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results 21-40 of 430 item(s)  page 2 of 22 : ( <<  1  2  3  4  5  6  7  8  9  10  >> ) :: previous : next
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21. [Bookplate for George Wilbraham] [Bookplate for George Wilbraham] In black ink. Escutcheon parted per pale, the sinister half azure, a bend, argent, engrailed, two bendlets, or, on either side. The dexter half parted per cross. The first and fourth quarters, argent, bendy of seven, argent and azure. The second and third quarters, barry of five, argent and azure, a canton, sable, with a wolf. Above the escutcheon is a straight crest wreath topped with a wolf. Below the escutcheon is a banner containing the Latin motto.

22. [Bookplate] [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858.

23. [Bookplate for Hill's Library] [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.

24. [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] [Bookplate for William Griffin and Florence Griffin by Leslie Victor Smith] Brown ink on cream paper. The bookplate has a perforated border with rounded corners. At the top left and right corners are flowers with four square petals and five leaves extending below. The floral decorations are quite simple, featuring only small lines. Between the two flowers is curling text in sentence case followed by five leaves with stems curling to the left and the tip of the leaves curling to the right. In the centre of the bookplate an open book. The book has enforced corners and a clasp on the cover. On the open left page is a griffin rampant on a crest-wreath. On the open right page is a cat sitting on a crest wreath. A link from a chain extends from the base of the book’s spine to attach to a sign with a thick white border. Atop a speckled background is capitalized and lower case font with stylized serif accents. Two links of chain are attached to this sign from below in the left and right corners. Between the chains are stylized curling, accents meeting in a decorative feature in the centre with a leaf extending downwards. Text is printed on the left and right hand side of the leaf. There is a handwritten note in pencil in the bottom right hand corner.

25. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery.

26. [Bookplate for Gabrielle Labelle] [Bookplate for Gabrielle Labelle] Black ink on cream paper. The border consists of two black lines on the left and right-hand sides. At the base of each side are black decorative spiraling lines. The top and bottom portion of the border are more elaborate. These borders are thicker with a thin black line on either side and a thick black line in the center. The border is wavy with the lines slanting on either side towards the center of the border. On the top and bottom center of the border is a small half circle decorated with black stripes. In the upper righthand corner of the bookplate is text printed in a stylized serif, capitalized, black font. In the middle of the bookplate is a drawing of a woman sitting at a tall desk reading an open book. The desk is narrow and tall with cupboard at the back. The cupboard is round at the top and the doors are decorated with simple slanted lines. The woman has her hair up and is wearing a dress with puffed sleeves decorated with a simple flower. The skirt of the dress is extremely large and round. The skirt extends out across the entire bottom half of the bookplate. Part of the skirt is decorated with stylized spiral lines and a flower. At the base of the skirt, the bookplate owner’s name is printed in a stylized cursive, black, sentence case font.

27. [Bookplate by University of British Columbia] [Bookplate by University of British Columbia] The text of the bookplate is framed by 3 black fillets in a rectangular form. On the left and right sides of the frame there are 6 palmetes and on the header and footer of the frame there are 9 palmetes. There are no colors or other decorations on the bookplate.

28. [Bookplate for George Macaulay Booth] [Bookplate for George Macaulay Booth] This is a pictorial bookplate created with black ink on white paper. In the foreground are cobblestones and an open doorway. On the left of the doorway is a desk with a lit candle and an open book on it and in the middle of the doorway is a sundial. Outside of the doorway are rolling hills with two paths: one leading to a village and the other to a bay with two boats on it. A sun sets/rises over the bay. At the bottom is a Latin inscription framed with two roses that reads: "Nec temere nec timide [neither rashly nor timidly] / Dulce Periculum [danger is sweet]." Two animals are portrayed on the right and left sides of the inscription.

29. [Bookplate for MacMahon by L. R.] [Bookplate for MacMahon by L. R.] A series of buildings are portrayed. In the foreground are rooftops and a chimney stack behind which is a circular building with columns. In the background are a series of low-rises and two high-rises.

30. [Bookplate for W.H. Smith & Son] [Bookplate for W.H. Smith & Son] Printed in black ink on purple paper, this textual bookplate is framed by a single-lined border in which a circled design is place in each corner. Affixed by a paper clip to the top right corner is a square, white stamp printed in black ink. Its text is: Finsbury London / Institution, Circus. E. 642 21 days.

31. [Bookplate for I. O. Körner and J. E. Horvath by K. M. S.] [Bookplate for I. O. Körner and J. E. Horvath by K. M. S.] A central panel with the ownership text is surrounded by mantling that comes out of a vase at the bottom. Flanking the ownership panel there are two figures holding books at each side. Hanging from the mantling on the bottom are a drum and lyre, and surrounding the top are various animals. The top of the bookplate is crowned with a globe.

32. [Bookplate for Joseph Bewley] [Bookplate for Joseph Bewley] This non-traditional heraldic bookplate consists of a tilted argent (silver) escutcheon with a sable (black) chevron. On the escutcheon are three bird heads, erased, two over one. Atop the shield is an unusually large helmet in profile, topped by a twig with leaves, a crest wreath, and a stag head, erased. From the helmet flows mantling. Above and below the image are banners containing the text. The image and banners are set upon a designed background and framed by a double border.

33. [Bookplate for Fra. Love Beckford] [Bookplate for Fra. Love Beckford] This bookplate consists of an escutcheon quartered per cross, with an escutcheon of pretence. On the first escutcheon, the dexter chief and sinister base quarters are divided themselves per pale, with the dexter being gules (red) and the sinister azure (blue). The quarters contain an argent (silver) chevron, which itself contains three argent eagles, displayed. The quarters also contain three marlets, two over one. The sinister chief and dexter base quarters of the escutcheon are argent with three gules bars. Above the bars are three lion heads, erased. The escutcheon of pretence is divided by an embattled fess. The base is argent and the chief, which contains three bezant (gold roundlets), is sable (black). Atop the shield is a straight crest wreath and a heron's head, erased. In the mouth of the heron is a fish, hauriant.

34. [Bookplate for Edgell Wyatt-Edgell] [Bookplate for Edgell Wyatt-Edgell] In black ink, this bookplate consists of an escutcheon divided quarterly, and containing an inescutcheon. The first and forth quadrants of the escutcheon are sable (black) with a fess, dancette and argent (silver), three eagles displayed, two over one and or (gold), and chief, or. The second and third quadrants are argent, with a sable chevron containing three roundlets bezant (gold), and cinque foil, two over one and gules (red). The inescutcheon is checky, or and gules, and contains a lion rampant guardant. Atop the escutcheon is a dexter helmet, closed with mantling flowing horizontally from its top. Above the mantling are two further crests. The dexter consists of a demi-lion rampant, embattled in or and sable, on a wreath, holding an inverted arrow in its dexter paw. The sinister crest consists of a demi-lion rampant on a wreath, holding the long stem of a cinque foil, gules, in both its paws. Below the escutcheon is a banner containing the Latin motto.

35. [Bookplate for Rainald Knightley] [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue).

36. [Bookplate for William Grattan] [Bookplate for William Grattan] In black ink, this bookplate consists of an escutcheon, quartered, within an azure (blue) bordure. The first and fourth quadrants are or (gold), and the second and third quadrants gules (red). At the precise middle chief is a crescent, a heraldic symbol representing the second son. The crest consists of a curved wreath and a falcon (or hawk) rising, wings addorsed and inverted, perched on what is possibly a falconers' arm sheath. The falcon's legs are jessed, and the dexter is raised, holding a sceptre. Below the escutcheon is a banner containing the Latin motto. The escutcheon, crest, and banner are surrounded by an oval frame, gules, with a decorative border.

37. [Bookplate] [Bookplate] This heraldic bookplate consists of an escutcheon, divided per cross. Quarters one and four are sable (black), charged with a dove holding an olive branch upon a mountain. Quarters two and three are or (gold). Supporting the escutcheon are two lions, positioned rampant queue-fourche. Above the escutcheon is a helmet, dexter, with grate closed, indicating a peer status. Upon the helmet, is a crown with another dove holding an olive branch, along with mantling. Below the escutcheon is a banner, with Latin motto within.

38. [Bookplate for Stephen Langston] [Bookplate for Stephen Langston] This heraldic bookplate consists of an escutcheon parted per pale. On the left, or (gold), charged with a chevron, azure (blue). Above the chevron, are three heraldic roses in chief, and at centre base below the chevron a sea creature. On the right, the quadrant is parted per cross, with quarters two and four, or, vair in pale, azure. Quarters two and three are sable (black), parted per fess, argent (silver). The quarters are charged with three cinque foil, two over one. Above the escutcheon is a straight wreath charged with the sea creature at centre base at dexter and a rose bush. Below the escutcheon is a banner, with Latin motto within.

39. [Bookplate for William Hulme] [Bookplate for William Hulme] This heraldic bookplate consists of an escutcheon, parted per cross. Quarters one and four are parted per pale, with dexter half argent (silver) and sinister half with a barry of eight argent and vert (green). The quarters are charged with two bendlets, one invected. Quarters two and three are argent, parted per chevron, charged with two chaplets and a lion's head erased, two over one. Above the escutcheon is a viscount crown, without the cap or fur, and above the crown is a helmet, positioned in three-quarters profile, indicating the status of peer. Above the helmet is a straight wreath, charged with a cock with a heraldric rose, standing upon a trumpet. Elaborate mantling and banner containing Latin motto radiates out from the helmet, and two elephants support the shield. The elephant at dexter is charged with another heraldic rose, and the elephant at sinister is charged with another chaplet. Below the shield is a banner, with name of bookplate owner.

40. [Bookplate for Basil Thomas Woodd by Benjamin Warwick] [Bookplate for Basil Thomas Woodd by Benjamin Warwick] In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted).
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