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results 81-100 of 152 item(s)  page 5 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next
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 Image: Title: Description:

81. [Bookplate for James Hatch] [Bookplate for James Hatch] In black ink, an escutcheon, gules (red), charged with two lions passant guardant, with their hind legs couped. Over the lions at the fess point is an inescutcheon parted per pale, ermine (white powdered fur with black tufts) and ermines (field sable fur, powdering argent), a chevron sable (black) and argent (silver) with four lozenges ermine and ermines, between three fleur-de-lis argent, two over one. The crest is a lion cabossed on a straight wreath. Below the escutcheon is a banner containing the Latin motto.

82. [Bookplate for John T. Metcalfe] [Bookplate for John T. Metcalfe] In black ink, this bookplate consists of a monogram within an oval bordure, which contains the text and two solid cross formy.

83. [Bookplate for Richard Whitmore Norman] [Bookplate for Richard Whitmore Norman] This simple heraldic bookplate consists of a straight wreath charged with a stag's head, erased. Above the charged wreath is a banner, with Latin motto within.

84. [Bookplate for Thomas Taylor by James Cole] [Bookplate for Thomas Taylor by James Cole] In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.

85. [Bookplate for Laurence A. Waldron by Waller] [Bookplate for Laurence A. Waldron by Waller] In red ink. This bookplate displays a classical theme. A neoclassical urn, draped with a laurel garland serves as the back-drop for the escutcheon. The escutcheon, argent (silver), is charged with three bull's heads caboshed, situated two over one. Above the escutcheon is a straight wreath, charged with a heraldic tyger sejant. This component is encircled by the originator's Latin motto. The urn is set upon a pedestal with an oval background, framed by a garland. At the base, between the oval background and laurel garland frame, appears the name and location of the creator.

86. [Bookplate for University of Alberta] [Bookplate for University of Alberta] Bookplate design consists of University of Alberta arms, latin motto and text in green ink.

87. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

88. [Bookplate for Montreal Children's Library] [Bookplate for Montreal Children's Library] Dark brown ink on brown paper. An image of a young boy and girl in a library with many books open and on the floor. The young girl reaches up to pull down a book from the top shelf while the boy sits cross-legged on the floor reading.

89. [Bookplate for Kennedy McIlwraith] [Bookplate for Kennedy McIlwraith] Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.

90. [Bookplate for Norman H. Friedman by A. G. Racey] [Bookplate for Norman H. Friedman by A. G. Racey] Brown ink on cream paper. A man is seated in a wing chair by the fire, wearing slippers and reading a book ; his face is not visible but his pipe pokes out from behind the chair. A fire is roaring in a brick fireplace behind him, with a bust labeled 'Kipling' on the mantelpiece ; the mantel is inscribed with the words 'Be a reader but not a book keeper' with initials below the quote that appear to read A.G.A. In the foreground, there are piles of books and manuscripts and a small dog.

91. [Bookplate for Howard Murray] [Bookplate for Howard Murray] In black ink on cream coloured paper. This bookplate depicts a sitting room with two chairs and a window looking out on trees, rolling hills and a body of water. A scroll at the base containing the originator's name is flanked by a pile of books.

92. [Bookplate for Charles Fyfe by R. P.] [Bookplate for Charles Fyfe by R. P.] Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background.

93. [Bookplate for London Public Library and Art Museum] [Bookplate for London Public Library and Art Museum] This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.

94. [Bookplate for Lorne A. Pierce by Marjorie Sankey] [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand.

95. [Bookplate] [Bookplate] In blue ink on yellow paper. This bookplate displays a mounted trumpeter, suited in armour. Behind his right leg hangs a shield charged with what appears to be an eagle displayed. The equestrian is surrounded by a rectangular frame containing alternating vegetative designs and open books resting on book stands. Above the figure, within the frame appears the work ex-libris and below, in the base of the frame the institution name.

96. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

97. [Bookplate for Lesslie M. Sweetnam by F. F. H.] [Bookplate for Lesslie M. Sweetnam by F. F. H.] Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.

98. [Bookplate for Thomas Troughton] [Bookplate for Thomas Troughton] Printed in black ink on white paper, in the upper left of the ex libris appears the crest of a lion erased issuing from a straight wreath. At the base of the lion's head is a veil sable with two pellet over one plate. To the right is the crest of a stag statant issuing from a straight wreath. Below the two crests appears a banner bearing the motto 'CARPE DIEM.' At the bottom of the ex libris appears the name of the owner, 'The Revd. Thomas Tronghton.'.

99. [Bookplate for James M. Wishart by Leslie Victor Smith] [Bookplate for James M. Wishart by Leslie Victor Smith] Printed in black ink on white or cream paper, the bookplate consists of a two line border surrounding a circular design of vines and leaves with the words 'EX LIBRIS' appearing at the top. In the upper third of the design at center appears a University of Toronto Medical School coat of arts bearing a skull and crossbones. Below the coat of arm to the left appears an open book and to the right appears a three-stringed harp. The initials of the designer, Leslie Victor Smith, and the date "1940" appear at the bottom of the design. Below the design appears the name of the owner.

100. [Bookseller's Ticket for John Britnell] [Bookseller's Ticket for John Britnell] In black ink on pink paper, a ticket in the shape of an open book.
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results 81-100 of 152 item(s)  page 5 of 8 : ( <<  1  2  3  4  5  6  7  8  >> ) :: previous : next
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