground Chiron (a centaur) and his pupil Asclepius (the Greek god of healing who is here portrayed holding a caduceus) ; these two figures overlook the ocean, a ship, and a temple.

610.	[Bookplate for Blythe Eagles by A. W.]	Armorial bookplate created with black ink on white paper. In the precise middle chief is an eagle (created in a First Nations' design) clutching a fish. A purpure chevron with three dogwood flowers is also portrayed. Three university shields are featured: University of Toronto (dexter chief), Yale University (sinister chief), University of British Columbia (nombril point). Below the University of British Columbia's crest are two aulns (single pieces of wheat).

611.	[Bookplate for Linnu Eerme by A. Lee]	In black and brown ink, an image of two birds, flowers, trees, and a bird feeder are portrayed on ivory paper.

612.	[Bookplate for Cynthia Gabriel and William Gabriel by R. W. G.]	Pictorial bookplate (black ink on ivory paper) portraying a home surrounded by pine trees. In the immediate forefront is a rather oversized squirrel.

613.	[Bookplate for H. P.]	Pictorial bookplate created with black ink on white paper. At the centre of the bookplate is the monogram HP behind which text is written. A wreathe surrounds the text.

614.	[Bookplate for Henry Neville Gladstone]	This is an armorial bookplate with a rampant demi-griffin (rising from a wreath), which in its dexter claw, clutches a palewise dagger. "Fide et virtute" [by faith and valour] is written on a banner above the griffin.

615.	[Bookplate for Elwyn B. Gould]	Pictorial bookplate, created with black ink on white paper, which portrays books and sheaves of paper.

616.	[Bookplate for Kevin Michael Grace by Lou DuHamel]	This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Il y eut aussi des êtres embryonnaires [There were also embryonic beings] (fourth in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

617.	[Bookplate for Kevin Michael Grace by Lou DuHamel]	This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un fou dans un morne paysage [A madman in a dismal landscape] (third in the series Hommage à Goya [Hommage to Goya] 1885) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

618.	[Bookplate for Kevin Michael Grace by Lou DuHamel]	This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Araignée [Spider] (1887) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

619.	[Bookplate for Kevin Michael Grace by Lou DuHamel]	This bookplate has been created with black ink on white paper. The image featured is Odilon Redon's Un masque sonne le glas funèbre [A mask sounds the funeral knell] (third in the series A Edgar Poë [To Edgar Allen Poe) 1882) from The Graphic Works of Odilon Redon: 209 Lithographs, Etchings, and Engravings (New York: Dover Publications, 1969).

620.	[Bookplate for Maxwell K. Heap]	There is an elaborate border on this bookplate beginning with a rolled barred fillet with fleur-de-lis at each corner. Within this border are three additional black fillets the middle one is slightly thicker with alternating black and white bars suggesting a rope like pattern. The central image is of a large book overlaying a lighted torch behind it. Birds wings sit below the book supporting it.

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