CONTENTdm
Skip to content home : browse : advanced search : preferences : my favorites : about : help   
CONTENTdm Collection
 
Search results for Artist:   
Refine your search
Creator
4 ()
3 ()
2 ()
2 ()
2 ()
Show more...

results 21-40 of 75 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
select all : clear all : add to favorites
 Image: Title: Description:

21. [Bookplate for National Gallery of Canada Library by Alfred H. Howard] [Bookplate for National Gallery of Canada Library by Alfred H. Howard] Burgundy ink on cream paper. Three young boys respectively engaged in painting, drawing and sculpting are enclosed by a large circle, at the center of which lies an open book. The entire bookplate is surrounded by a multi-layered border. The artist's remarque is in the lower right hand corner of the border.

22. [Bookplate for Maija Calite by Richards Skrubis] [Bookplate for Maija Calite by Richards Skrubis] Image is of a side profile of a woman (possibly originator) against a black and white background. There is a braid done in a circular pattern at the back of her hair and she is facing to the right.

23. [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by J. Svab] In black and red ink, profile image of an abstract human face with a large eye. Also contains a pair of interlinked uppercase Es below.

24. [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] [Bookplate for Emil Eerme and A. Lavdovsky by S. Svab] In black and yellow ink, abstract image of what look like hills or waves. The letter 'L' in the text is inverted, and following a yellow dot there are two 'E's (initials of Emil Eerme) turned on their side, thus resembling two 'M's.

25. [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] [Bookplate for Emil Eerme and A. Lavdovsky by Z. Dolatowski] In black and yellow ink, image consists of an assortment of traffic signs grouped together, five of which are coloured in yellow.

26. [Bookplate for Henry Young and Alice Young by Joseph Winfred Spenceley] [Bookplate for Henry Young and Alice Young by Joseph Winfred Spenceley] In black ink on beige paper. In the centre, standing on the name plate, is the image of knight crusader, holding with outstretched arms a broad ribbon inscribed with the word "Credo." His Norman pointed shield hangs in front of his sword from a strap at his left hip ; the charges, untinctured, are: barry of five, in canton a leopard contournd. At either side of him rises a large acanthus-like scroll surmounted by a leopard's head ; behind him hangs an arras curtain, draped and knotted at the top. Across the base ripples a ribbon, inscribed "Ex libris Henry and Alice Young." The whole is enclosed in a narrow, formal frame.

27. [Bookplate by Herbert Raine] [Bookplate by Herbert Raine] In black ink on paper with visible fibers and laid lines. Etched image includes recessed borders and boxes surrounding the stylized initials, H R, the name, 'HERBERT RAINE,' and two mirrored images of seahorses.

28. [Bookplate for George Francis Steele by E. J. W.] [Bookplate for George Francis Steele by E. J. W.] In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.

29. [Bookplate by Owen Staples] [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.

30. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

31. [Bookplate for L. M. Stauffer by Stanley Harrod] [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'.

32. [Bookplate for E. W. Neville by Marjorie Sankey] [Bookplate for E. W. Neville by Marjorie Sankey] In black ink on yellow/brown paper. The elaborate façade of a building is held up by a large tree with many roots. The owner’s name is featured in the gate entrance. The thick paper features chain and laid lines.

33. [Bookplate for William Arnold Bromfield by William West] [Bookplate for William Arnold Bromfield by William West] In black ink, a belt/garter provides the border. Within is a demi-lion atop a curved crest wreath. In its paws is a sword, with point severed. The belt contains the French motto.

34. [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] [Bookplate for Emil Eerme and A. Lavdovsky by A. Gastmans] In black ink, abstract image of what appears to be a highway interchange network surrounded by a sketched triangle. The triangle forms the point of an arrow shape, and the text appears on its tail. There appears to be signature (possibly of the artist), but it is unreadable.

35. [Bookplate for George Short by R. Silvester] [Bookplate for George Short by R. Silvester] In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806.

36. [Bookplate for Charles Manby by Suffield] [Bookplate for Charles Manby by Suffield] In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto.

37. [Bookplate for E. Rolfe by R. B. Hughes] [Bookplate for E. Rolfe by R. B. Hughes] In black ink, this bookplate consists of an escutcheon, gyronny of eight pieces, or (gold) and argent (silver) and a chief, or. The chief is charged with three annulets. At the centre of the escutcheon is an inescutcheon, divided quarterly. The first quadrant is divided per pale, vert (green) and gules (red), and is charged with a fleur-de-lis. The second quadrant is divided per fess, dancetty, sable (black) and ermine (powdered white fur with black tufts) ; the upper sable half is charged with two escallopes on either side of a baron's coronet. The third quadrant, or, contains a fess checky, argent and azure (blue). The fourth quadrant, sable, is charged with a crescent. Above the escutcheon is a curved crest wreath and a garbe.

38. [Bookplate for Rainald Knightley] [Bookplate for Rainald Knightley] In black ink, this bookplate consists of an escutcheon, quartered. The first and fourth quadrants are ermine (white powdered fur with black tufts), and the second and third quadrants are paly, or (gold) and gules (red). At the precise middle chief is an inescutcheon, argent (silver), containing a sinister hand, gules. The gules hand, known as the hand of Ulster, symbolizes the hounour of a baronet. The crest is composed of a tilted dexter helmet, a curved wreath, and a stag head, dexter and couped. The escutcheon is supported by an eagle or falcon on each side. The escutcheon and its supporters are framed by a border with flowers. The entire image, including text, is placed within a larger circular border, azure (blue).

39. [Bookplate for James Maitland Hunt] [Bookplate for James Maitland Hunt] In black ink, this bookplate contains an escutcheon, argent (silver), charged with two dogs courant, and a chief, argent, with fox cabossed, between two hunting horns. Above, a helmet with mantling, and a crest of a lion's head erased, gorged. All set within a floral architectural border.

40. [Bookplate for Lieve Van Kerkhove and Martin Jackson] [Bookplate for Lieve Van Kerkhove and Martin Jackson] In black ink, this pictorial contemporary bookplate consists of a nude female, seated in a wood boat which is too small relative to her size. The nude's knees are up, her legs spread open, and her feet and buttocks rest on the outer edges of the craft (only her left foot and left buttock are visible). Extending from inside the boat upwards into the air, and held by the nude's right hand, is a larger-than-life fountain pen. The nude's left arm descends behind her raised knee, and emerges from behind the left buttock as a hand holding the stem of a rose ; the hand and rose appearing somewhat disconnected from the rest of the body. Resting between her legs, seen as almost emerging from the pubic region, is a cat with upraised tail and paws which rest on the bow of the boat. Below the cat, on the port side of the boat is an image of a lyre. In the turbulent river which surrounds the boat, one can see additional rose blossoms floating on the surface of the water. In the background, there is an automobile crossing a stone bridge and a large stone church with steeples on the left. One can see a flock of birds flying above the church's western steeple. In the background on the right, one can see the church's cemetery.
select all : clear all : add to favorites
results 21-40 of 75 item(s)  page 2 of 4 : ( <<  1  2  3  4  >> ) :: previous : next
powered by CONTENTdm ® | contact us  ^ to top ^