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 Image: Title: Description:

1. [Bookplate for Georgian Club and Michael B. Kunze by Beatrice J. Ennie] [Bookplate for Georgian Club and Michael B. Kunze by Beatrice J. Ennie] This image portrays, in black ink, on white paper, a young woman, clothed in Victorian fashion including headpiece. She is reading a book which is resting on the back of a chair. Upon the seat of the chair are two closed books. To the woman's left is a grandfather clock, and on the floor, at the base of the clock are two more closed books. The entire image, including the text, is bordered by a picture frame.

2. [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order.

3. [Bookplate for Frances Mary Richardson Currer] [Bookplate for Frances Mary Richardson Currer] This heraldic bookplate consists of a stylized escutcheon, with a pale counterchanged per fess. Sections one and six are parted per cross, with quarters one and four sable (black), with a chief argent (silver), charged with three lions erased. Quarters two and three consists of a barry of eight ermine and azure (blue), with a chief azure, charged with a lion passant guardant. Section two is azure, with a simple bend or (gold), charged with two heads of a stag. Section three is azure, with a bend engrailed and or, charged with three martlets. Section four is ermine, with a cross engrailed and sable. Finally, section five is vert (green), with a bordure engrailed and or, charged with a stag's head. Below the entire escutcheon is bookplate owner's name.

4. [Bookplate by Owen Staples] [Bookplate by Owen Staples] In black ink on white paper, a clock is pictured in the top right corner (possibly a grandfather clock), and a table stands in the foreground. On the table there are several items: a framed portrait of a man, a few books, a vase holding some flowers, and a paint palette and some brushes. There is a lyre on either side of the name at the bottom.

5. [Bookplate for Dallas Hinton and Ardith Hinton] [Bookplate for Dallas Hinton and Ardith Hinton] Three copies of the same image are printed on Avery label paper using a black and white computer printer. The image is of a man standing between two deciduous trees and reading a large book.

6. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

7. [Bookplate for David Russell Jack] [Bookplate for David Russell Jack] Black ink on cream paper with shiny surface. The crest features an armoured arm clutching a sword extending from a crest-wreath. Below is an esquires helm, from which extends mantling on either side. The mantling is light on top and darkens to black at the bottom. The shield is has a chevron with thin, horizontal, black lines. Above the chevron, the shield is charged with two crescent moons with the points facing upwards. Below the chevron, the shield is charged with the same arm from the crest, in this case tilted 90 degrees so that the arm is horizontal. While the crest arm holds a straight sword, the shield arm is holding a sword with a curved blade. Below the shield, the motto is printed in capitalized, black, block serif font on a curling ribbon. Underneath the motto, the bookplate owner’s name is printed in larger, black, sentence case cursive font. A second line features the date printed in smaller, thin, stylized black font.

8. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
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