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Description:
121.
[Bookplate for Lesslie M. Sweetnam by F. F. H.]
Printed in black ink on white or cream paper, the bookplate shows a figure reading a book while sitting at a roll top desk with his / her back facing the viewer. The desk is flanked on either side by full bookcases and is topped by a reading lamp, additional books, and a small picture frame. Two framed objects hang on the wall above the desk.
122.
[Bookplate for Curtis Henry Remy]
Printed in black ink on white paper with thick-thin horizontal border lines at the top, middle and bottom of the ex libris. There is an image of a cock or rooster between top and middle borders and the name of the owner between the middle and bottom borders. Pencil strokes were added to the bottom third of the ex libris after printing.
123.
[Bookplate for Thomas Troughton]
Printed in black ink on white paper, in the upper left of the ex libris appears the crest of a lion erased issuing from a straight wreath. At the base of the lion's head is a veil sable with two pellet over one plate. To the right is the crest of a stag statant issuing from a straight wreath. Below the two crests appears a banner bearing the motto 'CARPE DIEM.' At the bottom of the ex libris appears the name of the owner, 'The Revd. Thomas Tronghton.'.
124.
[Bookplate for Claude Lamont Wheeler by C. Collmen]
Printed in black on white or cream paper. In the upper left corner of the bookplate appear the words 'NULLA DIES SINE / LINEA' followed by four upward pointing arrows or crosses. To the right in the upper center of the bookplate appears a framed portrait of a horned figure (the devil?). The center of the bookplate shows the caricatured figure of a man sitting at a roll top desk. His tall wooden chair leaves his feet dangling above the ground. The man holds a lit cigar in his left hand and quill pen in his right hand. The desk, the wastepaper basket to the right of it, and the floor around it are littered with sheets of paper. Several books, as well as an owl and a human skull sit on the top of the desk. To the left, an over-sized pair of scissors leans against the man's chair. To the right of the desk appears the name of the illustrator, C. Collmen(?). Below the illustration appears a white bordered box with the words 'Ex Libris,' below which appears the name of the owner.
125.
[Bookplate for Emily Ogden Wheeler]
Printed in brown ink on white or cream paper the bookplate consists of a border of four thin branches bearing leaves and buds. Wrapped around the top and bottom branches are banners bearing the quotation 'DREAMS BOOKS ARE EACH A WORLD AND BOOKS / WE KNOW ARE A SUB-STANTIAL WORLD.' In the center of the border appears the name of the owner.
126.
[Bookplate for Stanley Harrod]
Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.
127.
[Bookplate for Pierre Louis Deschenaux]
The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics.
128.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with elaborate corner designs. The border is a simple 'X' interwoven pattern, and the corners have small crosses or 'X' on them. Within the border, the text 'Congregational College' is in a slightly more elaborate typeface than the remaining text, which is a simple serif font.
129.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif.
130.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif.
131.
[Bookplate for Congregational College of British North America]
The bookplate has a stylized border of geometric patterns. Within the border, the words 'Congregational College' are written in Gothic typeface, with 'of British North America' written in a plainer font.
132.
[Bookplate for Rev. Pierre Beaumont]
The bookplate is printed in black ink on cream paper, now discolored. One penciled notation in the lower left.
133.
[Bookplate for Congregational Theological Institute]
The border has a border of lines with a more elaborate border 'wrapped' around it. The corners are adorned with small flowers. Within the border, the word 'Canadian' is in a bold font, and 'Congregational Theological' is in Gothic typeface.
134.
[Bookplate for Susie Maria Denton Massey]
The image of a large house sitting above a wooded riverbank is possibly that of Dentonia Park Farm, the estate and working farm that Hart Massey built for his wife Susie in 1889. Massey's name is flanked by two lions bearing shields.
135.
[Bookplate for J. G. Chilcott]
The text is in the centre of the bookplate, surrounded by a vine-like border. Four small flowers are in each corner of the border. The text 'TRURO' is bolded.
136.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
137.
[Bookplate for Academie Commerciale Catholique]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
138.
[Bookplate]
The text is surrounded by a simple lined border. The text "de L’Académie Commerciale Catholique" is in a Gothic script.
139.
[Bookplate for Congregational College of Canada]
There is an elaborate border with geometric designs and stylized flowers, and within this at the top of the bookplate is the crest of the Congregational College of British North America. Under the crest, the words 'Library of the Congregational College of Canada' are written in several different fonts, with the words 'Congregational College' the largest and most prominent. Underneath this is a space for information to be entered, although it has been left blank.
140.
[Bookplate for Felix Carbray]
This bookplate consists of a an ornamental escutcheon, ermine (white powdered fur with black tufts), charged with a lion rampant, gules (red). The crest consists of a dexter helm, topped by a curved wreath and dexter cubit arm holding a sword. From either side of the crest extends elaborate mantling which flows down to the base of the shield where a banner is located, containing the Irish motto: "DIA A'S CEART." Translates to "God's Right" (as in His right to rule).
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