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1. [Bookplate for John Wingfield Larking] [Bookplate for John Wingfield Larking] This heraldic bookplate consists of an escutcheon, ermine, charged with three heads of wildcats, possibly lions. Above the escutcheon is a closed helmet, placed in profile, denoting the rank of an esquire or a gentleman, from which, elaborate mantling flows. Upon the helmet is a curved wreath, with a crest of a bird, wings elevated and displayed, holding a branch in its beak.

2. [Bookplate for George Wilbraham] [Bookplate for George Wilbraham] In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto.

3. [Bookplate for Benjamin Gott] [Bookplate for Benjamin Gott] In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed.

4. [Bookplate for Catherine Aishton] [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work.

5. [Bookplate for Lachlan Gibb] [Bookplate for Lachlan Gibb] In black ink. This bookplate's design features an escutcheon with or (gold), azure (blue), and sable (black) designs, parted per cross and charged at the fess point with an additional coat of arms. The escutcheon is outlined by an ornate border and situated in the center of a rectangular frame, divided into quadrants. These sections feature a domed building, topped with a cross, a ship, three battle-axes and three beavers, respectively. The originator's Latin motto and name appear along the base of the frame. Above the rectangular design are two straight wreaths charged with a dexter arm vambraced couped, holding aloft a battle-axe and an eagle bearing a tilting spear.

6. [Bookplate for Philip Robert Lyman] [Bookplate for Philip Robert Lyman] This bookplate features a gules (red) escutcheon divided per chevron, argent (silver), charged with a gules (red) annulet. Above the escutcheon rests an esquire helmet, which is charged with a bull. Underneath the banner featuring the Lyman motto is the owner's name with a maple leaf on either side.

7. [Bookplate for John Rosel] [Bookplate for John Rosel] A flower (possibly a rose) is clenched by a mailed fist extending from a wreath. At the top of the plate is a banner with the motto.

8. [Bookplate for Mechanics' Institute of Moodyville] [Bookplate for Mechanics' Institute of Moodyville] In black ink, a decorative border surrounds text printed in a variety of fonts and hand written notes. The paper is highly mottled, possibly the result of mold.

9. [Bookplate for Marjory Todd and John Todd] [Bookplate for Marjory Todd and John Todd] In black ink on white paper, a border which includes images of a book, an hourglass, and a sundial surrounds a view of a garden which contains birds and a birdbath, flowers, and in the distance, trees and a trellis.

10. [Bookplate for Ludger Gravel] [Bookplate for Ludger Gravel] Printed in blue ink, surrounded by a border composed of three wavy lines, the bookplate features a coat of arms. The Jerusalem Cross is borne in red on a gold field in the chief. The lower shield features Hermes and the Caduceus on a red field. It is topped by a closed helm of gold, in profile. A banner is beneath the coat of arms, as well as the owner’s name.

11. [Bookplate for Junior League of Montreal] [Bookplate for Junior League of Montreal] A border of squares and lines surrounds the text, printed in black ink.

12. [Bookplate for Ludger Gravel by Impremerie Ludger Gravel] [Bookplate for Ludger Gravel by Impremerie Ludger Gravel] Printed in black ink, the double-line border surrounds the text of the owner’s name, address, and book number.

13. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

14. [Bookplate for Ruth Delia Lyman] [Bookplate for Ruth Delia Lyman] Black ink on cream paper. A demi-bull sites atop a crest-wreath. The bull has its top legs up and a curling tail, as well as two horns. The motto is printed below the crest-wreath on a curling ribbon in capitalized, black, sans serif font. Below this image, two lines of text is printed in large, capitalized, black, sans serif font.

15. [Bookplate for J. W. Longley by Francis Adams Sc.] [Bookplate for J. W. Longley by Francis Adams Sc.] Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.
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