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1.
[Bookplate for Hart House]
This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third.
2.
[Bookplate for Hart House Library by J. E. H. MacDonald]
Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor.
3.
[Bookplate for J. Harry Smith by William Walker Alexander]
Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle.
4.
[Bookplate for W. E. Gale by George Kuthan]
Printed in black and red ink on blue paper. The image includes a border in black ink surrounding the image of a ship in red ink and text in black ink. What appears to be a small letter 'K' in red ink is to the right of the ship.
5.
[Bookplate for Charles Fyfe by R. P.]
Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background.
6.
[Bookplate by Owen Staples]
In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.
7.
[Bookplate for Caleb Whitehorn by William Henshaw]
In black ink. Decorative escutcheon parted per chevron, fleury-counterfleury, argent (silver) and sable (black), one escallop. Above chevron, argent, with two towers, sable. Above the escutcheon is a straight crest wreath topped with five spears, entwined. Escutcheon surrounded with flowered mantling.
8.
[Bookplate for Jeanie Lea Southwick and Frederick Starr]
Colour woodblock print. Image of a Japanese Shinto shrine, a Torii gate, overlooking landscape and a mountain, presumably Mount Fuji. Bookplate image and texts contained within a bamboo border, with bookplate text at top and bottom.
9.
[Bookplate for Frederick Starr]
Woodblock bookplate in four blocks: black, blue, orange and red. Image of a Japanese figure resembling a nesting doll.
10.
[Bookplate for F. H. Herrington by L. C. D.]
This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.
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