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CONTENTdm Collection
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ONTARIO
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61.
[Bookseller's Ticket for John Mercier McMullen]
In black ink on blue paper, the bookseller's ticket consists of a triple border with decorative corners surrounding black text in roman and italic type. The bottom right corner of the bookseller's ticket has been ripped away and replaced with white paper.
62.
[Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski]
In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.
63.
[Bookplate for Emil Eerme and A. Lavdovsky by S. Svab]
In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.
64.
[Bookplate for Emil Eerme and A. Lavdovsky by J. Svab]
In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.
65.
[Bookplate for Harvey Reginald MacMillan]
Heraldic bookplate. At the centre of the bookplate is a wreath out of which two arms are raised gripping a sword. Below the wreath is a ribbon with the Latin motto: "Miseris succurrere disco" (I learn how to help the wretched). Surrounding the image is a black frame with small white triangles.
66.
[Bookplate for John Ross Robertson]
Geometric/art nouveau trim. The traditional Masonic symbol of a rounded square and compass against a rectangle.
67.
[Bookplate for James Henry Browning]
Centered text with multiple fonts in black ink.
68.
[Bookplate for Hart House Library by J. E. H. MacDonald]
Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.
69.
[Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith]
Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner.
70.
[Bookplate for Nanticoke Mechanics' Institute]
Bookplate format is text within a solid border.
71.
[Bookplate for Nanticoke Public Library]
Bookplate format is text within a solid border.
72.
[Bookplate for David Bond and Elizabeth Bond]
Bookplate design features an eagle in flight in foreground, with compass in background. Bookplate owner names at base.
73.
[Bookplate for David Bond]
Bookplate design features a woodland scene, of a brook and foliage at foreground and trees at back. Bookplate text contained within banner at top.
74.
[Bookplate for K. M. Fenwick]
Blue ink on cream paper. A printed ribbon border houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.
75.
[Bookplate for Art Gallery of Toronto by Alexander Scott Carter]
Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.
76.
[Bookplate for David Finlay]
Black on yellow paper ; A beaded border surrounds the name of the owner and the town.
77.
[Bookplate for David Finlay]
Black on cream paper ; A beaded border surrounds the name of the owner and the town.
78.
[Bookplate for Marguerite H. Powter by Clare Victor Dwiggins]
Black ink printed on yellow paper. A woman in fanciful dress leans over a cherubic figure who is holding an open book. Books are scattered on the floor, below which is the bookplate owner's name. The entire scene is framed by vines and flowers.
79.
[Bookplate for Library of the Hamilton and Gore Mechanics’ Institute]
Black ink on yellow paper. Ornate curlicue floral border. Multiple fonts are present. The library title is written in bold and non-bold capital letters. The name of the institute is written in title case with gothic script. Separated by thin straight lines, the card number field is written in bold, stylized font. The lending rules are written in italicized serif font.
80.
[Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter]
Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.
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