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results 1-20 of 50 item(s)  page 1 of 3 : ( <<  1  2  3  >> ) :: previous : next
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1. [Bookplate by James Gourlay Gray] [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.

2. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.

3. [Bookplate for Arthur Lowndes] [Bookplate for Arthur Lowndes] Black ink on white paper. The bookplate features an oval shape with a thin, pale black border. At the top of the bookplate is a rounded section with a base that goes down a point towards the middle of the bookplate. The image depicts a procession of men entering what appears to be a brick church. The man at the front of the procession is carrying a cross. There is foliage growing on the church exterior. The men are entering an arched doorway and there are windows above and to the right of the doorway. To the right of a procession is a small metal fence with a brick pillar, behind which is a tall, leafy tree. Other trees are silhouetted in black on the far horizon. The base of the image is decorated with leaves and flowers with many petals. Below, the background is a speckled grey wall and there are two crests, one of the left and one on the right. On the left, the crest features a tall leafy tree on a crest-wreath. To the right of the tree is an argent shield charged with three sable fleurs-de-lis, two over one. At the base of the tree trunk, a ribbon billows out to the right with text printed in capitalized, black, sans serif font. The shield is argent with a bend. The bend has a border of two thin sable lines and is charged with three argent leaves. Below the shield, the mottos is printed on a curling ribbon in capitalized, black, sans serif font. On the right, the crest features a sable erased dragon’s head floating above a crest-wreath. The shield is all argent with a lozengy field. There is an argent canton in the upper left corner of the shield charged with a smaller version of the sable erased dragon’s head from the crest. Below the shield, the motto is printed on a curling ribbon in capitalized, black, sans serif font. Below the crests is a large fireplace. The mantle is covered with books. There is a lamp on the left side of the mantle and a vase filled with plants on the right side of the mantle. Alongside the fireplace, books are stacked on shelves on the left and right-hand side. The mantle itself is decorated with simple vertical black lines. There is a simple iron grate in front of a roaring wood fire. On the left and right hand side of the fireplace itself are square shaped decorative features. There are also fireplace implements on either side of the fireplace. On the floor in front of the fire are a dog and cat. The dog is black and white and is lying down on the left side of the bookplate. The cat is also black and white and is sitting on the right side of the bookplate. Below the cat and dog, the bottom portion of the bookplate features a dense floral decoration. On top of the decoration is a banner with curling ends upon which the bookplate owner’s name is printed in capitalized, serif, black font.

4. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.

5. [Bookplate for Charles Girdlestone] [Bookplate for Charles Girdlestone] In black ink, this bookplate consists of text surrounded by a floral border. At the top centre of the border is a scallop shell.

6. [Bookplate for Charles N. Hood, Mary K. Hood, and Dorothy Hood by A. H. N.] [Bookplate for Charles N. Hood, Mary K. Hood, and Dorothy Hood by A. H. N.] Pictorial bookplate. Within an elaborate floral border is a square divided into both text and an image of a fireplace and bookshelf. At the bottom of the frame is face, below which is the artist's initials and date.

7. [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] [Bookplate for Cornelia de Rozsnyayn-Prielle and J. E. Horvath] In red ink on brown paper, this bookplate presents us with a garden scene showing a young amorous couple coming down a pathway. In the background, we see a garden retreat, a fence and gate, and a water fountain. In the foreground is a bench, on which lie a lyre, an open book, a stem and flowers, and what appears to be a floral wreath or possibly a scarf. On the right are steps leading off the page on which sit a stone sphinx.

8. [Bookplate for D. Guthrie] [Bookplate for D. Guthrie] The owner’s name, occupation, and city are centered and printed in black ink, surrounded by a decorative scroll and floral border.

9. [Bookplate for David King by B.] [Bookplate for David King by B.] Pictorial bookplate. A floral border (in blue, red, and gold) surrounds the bookplate text. At the bottom are both the creator's initial "B" and publishing information (Ludgate Circus House, H.V. Capsey, London, E.C.4).

10. [Bookplate for Dickens Fellowship] [Bookplate for Dickens Fellowship] This pictorial bookplate features green ink on green paper. Morning-glories create a floral frame to the text, at the bottom of which is a picture of Dickens.

11. [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] Brown ink on cream paper. A plain border with a thin brown outline on the outside and thick brown outline on the inside. The image in the center of the bookplate is surrounded by a decorative background. The background has brown dots overlaid with thin white leaves on a stem. The stems curl around the left and right sides of the image. The image in the center is surrounded by a border comprised of three petaled leaves. At the top, bottom, left, and right of the border are two crossed strips covering the leaves. A dark inner border separates the decorative leaves from the center image. The image itself depicts two women sitting in an ancient Grecian scene. There is a building with arches in the left background. Next to the building, right behind the women is a large, shaded column. The foregrounded woman is sitting on a platform. Behind her is a small bowl of flowers. The same flowers decorate her dark hair in a floral crown. She is wearing a flowing white dress with a jewelry band around her right arm, which is holding onto her knees. At her feet is a lyre perched against another ledge. Behind the lyre is a dark, three-legged vessel with smoke pouring from it. There are some bushes behind the vessel and a plain horizon with a dark landscape and a pale sky. To the left of the vessel is a woman either standing or on her knees ; her legs are blocked from view by the sitting woman. The woman is playing a wind instrument, potentially an aulos. Her hair is in a half bun and half down. The ribbons in her hair are also flowing behind her head. Curling ribbons extend from below the image’s bottom border. A thicker ribbon rolls out below the ribbon. The bookplate owner’s name is printed in capitalized, serif font. Each word in the owner’s name is printed on its own line, with each line becoming increasingly indented. Two daisy flowers on stems are printed to the left of the last word in the owner’s name.

12. [Bookplate for Dunbar Browne Jr.] [Bookplate for Dunbar Browne Jr.] A floral, somewhat art nouveau style border surrounding the text.

13. [Bookplate for Dunbar Browne] [Bookplate for Dunbar Browne] A floral, somewhat art nouveau style border surrounding the text.

14. [Bookplate for Edmund Maskelyne] [Bookplate for Edmund Maskelyne] In black ink, this chippendale-style bookplate consists of an escutcheon, sable (black), charged with a fess, or (gold) and engrailed, and three escallopes, two over one. The escutcheon is crested by a wreath and a demi-lion, holding an escallope between its two paws. The originator's name is framed within the chippendale floral decoration below the escutcheon.

15. [Bookplate for Eliza Ann Taylor and Michael B. Kunze] [Bookplate for Eliza Ann Taylor and Michael B. Kunze] Colour ink on white paper. Gold outer border. Inner border is floral pattern on pink background. Text box at centre right.

16. [Bookplate for Emmanuel Church Sunday School] [Bookplate for Emmanuel Church Sunday School] Black ink on cream paper. Floral border surrounds text. Includes one hand-written identification number and rubber-stamped date, both in black ink. A light “X” is drawn across the plate in pencil.

17. [Bookplate for Eva Remington] [Bookplate for Eva Remington] The bookplate contains a floral frame surrounding a written statement above a pair of wreaths framing an heraldric shield.

18. [Bookplate for Ferdinand I Czar of Bulgaria] [Bookplate for Ferdinand I Czar of Bulgaria] In black ink, this complex bookplate contains an escutcheon divided quarterly ; the first and fourth quadrants contain a lion, salient and crowned (it is unclear what colour these quadrants would be due to the printing process) ; the second quadrant, argent (silver) contains two pallets, likely sable (black), and a sable chief charged with two crowns, argent, possibly signifying eastern or celestial crowns ; and the third quadrant, argent, contains two manche facing one another, with arms and hands emerging, together holding a crown. At the fess point is an inescutcheon, which bears the coat of arms of Saxony ; barry of ten pieces, or (gold) and sable, with a garter (vert), floral invection on sinister side. The escutcheon is crested by a royal crown framed by a circular halo. The escutcheon is supported by two lions, wearing royal crowns, each also framed by a circular halo. From around the waist of each lion descends a collar which meets at the nombril point below the escutcheon ; from this point hangs the Grand Cross Of The Order Of Saint Cyril and Saint Methodius. At either side of the order is a banner containing the originator's designation. Above the crest and supporters are two sets of fleur-de-lis, two over one, signifying the House of Bourbon ; and an additional banner.

19. [Bookplate for George Grote] [Bookplate for George Grote] This bookplate features a meander patterned oval frame with an escutcheon divided per pale, or (gold) and argent (silver) and vert (green), charged with three trees. Above the frame is a single tree and below is a banner containing the owner's name along with many floral elements.

20. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.
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