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results 1-20 of 34 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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 Image: Title: Description:

1. [Bookplate for D. Girouard] [Bookplate for D. Girouard] Black ink on cream paper. Crest features right arm bent at elbow holding the top half of a spear on crest-wreath. Shield has sable and argent stripes, charged with three two-pointed flags two speckled sable on argent flags over one argent flag facing left. The top two flags are speckled, sable on argent, and the bottom flag is argent. Below the shield, the motto is printed in capital letters on ribbon with curling ends. Name typewritten in cursive sentence font.

2. [Bookplate for John Jenkins D.D.] [Bookplate for John Jenkins D.D.] Black ink on white paper. The crest features a white lion passant reguardant with black spots standing on the top portion of a stone castle tower. The tower sits on a crest-wreath. The shield is divided per cross. Around the shield is a curling border with leafy adornments and spirals on the sides. The border is thicker on the left, right, and bottom portion. The border does not cover the entire shield ; there are gaps at the top left and right corners and at the center of the base. The top left and bottom right sections of the shield are identical. They have a black and white striped background and are charged with a white chevron decorated with black dots. They are also charged with three white fleur-de-lis, two over one around the chevron. The top right and bottom left sections of the shield are also identical. They have a white background with black dots and are charged with a black lion rampant reguardant. Below the shield, the motto is printed on a ribbon with leafy ends that match the shield’s decorative border. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed underneath the motto in thin, sentence-case, black, cursive font.

3. [Bookplate for University of British Columbia by Ladislas Kardos] [Bookplate for University of British Columbia by Ladislas Kardos] Bookplate has an imposed skyline drawn against a gray background. The background, skyline and the text following is printed on an argent background with the UBC crest located in the lower dexter chief position of the bookplate with "The Library" printed below it.

4. [Bookplate for Jac Balfour Paul Ado] [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap.

5. [Bookplate for Maija Calite by Richards Skrubis] [Bookplate for Maija Calite by Richards Skrubis] Image is of a side profile of a woman (possibly originator) against a black and white background. There is a braid done in a circular pattern at the back of her hair and she is facing to the right.

6. [Bookplate for K. H. Ingalls by Ralph Fletcher Seymour] [Bookplate for K. H. Ingalls by Ralph Fletcher Seymour] A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace.

7. [Bookplate for Aubrey F. Roberts by Bank B. Gordon] [Bookplate for Aubrey F. Roberts by Bank B. Gordon] Executed in brown ink on white paper, this bookplate depicts a picture frame in which stand several books with their spines facing outwards. In front of these is an open book leaning against a globe of the world. In the background of the frame is a stairway ascending a steep hill upon which is a heavily turreted castle and trees. Resting on top of the frame is a vase or urn containing an abundance of leaves, and it is supported by a mantle fronted with wings.

8. [Bookplate for Anne Marie Smith] [Bookplate for Anne Marie Smith] Landscape scene of a solitary pine tree in standing erect among tall grass in the foreground, and white mountains against a grey cloudy sky in the background. Scene is bordered by a pillar on each side. A decorative symbol of an owl with outstretched wings is at the base of the scene.

9. [Bookplate for Iser Steiman M.D. by A. N. T.] [Bookplate for Iser Steiman M.D. by A. N. T.] Black ink on cream paper. Man, no shoes, chest bare, book hugged against torso with left arm, while right arm holds open a book held at eye level. Sunlight illuminates the man. Deciduous tree in foreground. Hills in background.

10. [Bookplate for Frank Marx Etting] [Bookplate for Frank Marx Etting] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a chevron, gules (red). On the chevron are three roundlets, argent. The escutcheon is bordered by mantling, and crested by a dexter cubit arm holding a sword. Impaled on the sword is a boar's head. The boar's head is said to represent unflinching courage and fierceness on the battlefield. In Irish literature, it was symbolic of aggression and savegery, and symbolized the Devil.

11. [Bookplate for William Dadley] [Bookplate for William Dadley] In black ink. This bookplate consists of an escutcheon, argent (silver), with a chevron, or (gold), and three antlers, two over one, sable (black). The crest is an arm vambraced, embowed, grasping two lilies, upon a straight wreath. Below the escutcheon is a banner containing the Latin motto.

12. [Bookplate for Charles Carroll] [Bookplate for Charles Carroll] Bookplate consists of an escutcheon, in a scalloped chippendale style, charged with two lions rampant, between which is a sword. Escutcheon is charged with a straight wreath and an eagle with wings elevated. Cherub also stands beside the escutcheon.

13. [Bookplate for Charles Hubert Bruyere] [Bookplate for Charles Hubert Bruyere] In red ochre ink, two books laying flat with a vase of flowers on top of them beside a third book leaning against the border.

14. [Bookplate for R. J. A. Boreman] [Bookplate for R. J. A. Boreman] In black ink. This bookplate displays a bespectacled man, presumably the originator, reading a book by candle-light. With no tonal variation, he is set-off against a black background, framed with a thin, asymmetrical, ornate border. Above the profile-portrait is the originator's name, and below, his Latin motto and a separate component in which a book number has been stamped in red.

15. [Bookplate for Saul Globus] [Bookplate for Saul Globus] This bookplate features an airplane circling around an abstract structure against a dark sky.

16. [Bookplate for Edith Dair and Carl Dair] [Bookplate for Edith Dair and Carl Dair] A man, bare-chested stands on a rocky outcropping, holding a book in his hand, balanced against his thigh. Light streams from above. Chestnut coloured ink on cream background. Originators' names in black type.

17. [Bookplate for Lewis Hutchens by Don Wier] [Bookplate for Lewis Hutchens by Don Wier] This bookplate's design features a devil looking upwards and leaning against a book. He seems to point towards the bookplate originator's name with his left-hand, while holding a fountain pen in the crook of his other arm. Stylistically, this ex-libris appears to have originated in the early part of the 20th-century.

18. [Bookplate for John Ross Robertson] [Bookplate for John Ross Robertson] Geometric/art nouveau trim. The traditional Masonic symbol of a rounded square and compass against a rectangle.

19. [Bookplate for J. Harry Smith by William Walker Alexander] [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.

20. [Bookplate for Claude Lamont Wheeler by C. Collmen] [Bookplate for Claude Lamont Wheeler by C. Collmen] Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner.
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