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1. [Bookplate for Johannis Platt by John Dickson Batten] [Bookplate for Johannis Platt by John Dickson Batten] This bookplate has both heraldic and pictoral qualities. The primary subject of the bookplate is a lamb, grazing in a glade of flowers, with bookplate owner's name in a banner below. In the background, the bookplate features a pen of sheep as well as a dead wolf hanging from a tree. At top-left corner, the bookplate features an escutcheon, azure (blue), charged with two fleur-de-lis and a lamb, two over one, and a chevron or (gold) charged with a fleur-de-lis and two cinque foil. Above the escutcheon is a peer helmet, with a wreath charged with a grazing lamb. Mantling radiates from the helmet, and Welsh motto is contained on one side. The entire scene is contained within a stylized border, with Welsh motto within.

2. [Bookplate for Victor Werheimstein and J. E. Horvath] [Bookplate for Victor Werheimstein and J. E. Horvath] Black ink on tan paper. A female figure wearing long hooded robe reads a book on an ornate stand. The figure stands infront of a woven fence with vegetation. This image is surranded by a decorated frame with the text on a wide ribbon at the bottom.

3. [Bookplate for Harry E. Jones] [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.

4. [Bookplate for E. R. Hunter by Thoreau MacDonald] [Bookplate for E. R. Hunter by Thoreau MacDonald] Printed in black ink on cream paper. The image shows a loon facing left, in profile, with its beak open. It is framed by ripples of water above and below. In the background, two islands are reflected in the water. The island on the left is larger than the one on the right. At the bottom of the bookplate, the personal name and geographic location are provided in an all-caps, serif font. This is framed by two squares containing mirror images of a closed pine cone on an evergreen sprig.

5. [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] [Bookplate for Catholic Commercial Academy of Montreal, Wm Price, and U. E. Archambault by Geo. E. Desbarats] Black ink on white paper. The border of the bookplate comprises three layers: the outermost is an abstract floral motif on the four corners ; secondly is a geometric pattern of triangles ; the innermost layer is a plain line. Curlicues surround the words “Catholic” and “of Montreal.” The bookplate is a pre-printed form with space for the prize name, winner, year and date to be filled out.
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