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1.
[Bookplate for A. C. Jones by Clare Victor Dwiggins]
Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.
2.
[Bookplate for Arthur Lowndes]
Black ink on white paper. The bookplate features an oval shape with a thin, pale black border. At the top of the bookplate is a rounded section with a base that goes down a point towards the middle of the bookplate. The image depicts a procession of men entering what appears to be a brick church. The man at the front of the procession is carrying a cross. There is foliage growing on the church exterior. The men are entering an arched doorway and there are windows above and to the right of the doorway. To the right of a procession is a small metal fence with a brick pillar, behind which is a tall, leafy tree. Other trees are silhouetted in black on the far horizon. The base of the image is decorated with leaves and flowers with many petals. Below, the background is a speckled grey wall and there are two crests, one of the left and one on the right. On the left, the crest features a tall leafy tree on a crest-wreath. To the right of the tree is an argent shield charged with three sable fleurs-de-lis, two over one. At the base of the tree trunk, a ribbon billows out to the right with text printed in capitalized, black, sans serif font. The shield is argent with a bend. The bend has a border of two thin sable lines and is charged with three argent leaves. Below the shield, the mottos is printed on a curling ribbon in capitalized, black, sans serif font. On the right, the crest features a sable erased dragon’s head floating above a crest-wreath. The shield is all argent with a lozengy field. There is an argent canton in the upper left corner of the shield charged with a smaller version of the sable erased dragon’s head from the crest. Below the shield, the motto is printed on a curling ribbon in capitalized, black, sans serif font. Below the crests is a large fireplace. The mantle is covered with books. There is a lamp on the left side of the mantle and a vase filled with plants on the right side of the mantle. Alongside the fireplace, books are stacked on shelves on the left and right-hand side. The mantle itself is decorated with simple vertical black lines. There is a simple iron grate in front of a roaring wood fire. On the left and right hand side of the fireplace itself are square shaped decorative features. There are also fireplace implements on either side of the fireplace. On the floor in front of the fire are a dog and cat. The dog is black and white and is lying down on the left side of the bookplate. The cat is also black and white and is sitting on the right side of the bookplate. Below the cat and dog, the bottom portion of the bookplate features a dense floral decoration. On top of the decoration is a banner with curling ends upon which the bookplate owner’s name is printed in capitalized, serif, black font.
3.
[Bookplate by Eiichi Hirose]
The central image contains a white mouse with blue ears riding on top of a brown empty spool of thread. The spool is oriented with the rear of the spool oriented towards the left, and the front of the spool is located on the right. The front of the spool located on the right and has five blue and red holes laid out in 2 over 1 over 2 pattern. The central hole has 2 red lines radiating outwards between the four other holes. The mouse appears as though he is riding the spool.
4.
[Bookplate for Amelia Alexis Alvey by Eva Alvey Richards]
This is a pictorial bookplate created using brown ink on thick ivory paper. A nude female, portrayed kneeling on a pedestal, gazing down at an open book. A lamp is in nude's right hand and a caduceus (symbolising medicine) is in her left hand. Hanging from the caduceus is a scroll of music with legible musical notation. Placed in front of the nude is a large open book with objects placed on the left page. These objects (from left to right) consist of: an empty retort (symbolising chemistry), a round beaker, a small closed book, a microscope (representing biology), a beaker, and a test tube. A ribbon is tucked in the right pages of the book and reads "Ex Libris." Another ribbon below the book reads "Amelia Alexis Alvey." At the front of the pedestal are four heraldic shields. From left to right are: An argent shield with a eagle displayed, tongue protruding. On the chest of the eagle is a quartered per cross shield with the first and the sinister base are argent and the sinister chief and dexter base are black. Behind the shield is a palm. The next shield is argent with a fleur-de-lis ; below this shield are two irises. The next shield is argent with a beaver on it, around the shield are maple leaves. The final shield is argent with an eagle displayed clutching in its dexter talon palm leaves and in its sinister talon three arrows. Below the shield is a single rose.
5.
[Bookplate for Geoffrey Christian and Michael B. Kunze]
This image portrays, in black ink, on white paper, three books, one open and two lying stacked on their sides in front of the open book. In front of the three books is a large black inkwell containing a quill. The inkwell sits upon a manuscript. The manuscript has a seal on it. The image is set on a black background, with a curved top.
6.
[Bookplate for Franklin Billner]
In black ink. Escutcheon tilted to the left and parted per pale. The dexter half, or [gold], with a lion, gules [red], coward, holding a fan-like object between its front paws. The sinister half parted per fess, sable [black], on a field, or, with decorative patterns not typically seen in heraldry. Escutcheon surrounded by leafy mantling. Above is a tilting helmet on top of which sits an unidentifiable crown. On top of the crown is a lion, gules, coward, holding a fan-like object in its front paws. Wings, displayed, fan out from the top of the crown surrounding the lion.
7.
[Bookplate for Alpha Delta Phi]
In black ink. Rectangle border with four molets and crescents, one at each corner. In the middle of the border at the top is a coat-of-arms, parted per fess, indented, with six unidentifiable charges, three over three. In the middle of the border on the sides are two identical obelisks with a rapier and a broadsword crossed in front of them. Within the bordure, "EX LIBRIS" is boxed at the top and "ALPHA DELTA PHI" is boxed at the bottom. In between them is a cropped etching of a building with trees in front of it. The year "1832" is in the middle of the border at the bottom.
8.
[Bookplate for Fred Bowman]
In black ink, a man sitting in a chair with his feet resting on a table reading a book and smoking a pipe. The smoke is the signature of Fred Bowman. There is a lamp and a mouse behind him. He is sitting in front of a fireplace with a clock and dishes on the mantle and a cat in front of the fire. There is a bookshelf opposite him and two pictures on the wall. The scene is surrounded by a lined border.
9.
[Bookplate for Sir Lawrence Palk by Ezekiel Abraham Ezekiel]
In black ink: Sable, an argent eagle displayed, an argent bordure engrailed ; at the precise middle chief, the inesceutcheon of a baronet (argent, a hand gules) ; surmounted by a wreath of argent and sable, the crest a demi-globe or hemisphere ['semi-terrestrial globe of the northern hemisphere'], an eagle rousant, wings displayed and elevated ; motto on a ribbon below the shield. The bottom right corner of the bookplate was torn away and has been replaced with a light paper.
10.
[Bookplate for Library of Diocesan Theological College]
Black ink on cream paper. In the upper-portion rests the Library of Diocesan Theological College seal. Within the oval-shaped seal are two shields (one in front of the other) with an anchor on the front of the more forward shield. Above the shield is a Western-style mitre. On the perimeter of the seal is Latin phrasing. Directly under the seal is an information line, followed by the title of the library and location city in English text. At the very bottom are two additional unfilled information lines.
11.
[Bookplate for Paul Gouin]
Black ink on cream paper. Border consisting of two thin black lines with solid black squares in the corners. Capitalized black serif-font written inside the border around an image. Image depicts a wooden house with a road in front. There are several clouds in the sky. There is a large tree in front of the side of the house, with the branches of another tree in the top right corner. The house has a wooden fence. In the foreground in the bottom right corner is grass.
12.
[Bookplate for Hopital Général d’Ottawa]
Black ink on cream paper. The bookplate features a border consisting of thick, black wavy lines with arrows on the ends of each line pointing towards the corner. Each corner has three diamonds shaped in a triangle. Inside the border, there is a circular image with a border of two interwoven black wavy lines. Inside that border is capitalized text printed in bold, black, sans serif front. In the center of the circle is a cross coming out of the ground wrapped in vines. Above and below the cross are two ribbons with mottos printed in capitalized, black, sans serif front. At the bottom of the bookplate, outside of the circular design, but inside the first border, is text printed in capitalized, black, serif font.
13.
[Bookplate for Henry Forbes Angus by Jack Macdonald]
An art nouveau, pictorial bookplate using black ink on ivory paper. In the background is a sun with four series of rays alternating black and white. In front of the sun is a left hand holding a quarter-bound book with a floral statue on the cover (consisting of a circle of leaves encircling three white flowers with black centres, which are on top of a trunk). At both the dexter and sinister corners are black squares ; in the dexter square are the initials J / M.
14.
[Bookplate for Roderick J. Barman by Margaret Noble]
This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]
15.
[Bookplate for Steve Borden by Larry Reynolds]
This pictorial bookplate, created using black ink on white paper, portrays two thieves in front of a bookshelf. Above the bookshelf is a pendant reading "Kent" and in the right hand corner is the artist's signature.
16.
[Bookplate for John Peter Braselmann]
Pictorial bookplate created using black ink on white paper. The image portrays a scholar seated in front of a bookshelf, reading a large book. The border consists of open and closed books and two lit candles at the top right and left corners.
17.
[Bookplate for Alma Bryner and Cyril Bryner]
This bookplate portrays, in black ink on white paper, two easy chairs in front of a fireplace. Two figures are seated in the chairs (with only their feet showing) reading books.
18.
[Bookplate for Frances Wahlstad Cochrane]
Central image is of a portrait shaped rectangular frame surrounding a chequered field suggesting a window. Only black and the natural paper color are used. There is an elaborate metal candelabra on the lower left side of the chequered field. The metal of the three candle holders is coiled counter-clockwise down towards the base, and has a roman column base. There are three burning wax candles with white streamers flowing upwards from them mounted on the candelabra. Next to the candelabra are three horizontally stacked books. They are stacked with the bottom and topped books having the spine oriented at an angle towards the right front side of the image. The middle book has the opposite orientation of the spine.
19.
[Bookplate for Ivan Glen Campbell]
The central image is a portrait shaped frame with banners along the top and bottom of the frame. Between the banners and contained by the frame is the central image of an open book behind a metal lamp with a black shade shedding light onto the book and everything else in the image. In front of the lamp on the left side is an ink jar and spare nibs and on the right is an ashtray and smouldering cigarette with the smoke drifting upwards and surrounding the lamp and book from above. While the two banners have statements within them the lower one also has four maple leaves, 2 on the right, and 2 on the left.
20.
[Bookplate for K. H. Ingalls by Ralph Fletcher Seymour]
A portrait bookplate with a multiple black fillet border surrounding the central images used in the bookplate. The bookplate has all 12 images of the zodiac held in small circles surrounding the periphery of the central image. At the top and bottom left and right hand corners of the image are images of vines. Central to the bookplate is the image of a wicker chair held in the bottom left hand corner next to several books sitting on a reading table. The chair is facing a brick fireplace against the far wall above which are the word "BIDE-A-WHILE". In front of the fireplace is a bear skin rug. A highbacked wooden bench with three books on it sits off on the adjacent wall to the left of the image. A similar bench sits to the right of the fireplace. A clock and several other knickknacks sit on the mantelpiece above the fireplace.
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