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1.
[Bookplate]
A lion rampant holding a stemmed (slipped) rose above the entwined letters G or C and H, through which is woven a banner with the Latin phrase. The bookplate is rendered in some kind of red ink, which is raised from the paper both from embossing (visible on the back) and a way that the ink itself is raised from the paper.
2.
[Bookplate for George E. Longley by Francis Adams Sc.]
Black ink on white paper with cropped corners. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. Underneath the shield, the bookplate owner’s name is printed in elaborate gothic block font. The first letter of each part of the name is outlined with a black border, while the remaining letters are printed in black. Swirling lines and dots embellish the text. Below the name, a location is printed in smaller, sentence case, black serif font. Underneath this text is another swirling line with several dots, to the right of which text is printed in capitalized block serif letters with black outlines. In the bottom left of the bookplate, the creator’s name is printed in small, black, sentence case, serif font.
3.
[Bookplate for Howard Murray]
In black ink on cream coloured paper. This bookplate depicts a sitting room with two chairs and a window looking out on trees, rolling hills and a body of water. A scroll at the base containing the originator's name is flanked by a pile of books.
4.
[Bookplate for William Martin]
In black ink on cream paper, a double border surrounding a coat of arms. The coat of arms is Argent two bars Gules six bezants 3 and 3, with ornate mantling especially to the upper right and left of the shield, surrounding the crest of an eagle displayed over a wreath. Below the coat of arms is a draped manner with the Latin motto and below that is the name in a Gothic script.
5.
[Bookplate by Colonist Lithography]
In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.
6.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
7.
[Bookplate for Burton’s Limited Circulating Library]
In black ink on tan paper. A simple border frames the text.
8.
[Bookplate for George Short by R. Silvester]
In black ink, this bookplate consists of an escutcheon divided per pale, charged with a mullet at precise middle chief. The dexter half, gules (red) with an ermine (white powdered fur with black tufts) chief, is charged with a gryphon, rampant. The sinister half, argent (silver), contains a fess, vert (green), charged with three stag's heads, cabossed. The escutcheon is crested by a wreath and a demi-gryphon, with wings displayed and elevated. Below the escutcheon is a banner containing the Latin motto. The artist's mark, "Silvester sculp. 27 Strand, London." Is present on the bookplate. R. Silvester was a London engraver. According to Fitcham, his earliest appearance is in the London Directory of 1806.
9.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of text surrounded by a floral border. At the top centre of the border is a scallop shell.
10.
[Bookplate for Charles Girdlestone]
In black ink, this bookplate consists of the image of a church. A plate mark can be seen along the left hand side of the bookplate.
11.
[Bookplate for Sir Robert Peel]
In black ink. Armorial bookplate. Argent (silver) three sheaves of as many arrows proper, banded gules (red). On a chief azure (blue) a bee volant, or (gold). Crest of a demi-lion rampant argent, gorged with a collar azure, charged with three bezants, holding between the paw a shuttle, or. Below the escutcheon is a banner containing the Latin motto.
12.
[Bookplate for Basil Thomas Woodd by Benjamin Warwick]
In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted).
13.
[Bookplate for Thomas Taylor by James Cole]
In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.
14.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on blue paper, an intricate border evocative of a tabernacle and constructed of fountains, geometric repeating patterns, and a cross surrounds the text.
15.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.
16.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.
17.
[Bookplate for Oeuvre des Bons Livres de Montreal]
Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns.
18.
[Bookplate for London Public Library and Art Museum]
This bookplate’s design features a depiction of the façade of the London, Canada, Mechanics’ Institute framed by two large maple trees. A banner above, labels the print as an ex-libris and a separate compartment below the building displays several books and the originating institution’s name.
19.
[Bookplate for Lockwood]
This bookplate's design features an escutcheon, argent (silver) and sable (black), charged with three martlets. Another martlet rests above the escutcheon on the stump of an oak tree, erased and the Lockwood family motto appears in a banner below.
20.
[Bookplate]
This heraldic bookplate is printed on cream paper with dark brown ink, and consists of an escutcheon, sable (black), charged with three church bells, two over one. Above the escutcheon is a helmet at three quarters profile in esquire form, with mantling radiating from it. Above the helmet is a straight wreath crested by the head of a lion in profile. Below the crest is a banner, with Latin motto within.
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