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CONTENTdm Collection
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Description:
21.
[Bookplate for Dezsgyessy Bottlik, Margit Bottlik, and J. E. Horvath]
Black ink on light grey inked background. A woman looks at rose that she holds on her right hand. She is wearing a long dress with a black bodice and bouffant white sleeves. The skirt has a flower pattern and the underskirt is white with a bottom ruffle. She sits on a sofa covered with big cushions with different patterns. One of the cushions comes out of the image frame. There is a window behind the figure with plant on the sill. The text boxes above and below the image are adorned with garlands. The artist seal with the initials RS is on the lower left corner.
22.
[Bookplate for Douglas Loney by Frits Jacobsen]
Medieval town square scene with three musicians with Medieval instruments (violin, hurdy-gurdy, and bagpipe) with shoppers and a dancer in the background. The artists' initials (FJ) are written on a building in the background and the artist's full name is in the bottom right corner.
23.
[Bookplate for E. Rolfe by R. B. Hughes]
In black ink, this bookplate consists of an escutcheon, gyronny of eight pieces, or (gold) and argent (silver) and a chief, or. The chief is charged with three annulets. At the centre of the escutcheon is an inescutcheon, divided quarterly. The first quadrant is divided per pale, vert (green) and gules (red), and is charged with a fleur-de-lis. The second quadrant is divided per fess, dancetty, sable (black) and ermine (powdered white fur with black tufts) ; the upper sable half is charged with two escallopes on either side of a baron's coronet. The third quadrant, or, contains a fess checky, argent and azure (blue). The fourth quadrant, sable, is charged with a crescent. Above the escutcheon is a curved crest wreath and a garbe.
24.
[Bookplate for E. W. Neville by Marjorie Sankey]
In black ink on yellow/brown paper. The elaborate façade of a building is held up by a large tree with many roots. The owner’s name is featured in the gate entrance. The thick paper features chain and laid lines.
25.
[Bookplate for Edmund F. Bourke by T. Welch]
This heraldic bookplate consists of an escutcheon quartered per cross. The dexter chief and sinister base sections contain a gules (red) cross on an or (gold) background. At the dexter chief of each cross is a lion rampant. The dexter base and sinister chief sections are each divided per pale, with an argent (silver) dexter side and a gules (red) sinister side. In the middle of these two sections is a lion rampant surrounded by three fleur-de-lis, two over one. Sitting atop the shield on a curved crest wreath is a cat guardant with leash. Below the shield is a banner containing the Latin motto.
26.
[Bookplate for Ellen A. Hoffman by Walter J. Phillips]
This wood-engraved bookplate's design is based from on a view near Lake Louise in Banff, Alberta. It features a running stream, grass, and trees. Bookplate image is surrounded by a stylized border, which features the grass of parnassus, which is also featured in the foreground of the scene. Bookplate is printed in black ink, on very thin paper.
27.
[Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans]
In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.
28.
[Bookplate for Emil Eerme and A. Lavdovsky by J. Svab]
In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.
29.
[Bookplate for Emil Eerme and A. Lavdovsky by S. Svab]
In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.
30.
[Bookplate for Emil Eerme and A. Lavdovsky by V. Toots]
Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E.
31.
[Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski]
In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.
32.
[Bookplate for F. H. Herrington by L. C. D.]
This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.
33.
[Bookplate for Frank Louis Flight]
In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others.
34.
[Bookplate for Frederick Starr]
Colour woodblock print in four blocks. In black, flesh pink, mustard yellow, and deep mustard yellow ink. Image of the midsection of a woman, nude. Bookplate text at top. Name or initials of artist at bottom right.
35.
[Bookplate for Frederick Starr]
Woodblock bookplate in four blocks: black, blue, orange and red. Image of a Japanese figure resembling a nesting doll.
36.
[Bookplate for G. H. O. Mayer by S. Co.]
In black ink. Two lions rampant reguardant flanking a sword on a black background of symetrically drawn vines. A decorative scroll in the top portion of the plate features the originator's name. The bottom right-hand corner of this plate is torn off.
37.
[Bookplate for George E. Longley by Francis Adams Sc.]
Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font.
38.
[Bookplate for George Francis Steele by E. J. W.]
In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.
39.
[Bookplate for George H. Fensom by Thoreau MacDonald]
In black ink. Landscape featuring a cabin overlooking a lake.
40.
[Bookplate for George H. Fensom by Walter Lohse]
Black and yellow ink on thick, cream coloured paper. This bookplate features a well-lit, paned window framing a rearing Pegasus. Plants and vines surround the window.
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