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	Search results for Some    Refine your search Creator 4 () 3 () 2 () 2 () 2 () Show more... results 81-97 of 97 item(s)  page 5 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 81. [Bookplate for William Greening and Cornelia Greening by A. N. Macdonald] Black ink on cream paper. Elaborately decorated frame surrounds three round images, two small ones atop a larger, oval one. The border has a shelf-like appearance with the top featuring a series of curling, heart-shaped decorations with a large, spiraling curlicue extending to the left and right. The very centre of the top element features a leaf-like decoration pointing upwards. The top half of the sides of the border features symmetrical leafy curlicue decorations that extend downwards with a pseudo-fleurs-de-lis to a line of elaborate floral decorations. The large oval image extends to the sides of the borders and below the oval are decorations on both the left and right sides. The left side features a tennis racket entwined in leafy decoration. The right side contains golf clubs in the same leafy decoration. Leafy decoration also surround the two small images inside the border, which are connected by two wrapping ribbons in the centre. The image on the left features an explorer holding a walking stick and wearing a hat looking out onto a nature landscape. The landscape includes water and a mountain topped with clouds. The image on the right contains a road curving to the right. The right side of the road features foliage, including several palm trees. The large, central image shows a house with some of its garden in the foreground. The forefront of the image is a simple lawn, followed by several small trees on the left with plants in barrels, a table, and several chairs on the right. Between the trees and chairs is a path leading further into the garden and towards the house. The house is quite large and has at least two stories and a sheltered porch. Towards the other end of the house and garden are taller trees. Below the images is a rectangular box with a border. The border consists of two thin white lines with a darker centre between them. The centre of the rectangle contains text written in capitalized serif font in varying sizes. Below the rectangle, the artist’s name and date of creation is written in small, sentence-case serif font. Handwritten note in pencil on the back. 82. [Bookplate for Glazebrook] Black ink on cream paper. Design has some heraldic features. At the top of the bookplate is a banner featuring black, serif, capitalized font. The banner sits atop a stylized castle with multiple towers and a circular wall. Behind the castle to the left and right extend wing-like features. In front of the castle is a shield argent with sable dots charged with a sable lion passant. Shield has a sable chief charged with three argent fleurs-des-lis. Armorial helm with mantling is topped with a sable demi-lion rampant wearing a crown atop a crest-wreath. The bottom of the bookplate features a rectangle designed to look like stylized wooden panels. It features large, capitalized, bold black serif font. The words are separated with floral decorations, each of a varying design. The first flower is found with six more pointed petals, a black centre, and two leaves. The second flower is smaller and rounder, but of similar design to the previous one also with two leaves. The last floral decoration looks like a maple leaf with a simple stem. 83. [Bookplate for D. Girouard] Black ink on cream paper. Crest features right arm bent at elbow holding the top half of a spear on crest-wreath. Shield has sable and argent stripes, charged with three two-pointed flags two speckled sable on argent flags over one argent flag facing left. The top two flags are speckled, sable on argent, and the bottom flag is argent. Below the shield, the motto is printed in capital letters on ribbon with curling ends. Name typewritten in cursive sentence font. 84. [Bookplate for J. H. Hagarty] Black ink on cream paper. Crest features an armoured arm holding on to a sabre. The arm is coming out of a crest-wreath. The shield is argent with a sable chief. The chief is charged with three white birds trussed. The bottom section of the shield is argent and charged with a tall, leafy tree. The tree has three roots extending out. Below the shield, the motto is printed on a curling ribbon in capitalized, block, sans serif white letters. Below the motto, the bookplate owner’s name is printed in large, black, sentence case, cursive font. 85. [Bookplate for Alfred C. Harmsworth] Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font. 86. [Bookplate by William Walker Alexander] Black ink on cream paper, depicting a satyr playing reed pipes in a field with some flowers, surrounded by wildlife (moose, rabbit, squirrel, beaver, birds). There is a forest and water nearby, and signs of human life (tent, canoe). Pictured within a circular frame, with ribbon and text, and a crow standing on a branch at the very top looking down. 87. [Bookplate for David Russell Jack] Black ink on cream paper with shiny surface. The crest features an armoured arm clutching a sword extending from a crest-wreath. Below is an esquires helm, from which extends mantling on either side. The mantling is light on top and darkens to black at the bottom. The shield is has a chevron with thin, horizontal, black lines. Above the chevron, the shield is charged with two crescent moons with the points facing upwards. Below the chevron, the shield is charged with the same arm from the crest, in this case tilted 90 degrees so that the arm is horizontal. While the crest arm holds a straight sword, the shield arm is holding a sword with a curved blade. Below the shield, the motto is printed in capitalized, black, block serif font on a curling ribbon. Underneath the motto, the bookplate owner’s name is printed in larger, black, sentence case cursive font. A second line features the date printed in smaller, thin, stylized black font. 88. [Bookplate for Bibliotheque paroissiale de St. Henri] Black ink on blue green paper. Thick line border with inner border comprised of thin lines. The borders are not connected at the corners. The library name is written in capital letters of different sizes and serif font styles. Sentence case serif font indicates the card number space. Handwritten notes in pencil in the card number section and on the verso of the bookplate. 89. [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border. 90. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] All printed markings in blue ink, all manuscript notes in black ink. Thin lines form a vertical rectangle with three vertically-stacked cells. The top cell contains the name of the library. The middle cell contains the seal of the institute: two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text. The seal has been inverted, so that it appears as white markings in a blue square. The bottom cell contains a space for presentation notes. In the last cell and above the outermost frame are manuscript notes. 91. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] All printed markings in blue ink and all manuscript notes in black ink. Thin lines form a vertical rectangle with three vertically-stacked cells. The top cell contains the name of the library. The middle cell contains the seal of the institute: two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text. The bottom cell contains a space for presentation notes. In the last cell and above the outermost frame are manuscript notes. 92. [Bookplate for Jessie Hunter] A single black fillet surrounds the central image on the bookplate. Two banners sit above and below the central image of a large open book overlays a lighted oil lamp with two wicks on curved arms curling outwards from the central hub of the lamp. The lamp is sitting on the outline of a table. The images may imply that books bring awareness of the unknown. 93. [Bookplate for W. MacDonald MacKay] A man in a powdered wig sit in a library, looking out the window, with a book laid out on a table before him. The window is open and flowers and vines grow around its frame. A book at the lower right corner of the plate lists the date and possible initials of the artist:"Sept 1896" and "RJ." 94. [Bookplate] A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper. 95. [Bookplate] A coat of arms with mantling: Quarterly, 1st and 4th azure, 2 bars dancetty or, in chief 3 bezants ; 2nd and 3rd azure, a fess engrailed argent, surmounted by another, not engrailed, gules, charged with 3 roses argent, between as many swans, proper. Above the coat of arms are two crests: left is a swan gorged, wings displayed and inverted, on a wreath ; right is a bull at gaze, gorged and on a wreath. Below the coat of arms is a ribbon containing the Latin motto. 96. [Bookseller's Tickets for Charles-Odilon Beauchemin] 1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field. 2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field. 3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text. 4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text. 5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book. 6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center. 7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image. 97. [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number. 2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text. select all : clear all : add to favorites results 81-97 of 97 item(s)  page 5 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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