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1.
[Bookplate for Union des Commis-Marchands]
Text is printed in a numbered list, surrounded by a line border resembling chain.
2.
[Bookplate for Hôpital Général d’Ottawa No. 6]
Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners.
3.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns.
4.
[Bookplate for Hopital Général d’Ottawa]
Black ink on cream paper. The bookplate features a border consisting of thick, black wavy lines with arrows on the ends of each line pointing towards the corner. Each corner has three diamonds shaped in a triangle. Inside the border, there is a circular image with a border of two interwoven black wavy lines. Inside that border is capitalized text printed in bold, black, sans serif front. In the center of the circle is a cross coming out of the ground wrapped in vines. Above and below the cross are two ribbons with mottos printed in capitalized, black, sans serif front. At the bottom of the bookplate, outside of the circular design, but inside the first border, is text printed in capitalized, black, serif font.
5.
[Bookplate for L’Institut Canadien]
Printed in black ink, a thick decorative border surrounds the text.
6.
[Bookplate for Donald Morin d'Equilly]
Quartered per cross gold shield with a horizontal and black cross with four martletts. Above the shield is a crown and below it is the motto "Fortis fidelisque simul." At the bottom of the bookplate is fleur-de-lis.
7.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on blue paper, an intricate border evocative of a tabernacle and constructed of fountains, geometric repeating patterns, and a cross surrounds the text.
8.
[Bookplate for Bibliotheque St. Jacques]
A simple border surrounds the text printed in black ink.
9.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.
10.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.
11.
[Bookplate for John Darby]
This heraldic bookplate consists of an escutcheon, azure (blue), with a chevron, argent (silver), with the lower part a fillet. Upon the escutcheon are three sheaves of wheat (possibly corn, garbe), two over one . A military medal is at centre chief, with the word "NILE" immediately below. Within the chevron, an anchor each at dexter and sinister, with a naval crown at centre. Above the escutcheon is a crest of a sheaf of wheat (or possibly corn, garbe) and an anchor, upon a straight wreath. Below the escutcheon is a banner, with Latin motto within.
12.
[Bookplate for Hill’s Library]
Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side.
13.
[Bookplate for Hill’s Library]
Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned.
14.
[Bookplate for Hill’s Lending Library]
Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font.
15.
[Bookplate for Francis J. Audet]
Black ink on white paper. The shield is black at the top with an open book in the center and a fleur-de-lis on either side. The main part of the shield is charged with a lion rampant. Below the lion is a branch with three give-pointed leaves. The motto is printed on a banner below the shield in capitalized, black font. Underneath the motto is cursive black font in various sizes.
16.
[Bookplate for Lacombe Vincent by Carles Imprint Editor]
Pictorial bookplate. An illustrated border surrounds text in the center. Angels are on the top right and left hand corners. The left side angel holds a wreath in one hand and the right side angel holds a book in one hand. The angels also hold a banner that stretches between them with the name of the awarding organization on it. Below the angels is a border of morning glories. The plants meet at the bottom center of the plate, growing from beneath a pile of books and a globe. Four fonts used for the text, with spaces for hand-written annotations naming the prize recipient.
17.
[Bookplate for B. Hallé by L. P.]
Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
18.
[Bookplate for Kennedy McIlwraith]
Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.
19.
[Bookseller's Ticket for U. Archambault]
Text and a border printed in black ink on white paper.
20.
[Bookplate for Phileas Vercheres de Boucherville]
Black text on blue paper, with a brown discoloration on the left side.
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