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1.
[Bookseller's Tickets for Charles-Odilon Beauchemin]
1) In orange ink on white paper, the booksellers' ticket consists of an orange and white border surrounding white text on an orange field.
2) In red-orange ink on white paper, the booksellers' ticket consists of a red-orange and white border surrounding white text on a red-orange field.
3) In black ink on green paper, the booksellers' ticket consists of a black link border surrounding black text.
4) In black ink on green paper, the booksellers' ticket consists of a black decorative border surrounding black text.
5) In black ink on yellow paper, the booksellers' ticket consists of a black border in the likeness of an open book surrounding black text on the open spread of the book.
6) In black ink on white paper, the booksellers' ticket consists of a black decorative border with maple leaves in the four corners, surrounding an oval border containing the booksellers' name, surrounding the booksellers' address on an illustration of a scroll at the center.
7) The gold metallic, embossed booksellers' ticket consists of a maple leaf surrounded by laurel branches at the center of the ticket. Text and an outer border surround the center image.
2.
[Bookplate for Bibliotheque St. Jacques]
A simple border surrounds the text printed in black ink.
3.
[Bookplate]
A simple border surrounds the text. On the top left is the crest of Cercle La Salle. It shows a shield divided in three: at the top is a lit oil lamp, on the bottom left are three vertical fleur-de-lis and at the bottom right is a cross over top of a crossed pen and sword. A banner over the top of the crest contains the name of the organization and one at the bottom contains the motto. Maple branches present a wreath at the bottom.
4.
[Bookplate for Bibliotheque paroissiale de St. Henri]
Black ink on blue green paper. Thick line border with inner border comprised of thin lines. The borders are not connected at the corners. The library name is written in capital letters of different sizes and serif font styles. Sentence case serif font indicates the card number space. Handwritten notes in pencil in the card number section and on the verso of the bookplate.
5.
[Bookplate]
Black ink on cream paper. A printed cloth border with four-petal flowers in the upper-right and upper-left corners houses the title, location, and loan policies of the library. The cloth border does not extend to the top perimeter, and instead a single horizontal line runs between the two four-petal flowers. Directly above this horizontal line is a number written in blue ink. Between the city and the loan policy is a vertical dividing line with a curlicue in the centre. Beneath the loan policy is a number space in which a number has been entered in black ink with a line crossing it out in blue ink.
6.
[Bookplate for Ecole Modele Jacques-Cartier by John Henry Walker]
Black ink on cream paper. An insignia tops the bookplate, featuring a radiant cross and open book above a beaver and surrounded by maple leaves. Included is a banner with a motto. Below, the name of the school and a pre-formatted prize text is printed in two fonts. The class, date, name of the recipient and signature of the principal are handwritten in black ink. An ornate scrolled border surrounds the text and insignia. The printer is listed at the bottom.
7.
[Bookplate for Kornel D. Schelling and J. E. Horvath by Tibor Bottlik]
Black ink on cream paper. An old nude man stands at the edge of a pond fishing out a basket of books.
8.
[Bookplate]
Black ink on cream paper. An ornate border with curlicues in each corner houses the title, location, and loan policies of the library. Between the city and the loan policy is a vertical dividing line with a curlicue in the centre.
9.
[Bookplate for P. Gagnon]
Black ink on cream paper. Crest features a beaver lying on a crest-wreath. There are maple leaf branches extending from both sides of the beaver. The beaver is surrounded by a half-circle border with the motto in black, capitalized sans-serif font written across the arc. The shield is divided per fess, with the top half being further divided per pale and the upper left hand portion is divided into three horizontal sections. The topmost left hand section is argent with sable dots charged with two fleurs-de-lis. The middle left hand section is argent with sable stripes charged with a lion passant. The bottom left hand section is argent with sable dots charged with three maple leaves connected at the stem. The upper right hand side is argent charged with two pieces of equipment, one atop the other, and a pair of scissors below. The equipment has a small curved bottom with two long, curving handles on top with a spike pointing through the lower end of the handles. Below the top half is a thin black banner with white capitalized sans-serif text. Below the banner is an image of a natural forest and coastal landscape with a ship with two tall masts in the water. On the coast, there are people, possible colonizers, interacting. A large cross has been erected on the coast on the right hand side of the image. The dexter supporter and sinister supporter are moose standing a curling ribbon with text in capitalized black sans-serif font.
10.
[Bookplate for Charles Theodore Hart]
Black ink on cream paper. Crest features the head of a stag in profile on a crest-wreath. The shield is pointed at the top left, top right, and bottom corners. The bottom of the shield curves to a central point. The shield is argent with a sable chevron charged with two stars on the top left and top right sides. The stars are white with black shading and a black circle in the center. Below the chevron the shield is charged with a springing stag. Below the shield the motto is printed on a ribbon in capitalized, serif font. Underneath the motto is the bookplate owner’s name in curling, italicized font.
11.
[Bookplate for Hill’s Library]
Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.
12.
[Bookplate for Hopital Général d’Ottawa]
Black ink on cream paper. The bookplate features a border consisting of thick, black wavy lines with arrows on the ends of each line pointing towards the corner. Each corner has three diamonds shaped in a triangle. Inside the border, there is a circular image with a border of two interwoven black wavy lines. Inside that border is capitalized text printed in bold, black, sans serif front. In the center of the circle is a cross coming out of the ground wrapped in vines. Above and below the cross are two ribbons with mottos printed in capitalized, black, sans serif front. At the bottom of the bookplate, outside of the circular design, but inside the first border, is text printed in capitalized, black, serif font.
13.
[Bookplate for Victor Werheimstein and J. E. Horvath]
Black ink on tan paper. A female figure wearing long hooded robe reads a book on an ornate stand. The figure stands infront of a woven fence with vegetation. This image is surranded by a decorated frame with the text on a wide ribbon at the bottom.
14.
[Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats]
Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
15.
[Bookplate for Kennedy McIlwraith]
Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.
16.
[Bookplate for Francis J. Audet]
Black ink on white paper. The shield is black at the top with an open book in the center and a fleur-de-lis on either side. The main part of the shield is charged with a lion rampant. Below the lion is a branch with three give-pointed leaves. The motto is printed on a banner below the shield in capitalized, black font. Underneath the motto is cursive black font in various sizes.
17.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
18.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
19.
[Bookplate for B. Hallé by L. P.]
Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
20.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
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