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Description:
1.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
2.
[Bookplate by Eiichi Hirose]
The central image is of a brown horse or cow with a black and orange head. It is carrying two round blue cylinders on its back and is mounted on a brown wooden platform support. It is drawn to appear a toy or a nicknack. Its foreground is at the left and it moves backwards towards the right.
3.
[Bookplate by Eiichi Hirose]
The central image is one of the best known of Japanese castles, Himeiji Castle, to the west of Osaka. The central donjon is shown with a low building in the forefront. The castle is shown with a green background and two grey rumpled outlined beige images are present at the top and bottom of the bookplate. Within these two images are the text identifying the bookplate. The foreground of the castle starts at the center and moves back towards the upper right.
4.
[Bookplate by Eiichi Hirose]
The central image is of a blue cart with 4 red wheels upon which rides an orange and black stripped cat with a green eye. The image is oriented with the rear of the cart on the right angling to the back left. The head of the cat is malformed and looks like a shoe. The image appears to be a mistake that the artist attempted to correct.
5.
[Bookplate by G. P. V. Akrigg]
Created using black ink on white paper (glue painted on back). The image is of a desk facing a window with two panes (each divided into eight sections) opening onto a view of an inlet and three mountains. A totem pole is behind the sinister pane. Drawn curtains are on both the sinister and dexter sides of the window. Above the window is a ribbon inscribed with "ALL LEARNING BUT AN ART TO LIVE WELL." On the desk, from left to right, is a painter's palette with two paint brushes, an open book, a ruler, ink well, fountain pen, pencils, card catalogue drawer, index card, small closed book, and a bust of Shakespeare. Below the bust are inscribed the initials "G.P.V.A."
6.
[Bookplate by M. Trinque]
This bookplate includes both a pictorial image and a heraldic symbol. The image, in black ink, depicts three soldiers in the process of laying communications cable. One soldier holds the spool of cable, another cuts the cable with pliers, and the third soldier keeps a look-out, rifle on back. The heraldic symbol, in coloured ink, contains an escutcheon divided per fess by an engrailed line. The top half is a dark shade of azure, while the bottom half is a light shade of azure. The escutcheon includes a sinister bend of blue, white, and red, representing the French flag. From the dexter chief to the sinister base are three fleur-de-lis. On the top of the shield is a torch, possibly representing Operation Torch, the Allied invasion of French North Africa during World War II. On both the right and left sides of the shield are signal flags, providing more indication that this coat of arms belongs to a communications unit. The left flag is a small red square within a larger white square, and the right flag is the reverse. At the base of the shield is a ribbon containing four stars. Below the image, there is space for entering a name of ownership, but it has been left blank.
7.
[Bookplate by Owen Staples]
In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.
8.
[Bookplate for A. L. Beverly]
Black ink on white paper. Text in center surrounded by border. Handwriting on the back of the bookplate.
9.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
10.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
11.
[Bookplate for Andrew Allan]
In black ink on red paper, this bookplate features an ornate border surrounding text in the center.
12.
[Bookplate for Arena Concessions]
In blue ink on ivory paper. Preprinted dotted and solid lines are present between the text. A red imprint, caused by prolonged contact with another bookplate, is clearly visible on the back and bleeds through to the front of the ivory paper.
13.
[Bookplate for Arthur Coburn by L. J. R.]
The image is of a man standing between two deciduous trees. The man has black hair and is wearing antique garments from the Italian Renaissance and white tights. He is also reading a large black book and has a small black leather belt and pouch. The whole image is surrounded by a double filleted black border.
14.
[Bookplate for Brockville Library]
In black ink on tan paper, the bookplate consists of a double zigzag border surrounding black text. The library name at the top is flanked by two rosettes and separated from the remaining text by a decorative rule.
15.
[Bookplate for Brockville Public Library]
In black ink on white paper, the bookplate consists of the seal of Brockville, incorporating scenes of ships, trains, beehives, and a beaver, in the upper right corner and black text.
16.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
17.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
18.
[Bookplate for Castle Lending Library]
The name of the lending library is in large bold letters at the top of the bookplate, and underneath is listed the address, hours, and telephone number. Underneath this text block there is a thick black line, and a listing of the terms, time limit and renewal conditions. Underneath this is a single black line, the words 'Please Protect Your Book in Wet Weather' and another single black line. At the bottom of the bookplate is space for the library to stamp a return date.
19.
[Bookplate for Charles Eliot Norton]
This bookplate consists of a straight heraldic wreath charged with a gryphon. Below the wreath a three books, piled, with a scroll over-top, with Latin motto within.
20.
[Bookplate for Charles Fyfe by R. P.]
Bookplate printed in black ink, with a purple/blue ink, rubber-stamped annotation. This ex-libris depicts a woman reading to a young boy on a park or garden bench. The idyllic landscape behind them features a lake with two swans swimming in it. Further in the distance is a forest with the silhouettes of two figures standing among the trees and large dramatic clounds sweeping by in the background.
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