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481.
[Bookplate for Edward Andrew Donaldson]
In black ink. An escutcheon divided quarterly ; first and fourth quadrants, or (gold), a double-headed bird displayed, sable (black), above a lymphad showing three dexter flags, gules (red) ; second and third quadrants, gules, fess checky argent (silver) and gules, with two arrows argent. Also, two inescutcheons, or, with a hand gules. One inescutcheon is located in the centre of the escutcheon and the other in the top corner of the dexter chief. A escutcheon has a bordure, indented and azure (blue), with seven belt buckels, one at each corner of the escutcheon. The crest is a closed dexter helm, argent, with mantling. Atop the helm is a bare cubit arm grasping a dagger. There is a lance extending from the top dexter corner of the escutcheon, displaying a banner. The banner encirles a Latin cross and an anchor, and contains the Latin motto. Also, there is a triangle which contains a three-masted ship in the top left hand corner. A border frames the coat of arms and contains a saying in four languages.
482.
[Bookplate for Catherine Aishton]
In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.
483.
[Bookplate for Harry M. Allice]
In black ink. A picture of "The Thinker," a bronze and marble sculpture by the French artist Auguste Rodin, outlined in white and shadowed. "EX LIBRIS" above, the quote beside, and the name boxed below the sculpture.
484.
[Bookplate for Gladys Lillian Boyd]
In black ink. A partial globe resting on clouds surrounded by books and paper. Above is an old printing press on which is perched a bird with a half circle of sun rays surrounding it.
485.
[Bookplate for John Eardley Wilmot]
In black ink. A marshalling of 12, this bookplate incorporates several notable charges, including two sets of eagle heads, erased, a leg erased, three garbes, a stag salient with hounds in pursuit, a scythe, three bugle-horns, three maiden's busts, three crosses-crosslet, three mullets and a lion rampant. The escutcheon is surrounded by an ornate, foliage border in the Chippendale style. It is crowned with a peer helmet, set upon a vegetative backdrop. The mantling supports two straight wreathes, charged with a demi-eagle, holding an escalop in its beak (dexter) and a stag courant (sinister). Among the many heraldic armorials depicted, this bookplate includes several identifiable familial crests. The originator's descendants, include, from dexter chief to sinister base, the Wilmot family in armorial one, the Eardley family in armorial three and the Marrow family in armorial seven. The Wilmot family armorial displays a sable (black) background parted per fess, or (gold), with three escalops on the fess, situated between three eagle heads, erased, two over one. The Eardley family armorial is argent (silver), with a chevron, azure (blue), charged with three garbes (sheaves of corn) and in canton gules (red) a fret, or. The Marrow family armorial is azure, parted per fess, or, engrailed, situated between three maiden's busts, two over one.
486.
[Bookplate for Jas. Beaty]
In black ink. A decorative border with ornamentation in corners surrounds the text.
487.
[Bookplate for J. Fred. Aspolen]
In black ink. A dark room with an open door decoratively molded with busts above the doorway leading into a well-lit room containing bookshelves.
488.
[Bookplate Academy of Medicine]
In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto. Below the text, a pre-printed line.
489.
[Bookplate for Academy of Medicine]
In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto.
490.
[Bookplate Academy of Medicine]
In black ink. A burning oil lamp above an open book with words on both pages. Below is a banner containing the Latin motto.
491.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.
492.
[Bookplate for McLean]
In black ink, though somewhat faded, this bookplate consists of an escutcheon divided quarterly, with a gules (red) bordure ; the first and fourth quadrants, argent (silver), are charged with two eagles heads addorsed, gules and erased above a mountain ; the second quadrant, argent, is charged with a dexter arm, gules, holding a cross crosslet fitchy, azure (blue) ; and the third quadrant, argent, is charged with a galley, sable (black), over a fish, azure and naiant (swimming fesswise). The escutcheon is crested by a dexter helmet, open and containing a lion head, topped by a curved wreath and two laurel branches, crossed. From either side of the helmet flows elaborate mantling. Below the escutcheon is a banner containing the Latin motto.
493.
[Bookplate for Y. Hoffmann and J. E. Horvath]
In black ink, this small bookplate includes what appears to be an abstract letter 'H'.
494.
[Bookplate for Lieve Van Kerkhove and Martin Jackson]
In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.
495.
[Bookplate for Ferdinand I Czar of Bulgaria]
In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner.
496.
[Bookplate for Edmund Maskelyne]
In black ink, this chippendale-style bookplate consists of an escutcheon, sable (black), charged with a fess, or (gold) and engrailed, and three escallopes, two over one. The escutcheon is crested by a wreath and a demi-lion, holding an escallope between its two paws. The originator's name is framed within the chippendale floral decoration below the escutcheon.
497.
[Bookplate for Henry Flitcroft]
In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.
498.
[Bookplate for Cornelia Anthony]
In black ink, this bookplate presents us with a homestead scene of a hearth and mantle. Above the mantlepiece is a shelf of books. On the mantle is a teapot in between two displayed plates. Placed on the floor at the base of the hearth is a spinning wheel. On either side of it are a large set of candlesticks. The entire image is bordered by a frame of teacups and saucers.
499.
[Bookplate for Stetson]
In black ink, this bookplate contains an escutcheon, argent (silver), surrounded by a grape vine bordure. The escutcheon contains a scrape, azure (blue), and is charged with two gryphons, at dexter chief and sinister base. Above the escutcheon is a straight crest wreath and a demi-gryphon. Below the escutcheon is a banner containing the Latin motto.
500.
[Bookplate for James Maitland Hunt]
In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border.
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