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1.
[Bookbinder's Ticket]
In black ink on white paper, the bookbinder's ticket consists of a border made up of joined circles surrounding black text of various sizes and fonts. The word 'Carswell' begins with a decorative letter 'C'. A decorative element in the shape of a water drop or a flame is found in the lower middle of the bookbinder's ticket.
2.
[Bookbinder's Tickets for Joseph Fortier]
1) In dark blue ink on white paper, the bookbinder's ticket is in the shape of a closed book, with the spine on the left and text on the font cover. The front cover of the book is a field of blue with text and design elements in white / reversed-out text. A white field with blue text in the lower half of the book cover provides space for a handwritten reorder number.
2) In black ink on pink paper, the bookbinder's ticket consists of a thin black border surrounding black text.
3.
[Bookbinder's Tickets for Marjory Todd and John Todd]
1) Printed in black ink on bright yellow paper the bookbinders ticket features a two line border surrounding the name (first line) and location (second line) of the company.
2) Printed in black ink on yellow paper features a border made up of alternating double-s, or section, symbols and double dagger symbols with asterisks in the four corners. The border surrounds the name (first line), services offered (second and third lines) and location (fourth line) of the company.
4.
[Bookbinder's Tickets]
1) In black ink on cream paper, the ticket consists of an escutcheon with an elaborate base, bearing the name, services, and location of the company. A diadem bears the crest of a Gryphon salient armed, gules, holding an escutcheon Argent, a garter, gules. The escutcheon is surrounded by smoke-like dark shading and the whole is surrounded by a thin black border.
2) In black ink on light blue or gray paper, the ticket consists of an elaborate coin or medallion with trefoils in the four corners, bearing the name and services of the company. An escutcheon in the center of the medallion bears the address of the business. The blunted corners of the ticket result in an octagonal shape.
5.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
6.
[Bookplate by James Gourlay Gray]
Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.
7.
[Bookplate for A. W. Robertson by Tom Eaglin]
This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin.
8.
[Bookplate for Alex Watters]
Printed in black ink on cream or tan paper the book plate features a bare-chested female figure in an art deco style holding a foil in her right hand and wiping the blade with a cloth in her left hand. Behind the figure's head is a sun burst design. The figure wears an elaborate headpiece as well as an involved crescent moon necklace and a flowered sarong. To the left of the figure, the words 'Tis / DEATH / To / KEEP' appear vertically. To the right of the figure appear the words 'EX / LIBRIS' horizontally and the words 'ALEX / WATTERS' vertically.
9.
[Bookplate for Alfred B. Wiener by Antioch Bookplate Company]
This bookplate is printed in black ink in an art deco style with Broadway font (c. 1928) for the owner's name. It shows a man in formal wear reading a book.
10.
[Bookplate for Alfred C. Harmsworth]
Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.
11.
[Bookplate for Alfred Hawksworth]
Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate.
12.
[Bookplate for Almeric Hugh Paget]
This heraldic bookplate consists of an escutcheon, sable (black), charged with a cross, argent (silver), between four eagles displayed. The cross is charged with five lions passant guardant. Above the escutcheon is a capless-crown denoting baron status, and above the crown is a peer helmet, positioned three-quarters, with mantling radiation from it and surrounding the escutcheon. Above the helmet is a straight wreath, charged with a heraldic tyger, rampant. At dexter and sinister are two men, each holding a flag charged with a cross patee. Below the escutcheon is a banner, with Latin motto within. Below entire arms is another banner, with bookplate owner's name and title.
13.
[Bookplate for Andrew Allan]
In black ink on red paper, this bookplate features an ornate border surrounding text in the center.
14.
[Bookplate for Arena Concessions]
In blue ink on ivory paper. Preprinted dotted and solid lines are present between the text. A red imprint, caused by prolonged contact with another bookplate, is clearly visible on the back and bleeds through to the front of the ivory paper.
15.
[Bookplate for Arnold William Thomas]
In black ink on white paper. Shield: Or (gold), on a fesse dancette sable (black), coticed gules (red), between three birds sable perched, addorsed and elevated. Crest: a bird sable perched, addorsed and elevated, atop an open book argent (silver) and a crest wreath, argent and vert (green) with mantling.
16.
[Bookplate for Arthur Richard Springett]
In black ink on white paper, this bookplate consists of a shield or escutcheon Gules (red) party per fess wavy with three crescents, two over one, Argent (silver). The closed, barred helm in profile toward the dexter half bears a crest of a displayed eagle upon a nowed snake in a figure eight and a straight wreath. The helm is surrounded by mantling. Below the escutcheon, a banner bears the motto 'MEMOR ET FIDELIS' [Latin: Mindful and Faithful].
17.
[Bookplate for Augustus Langdon]
This heraldic bookplate is printed on medium weight green paper and consists of a straight wreath charged with a cubit arm of a beast clutching a battle axe. Around the crest is a garter, with latin motto within.
18.
[Bookplate for B. Hallé by L. P.]
Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
19.
[Bookplate for Berenice Skinner by Bank B. Gordon]
A large galleon on rough seas is framed above a bookshelf holding books, a quill, and a lit candle.
20.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
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