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	Search results for P    Refine your search Creator 47 () 10 () 8 () 5 () 5 () Show more... results 281-300 of 943 item(s)  page 15 of 48 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 281. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E. 282. [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners. 283. [Bookplate for Frederick Starr] Small square woodblock print in threecolours. In black, pink, and red ink. Bookplate features images of three Okame masks, with Japanese text in foreground. 284. [Bookplate for Frederick Starr] Small square woodblock print in four colours. In black, pink, red, and light khaki ink. Bookplate is sectioned into three, with the left and bottom sections with Japanese characters. Primary images featured are three Okame masks. 285. [Bookplate for T. J. Pugh] Simple text bookplate. 286. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 287. [Bookplate for William R. Ridell] Shield, argent (silver), charged with a chevron, gules (red), and three garb, aulned. Above the crest is a greyhound, rampant ; only top half of dog is visible behind a wreath of vert (green) and a second colour, unclear. Beneath the shield is a banner which ends in two tassels on either side, reading 'I hope to Share.' Box on lower left side for entering book number, unused. Tear at bottom right. 288. [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font. 289. [Bookplate for Chs-Ed. Parrot] Red ink on white paper. Consisting only of text, the owner's name and location are surrounded by a border. Exposure to water has cause the ink to smudge. 290. [Bookplate for Alfred Hawksworth] Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate. 291. [Bookplate for Donald Morin d'Equilly] Quartered per cross gold shield with a horizontal and black cross with four martletts. Above the shield is a crown and below it is the motto "Fortis fidelisque simul." At the bottom of the bookplate is fleur-de-lis. 292. [Bookplate for W. D. Brydone-Jack] Purple ink on cream paper. 293. [Bookplate] Printed in light black ink on white paper with some foxing. The text is surrounded by a patterned border. 294. [Bookplate for C. Gordonsmith] Printed in brown ink, the bookplate depicts an interior room scene with a fire place and mantel, book shelf, and arm chair. Pictorial. 295. [Bookplate for George T. Irving] Printed in brown ink, the bookplate depicts a rigged wooden ship, with full sails, on water. A bird soars into the foreground. “Ex Libris” half-circles the image, while a literary quote from Emily Dickinson, and the bookplate owner’s name, are printed below. 296. [Bookplate for Emily Ogden Wheeler] Printed in brown ink on white or cream paper the bookplate consists of a border of four thin branches bearing leaves and buds. Wrapped around the top and bottom branches are banners bearing the quotation 'DREAMS BOOKS ARE EACH A WORLD AND BOOKS / WE KNOW ARE A SUB-STANTIAL WORLD.' In the center of the border appears the name of the owner. 297. [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle. 298. [Bookplate for Langslow] Printed in brown ink on buff paper and encompassed in a decorative border with bugle horns in each corner. Bookplate features a heraldic achievement. Escutcheon, per pale, dexter sable and sinister gules. Lion rampant at fess, with three crosses, argent. A chief, argent, charged with a torteau between two bugle horns stringed. A closed helm, mantling, and torse. Crest, a spear issues erect from the helm, pendent a bugle horn stringed. Slogan or motto above crest. Below the escutcheon, the identification of the bookplate owner between two facing lions. A monogram or initial appears at the top left of the achievement, perhaps the letters AM, and a date at the top right. 299. [Bookplate for Ludger Gravel] Printed in blue ink, surrounded by a border composed of three wavy lines, the bookplate features a coat of arms. The Jerusalem Cross is borne in red on a gold field in the chief. The lower shield features Hermes and the Caduceus on a red field. It is topped by a closed helm of gold, in profile. A banner is beneath the coat of arms, as well as the owner’s name. 300. [Bookplate for Claude Lamont Wheeler by C. Collmen] Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner. select all : clear all : add to favorites results 281-300 of 943 item(s)  page 15 of 48 : ( <<  11  12  13  14  15  16  17  18  19  20  >> ) :: previous : next
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