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CONTENTdm Collection
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Description:
21.
[Bookplate for W. E. Gale by George Kuthan]
Printed in black and red ink on blue paper. The image includes a border in black ink surrounding the image of a ship in red ink and text in black ink. What appears to be a small letter 'K' in red ink is to the right of the ship.
22.
[Bookplate for Arch. F. R. Kozaka]
Pictorial bookplate. The bookplate portrays a landscape with either haystacks or large rocks in the foreground and rolling hills in the background.
23.
[Bookplate for Stephen W. Borden by Carol Ann Borden]
Pictorial bookplate. Portrays a landscape with tree, grass and flowers.
24.
[Bookplate for J. E. Morsh]
Pictorial bookplate showing a night scene with a single elderly person standing under a tree.
25.
[Bookplate for Frank Noyce]
In the left corner of this pictorial bookplate are fox gloves behind which is a mountain range.
26.
[Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath]
In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx.
27.
[Bookplate for Eugene Charters and Stella Charters]
In black ink. This bookplate displays the silhouette of a large galleon in full sail. Below the ship is written ex-libris and the names of the originators. The nautical motif and text are framed by a flowering vine border. In each corner appears a small framed image including, an evergreen, an open-book, a seated dog and a pair of theatrical masks.
28.
[Bookplate for George H. Fensom by Thoreau MacDonald]
In black ink. Landscape featuring a cabin overlooking a lake.
29.
[Bookplate for D. Benzie by Stanley Harrod]
In black ink. Decorative border surrounding an etched picture of a man standing on a cliff with his hand on a piece of equipment holding a bag overlooking water, a city skyline, and mountains hiding the sun. Below the picture is a box with the text.
30.
[Bookplate for James Ross Ballantyne]
In black ink. An obelisk or tower with a door in front of and between black mountains.
31.
[Bookplate for Emil Eerme and A. Lavdovsky by O. Kubse]
In black ink, watercolour style scene of hills and trees reflected on the surface of a lake. Solid right side and bottom border, and rounded, soft left and top border. Text written vertically along right side border.
32.
[Bookplate for Henry Flitcroft]
In black ink, this chippendale-style bookplate consists of an asymmetrical escutcheon, or (gold), containing two chevronels, gules (red), each with the appearance of a label. The top chevronel is an elevated label, while the base chevronel is an inverted label. The label is a heraldic symbol representing the first son. The escutcheon also contains two escalopes over one fleur-de-lis. In typical chippendale fashion, the escutcheon is surrounded by elaborate floral mantling. Below the escutcheon is a banner containing the originator's name and place of origin.
33.
[Bookplate for Joseph Berreth and Michael B. Kunze]
In black ink, an image of a knoll, on top of which are two leafless trees and a lamp centered between them. In the background is a cloud that frames the image.
34.
[Bookplate for Lorenzo Spallino and Michael B. Kunze by T. M.]
In black ink, a nude male figure stands at the base of a tree from which he picks fruit. The foliage of the tree is framed by a circular border. The base of the tree rests on an open book on which the text is written.
35.
[Bookplate for Grace Svenningson]
In black ink on white paper, two columns frame the sides of the bookplate, with a banner stretched behind them at the top. Thick vines are hanging from the banner, and a few are wrapped sparsely around the columns as well. There is an urn on the bottom left with some gentle hills in the background. The name is printed in red ink at the bottom of the plate.
36.
[Bookplate for Ian Waldie by Alexander Scott Carter]
In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.
37.
[Bookplate for Edmund Murton Walker by Thoreau MacDonald]
In black ink on white paper, a dragonfly is flying past some large rocks next to a body of water, likely a river. In the background is a forest of tall evergreen trees.
38.
[Bookplate by Owen Staples]
In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.
39.
[Bookplate for Marjory Todd and John Todd]
In black ink on white paper, a border which includes images of a book, an hourglass, and a sundial surrounds a view of a garden which contains birds and a birdbath, flowers, and in the distance, trees and a trellis.
40.
[Bookplate for George Francis Steele by E. J. W.]
In black ink on white or cream paper it depicts a nude male figure riding a Pegasus in the upper left surrounded by a swirl of stars, planets, and other astronomical bodies. Another nude, winged male figure in the lower right holds a quill pen in his right hand and in his left, the end of a ribbon on which "EX LIBRIS / AD ASTRA" is written. A dark dome, possibly representing a planet, occupies the lower left. There are blue smudges, possibly ink, across the lower third of the bookplate.
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