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results 1-20 of 47 item(s)  page 1 of 3 : ( <<  1  2  3  >> ) :: previous : next
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1. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.

2. [Bookplate for Nanticoke Mechanics' Institute] [Bookplate for Nanticoke Mechanics' Institute] Bookplate format is text within a solid border.

3. [Bookplate for Nanticoke Public Library] [Bookplate for Nanticoke Public Library] Bookplate format is text within a solid border.

4. [Bookplate for United Service Club] [Bookplate for United Service Club] This bookplate's design features a royal crown above a thistle, clovers, a rose, and two surrounding branches.

5. [Bookplate for Toronto Public Library by J. E. H. MacDonald] [Bookplate for Toronto Public Library by J. E. H. MacDonald] In brown ink on white paper, a boy and a girl are standing with their backs to each other in front of two shelves of books. Around the children are four circular images: a ship at sea, a knight holding a shield, a beaver, and a wheel and tools.

6. [Bookplate for Brockville Public Library] [Bookplate for Brockville Public Library] In black ink on white paper, the bookplate consists of the seal of Brockville, incorporating scenes of ships, trains, beehives, and a beaver, in the upper right corner and black text.

7. [Bookplate for Dunbar Browne] [Bookplate for Dunbar Browne] A floral, somewhat art nouveau style border surrounding the text.

8. [Bookplate for Dunbar Browne Jr.] [Bookplate for Dunbar Browne Jr.] A floral, somewhat art nouveau style border surrounding the text.

9. [Bookplate by Colonist Lithography] [Bookplate by Colonist Lithography] In black ink on cream paper. The top center contains the coat of arms, flanked by elaborate leafy scrollwork. In the center is text in multiple bold fonts identifying the book number and library number (with gray rectangles where these numbers were handwritten). The bottom third contains the small text rules. Surrounding everything are two thin borders, between which, on the bottom edge, is the name of the lithographer.

10. [Bookplate for Bibliotheque St. Jacques] [Bookplate for Bibliotheque St. Jacques] A simple border surrounds the text printed in black ink.

11. [Bookplate for Oeuvre des Bons Livres de Montreal] [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

12. [Bookplate for Oeuvre des Bons Livres de Montreal] [Bookplate for Oeuvre des Bons Livres de Montreal] Printed in black ink on cream paper, an intricate border evocative of a tabernacle and constructed of geometric repeating patterns topped with a cross surrounds the text. Above the text is a symbol featuring a cannon and two flags.

13. [Bookplate for Roderick J. Barman by Margaret Noble] [Bookplate for Roderick J. Barman by Margaret Noble] This pictorial bookplate was created using black ink on red paper. The bookplate is in the shape of a Greek vase and portrays Clio the Muse of History sitting in a chair reading a scroll. In front of Clio is a basket of scrolls, on if which is inscribed with "M.N. 1966." [Greek text inscribed on chair and at the bottom of the bookplate reads "The Art so long, the Life so short."]

14. [Bookplate for A. W. Robertson by Tom Eaglin] [Bookplate for A. W. Robertson by Tom Eaglin] This bookplate is executed in coloured ink on white paper. The colours consist of varying shades of green and bronze. In the foreground there is an image of a nude man with his head resting upon his hand, as if deep in contemplation. He is sitting upon a wood-like stump which turns into the earth at the bottom of the image. This image is most likely meant to imitate "The Thinker", a statue by Auguste Rodin.

15. [Bookplate for Elizabeth Rogers] [Bookplate for Elizabeth Rogers] This bookplate is executed in black ink on crème paper, and is rife with heraldic and pictorial imagery denoting peace, freedom, and benevolence. The center image is one of peace, as it contains a great tree spreading its branches over meadows and pastures under the rays of a setting or rising sun. This is flanked by standards bearing roses. The heraldic imagery is placed above the scene of peace, as if resting on the tree. A shield in the center contains a mullet over purple in the lower half, and roses over black in the upper half. It is topped by a closed helmet out of which springs what is most likely a fox. Underneath the image of peace are three French military medals for providing aid in times of war.

16. [Bookplate for Richmond Library by Crown Printing Office] [Bookplate for Richmond Library by Crown Printing Office] Black ink on tan paper. Text surrounded by thin border.

17. [Bookplate for Maurie Barrett] [Bookplate for Maurie Barrett] Printed in black ink on beige paper, with a glued back. The image is a version of the crest of the Arms of Canada. It shows a crowned lion atop a larger crown, with mouth open and tongue extended. The lion stands firm with his rear right leg forward as if indicating an intent to pounce. This position, with all four paws on the ground and head turned to face the viewer, is known as statant guardant. The lion's tail is flamboyant and resembles the mantling often found on heraldic bookplates.

18. [Bookplate for John Bebb] [Bookplate for John Bebb] This bookplate consists of an escutcheon, azure (blue), with an or (gold) embattled fess. The fess contains two cross crosslets. On the azure surface of the escutcheon are three crescents, two over one. The escutcheon is bordered by an elaborate frame and topped by a visored helm in profile. Atop the helm is a crest wreath and an unicorn's head, couped and horned. From the helm flows extensive mantling. Below the escutcheon is a banner containing the latin motto.

19. [Bookplate for Point Grey Lending Library] [Bookplate for Point Grey Lending Library] In blue ink, this is a textual book owner's stamp ' Point Grey Lending Library'.

20. [Bookplate for Frank Marx Etting] [Bookplate for Frank Marx Etting] In black ink, this bookplate consists of an escutcheon, argent (silver), containing a chevron, gules (red). On the chevron are three roundlets, argent. The escutcheon is bordered by mantling, and crested by a dexter cubit arm holding a sword. Impaled on the sword is a boar's head. The boar's head is said to represent unflinching courage and fierceness on the battlefield. In Irish literature, it was symbolic of aggression and savegery, and symbolized the Devil.
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