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	Search results for Text    Refine your search Creator 11 () 3 () 3 () 2 () 2 () Show more... results 1-20 of 429 item(s)  page 1 of 22 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next select all : clear all : add to favorites   Image: 1. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 2. [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned. 3. [Bookseller's Tickets for Charles-Odilon Beauchemin] 1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field. 2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field. 3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text. 4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text. 5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book. 6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center. 7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image. 4. [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font. 5. [Bookbinder's Tickets for Joseph Fortier] 1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number. 2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text. 6. [Bookplate for J.E.G. Bibliothèque] Green ink on white paper. Thin green border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded green font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small green circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a green owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin green lines. Below the images is a thin green oval border that is straight on the top and bottom sides. Inside is curling thin green text sitting on a thin green line. At the right end of the line is another thicker perpendicular green line dividing the oval into two uneven sections. 7. [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections. 8. [Bookplate for J.E.G. Bibliothèque] Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections. 9. [Bookplate for Royal College of Dental Surgeons of Ontario] In black ink. This bookplate consists of an academic escutcheon in the heraldic-style. The escutcheon is parted per fess, indented, in chief gules (red), charged with two open books with initialled text. These charges mimic the two books found on the University of Toronto's crest. On the fess, argent (silver), appears a maple bough with three leaves. Though situated differently, this symbol may be drawn from the maple bough with three leaves which appears on the coat of arms of the province of Ontario. The base, azure (blue), is charged with a lamp of knowledge. Above the escutcheon is a crown, which resembles that of George IV, also found on the coat of arms of the University. The crown was included in the University crest to indicate the provision of the institution's royal charter by George IV in 1827. Surrounding the escutcheon is a banner containing the name of the university faculty which issued the bookplate. The illustration identifies itself as an "Ex Libris" and below, cites the originating library. The text and illustration are surrounded by a rectangular frame ornamented with garlands. 10. [Bookseller's Tickets for Zephirin Chapeleau] 1) In black ink on green paper, the bookseller's ticket consists of a thin black border surrounding black text. 2) In black ink on green paper, the bookseller's ticket consists of a wavy black border surrounding black text. 3) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 4) In black ink on white paper, the bookseller's ticket consists of a wavy black border surrounding black text. 11. [Bookplate for Herbert Fairbairn Gardiner] Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size. 12. [Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society] Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text. 13. [Bookseller's Tickets for J.A. Carveth & Co Limited] 1) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text. 2) In blue ink on white paper, the bookseller's ticket consists of a thin blue border surrounding blue text. 3) In black ink on white paper, the bookseller's ticket consists of a thin black border surrounding black text. 14. [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back. 15. [Bookplate for Paul Hahn by J. M.] Black and blue ink on cream paper. The rectangular border consists of three black lines of decreasing thickness towards the center. In the top right corner is a small butterfly with outspread wings with some decoration. Below the butterfly is text in stylized, capitalized, black serif font. The bookplate owner’s name is printed below in slightly different stylized font in a larger size. Underneath the owner’s name is a larger butterfly with more elaborate outstretched wings. The text forms a single column in the left-hand side of the bookplate. To the right of the text is a bookshelf that appears to extend down to the bottom of the bookplate. Books are stacked in various ways on the shelf, spines facing out. In front of the bookshelf is a cello. The base of the cello sits in the bottom center of the bookplate and the neck extends up towards the top right-hand corner. At the top of the cello sits a butterfly, less elaborate than the others, that has been coloured in with blue ink. To the right of the cello is a tall object extending up along the bookshelf. A section of papers, potentially sheet music, in a folder in the bottom right corner. In the bottom left corner, the bookplate creator’s initials are printed in capitalized, black, serif font surrounded by a thin black border. 16. [Bookplate for B. Hallé by L. P.] Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate. 17. [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font. 18. [Bookplate for James Lee] Brown and red ink on cream paper. A thick brown border surrounds the bookplate. Inside is a thin red border. Underneath the top of the red border are two leaves printed on the left and right side of block, capitalized, serif text. At the base of the red border, text is printed in the same block letters in a slightly larger size. There is a second thin red border within the first one, inside of the block text. Inside this border is the image of a man sitting indoors reading a book. The man has long hair tied with a bow in the back and is wearing a long dark coat and large pants cropped at the knee. He also has simple shoes with bows on his feet. He is sitting in a large wooden chair and smoking a pipe. Behind him to the right is a window with diamond patterns. To the left of the window is a small frame with little detail. The man and his chair are in profile. In front of them, half a round table is visible. A small vase and a thin glass are atop the table. At the man’s feet, a small black cat lies curled atop a closed book. 19. [Bookplate for George E. Longley by Francis Adams Sc.] Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font. 20. [Bookplate for Montreal & District Brotherhood Federation, W. Bourdeu, S James United Brotherhood, and T. B. Macaulay] Black ink on white paper. A border consisting of a thick black line with thinner black lines surrounds the bookplate. At the top of the bookplate, there is a circular decoration with a black border. Inside the border is a plain section with rounded edges on the outer rim. Inside that section is a thick black circle with text printed in capitalized, sans serif white font. A thin white border separates the thick black section from an image of a black and white globe with cross sections. In the middle of the globe, a circle shows two hands with black sleeves shaking. Above the hands is a sun with beams. Below the hands, letters are printed in capitalized, sans serif block letters with a black border. Underneath the circular design, font is printed in capitalized, serif, black, font. On the next line is a dotted line. Below the dotted line is the same font in a smaller size followed by another dotted line. The same font, but larger, is printed on the next line. In the next line the font is smaller and then larger and smaller again in the subsequent two lines. Below these lines, text is printed in bold, black, small sans serif font. Underneath this line, text is printed in small, sentence case, black, serif font and is followed by a dotted line. select all : clear all : add to favorites results 1-20 of 429 item(s)  page 1 of 22 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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