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201.
[Bookplate for A. Renand and U.E. Archambault]
Black ink on white paper. Border consists of two intertwined braided strands with elaborate corners. Decorative gothic font at the top of the bookplate is surrounded by lines with geometric accents. Smaller, sans serif, capitalized, black font is below surrounded by matching lines. There are three rows of dotted lines. Between the lines, smaller text is printed in serif, capitalized, black font. Underneath is italicized, black font in various sizes. At the bottom of the bookplate is larger, black, cursive font with small, italicized black font in the bottom right corner.
202.
[Bookplate for J.E.G. Bibliothèque]
Black ink on white paper. Thin black border is straight on the left, right, and bottom sides and rounded on top. Three capitalized letters are printed in stylized, rounded black font. Below the letters is text in pseudo-gothic sentence-case font. Underneath that text is a small black circle with two lines extending from its left and right. Below is text in the previous pseudo-gothic font in a larger size. There are several images underneath the text. There is a line of three images: an open book with curling pages in the center with a six-pointed star on either side. The left star has a plus sign in the middle and the right star has a question mark in its center. Three more images are below: a black owl on a branch in the center with lit oil lamps on either side. The lamps each point inwards towards the owl and sit on thin black lines. Below the images is a thin black oval border that is straight on the top and bottom sides. Inside is curling thin black text sitting on a thin black line. At the right end of the line is another thicker perpendicular black line dividing the oval into two uneven sections.
203.
[Bookplate for Art Gallery of Toronto by Alexander Scott Carter]
Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.
204.
[Bookplate for William Leaf]
Printed in black ink, the book plate features the crest of William Leaf: A dove rising, resting the dexter claw on a leaf, on a torse.
205.
[Bookplate]
This heraldic bookplate consists of an escutcheon, divided per cross. Quarters one and four are sable (black), charged with a dove holding an olive branch upon a mountain. Quarters two and three are or (gold). Supporting the escutcheon are two lions, positioned rampant queue-fourche. Above the escutcheon is a helmet, dexter, with grate closed, indicating a peer status. Upon the helmet, is a crown with another dove holding an olive branch, along with mantling. Below the escutcheon is a banner, with Latin motto within.
206.
[Bookplate for Thomas Murray Esq., University of Toronto Library, and Champlain Society]
Black ink on white paper. Text is surrounded by a thin black border. There is a line of gothic, black font, below which is smaller, capitalized, sans serif font. Two thin black lines separate that text from more lines of black text, some of which is typewritten. Below one thin black lines is smaller, serif, black text.
207.
[Bookplate for Amelia Alexis Alvey by Eva Alvey Richards]
This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.
208.
[Bookplate for P. Mackenzie]
This simple heraldic bookplate consists of a cubit dexter arm clutching a downward-pointing arrow. Above the image is a banner with Latin motto within.
209.
[Bookplate for Stetson]
In black ink, this bookplate contains an escutcheon, argent (silver), surrounded by a grape vine bordure. The escutcheon contains a scrape, azure (blue), and is charged with two gryphons, at dexter chief and sinister base. Above the escutcheon is a straight crest wreath and a demi-gryphon. Below the escutcheon is a banner containing the Latin motto.
210.
[Bookplate for Thomas Taylor by James Cole]
In black ink. This bookplate consists of an escutcheon, sable (black) charged at the nombril point with a lion statant. The rococo escutcheon has scalloped edges at the top and is surrounded by vegetative mantling. Hidden in the mantling is the creator's signature, Cole sc. Above the crest is a straight wreath charged with a leopard statant and below the escutcheon is a banner containing Taylor's Latin motto.
211.
[Bookplate for Winfred Overholser]
This bookplate's design is a pictoral scene of a tall ship at sea, with gales of wind blowing at the sails and water. Bookplate text at base. In black ink.
212.
[Bookplate for Nanticoke Mechanics' Institute]
Bookplate format is text within a solid border.
213.
[Bookplate for Nanticoke Public Library]
Bookplate format is text within a solid border.
214.
[Bookplate for Kathleen Reit and Francis Reit]
This bookplate's design features a devil-like figure reading a book beneath a tree, by a brook.
215.
[Bookplate for Hillfield School]
In green ink. This textual print consists of letterpress type and handwritten script. There is a straight wreath crested by a boar's head, above a banner with Latin motto, at the top of the print.
216.
[Bookplate for Frederick Claude Vivian Lane and Frederick Starr]
Colour woodblock print. In black, blue, nude, red and white ink. Image of birds in water with a fire in a basket at top left and (possibly) a boat top right.
217.
[Bookplate for Frank Louis Flight]
In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others.
218.
[Bookplate for R. H. Nisbet]
Black ink on cream paper. A boar passant on a straight wreath, beneath which flies a banner with the family motto and the individual's name.
219.
[Bookplate for Arnold William Thomas]
In black ink on white paper. Shield: Or (gold), on a fesse dancette sable (black), coticed gules (red), between three birds sable perched, addorsed and elevated. Crest: a bird sable perched, addorsed and elevated, atop an open book argent (silver) and a crest wreath, argent and vert (green) with mantling.
220.
[Bookplate for Congregational College of British North America]
The bookplate has a geometric border with stylized flowers on the corners. Within the border, the text 'Congregational College' is in a Gothic typeface, and the words 'of British North America' are in a simple sans-serif.
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