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CONTENTdm Collection


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results 181-200 of 1043 item(s)

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	Title:	Description:

181.	[Bookplate for Jenkins]	Black ink on cream paper. The crest features a furry lion passant reguardant standing atop a castle tower. The castle tower is above a crest-wreath. Elaborate, curling, feathery black and white mantling extends from the top of the shield and expands out along the sides. The shield is divided per pale. The left section has a white background with black dots and is charged with a black lion rampant reguardant. The right section of the shield is charged with a bird perched on a tree branch growing out of the ground. There is no background except for the branch and ground that is lighter on top and darker at the bottom. The motto is printed on a curling ribbon below the shield. There is shading on the ends of the ribbon. The motto is printed in capitalized, black, serif font. The bookplate owner’s name is printed in a more stylized, paler, capitalized, black serif font underneath the motto.

182.	[Bookplate for William Swift Keyser]	Black ink on cream paper. The crest features an esquire helm with elaborate mantling extending out along both sides of the bookplate. Extended, feathery wings rise out of the top of the helm. The helm sites directly on the shield, which is divided per pale and per rounded chevron. The three parts of the shield are different colour. The upper left portion is argent, the upper right side portion has vertical sable lines, and the rounded bottom portion has horizontal sable lines. Sitting atop the rounded bottom portion is a king. The man is sitting cross-legged and holds a sword in his left hand and a rounded vessel with a cross on top in his right hand. The man is wearing a crown and a cape. He has long hair and a small beard. Below the shield, the bookplate owner’s name is printed on a curling ribbon in capitalized, bold, serif font. Underneath the ribbon, text is printed in sentence case, thin, cursive font followed by a line of small black dots. There is a black ink smudge on the bottom right corner of the bookplate.

183.	[Bookplate for Herbert Fairbairn Gardiner]	Black ink on cream paper. Thin black border surrounds the text and image on the bookplate. At the top of the bookplate, within the border, is printed black gothic text. Below the text is a portrait photograph of the bookplate owner showing a balding white man with a large moustache in a black suit with a white shirt and bow tie. The photograph has a thin black border. Below the photograph is large, black, sentence case font. Underneath this text is the same font in a smaller size.

184.	[Bookplate for Ödön Stern and J. E. Horvath by B. I.]	Black ink on cream paper. This bookplate combines Art Deco and Egyptian style and imagery. The black ink provides the background with most of the objects delineated in white from the paper. A figure in profile to walks towards the right of the scene holding high three books in offering. Behind the figure there is a curtain with a weaved pattern. Further back on the right hand side there is a vase with flowers, and two urns. One sits on the floor. Fire rises from the second one on a stand.

185.	[Bookplate for McIntosh Art Gallery by Leslie Victor Smith]	Black ink on cream paper. White ivy border over stippled black background. Names of John Gordon McIntosh and Wilhelmina Morris McIntosh inscribed on facing pages of book, behind which is a lit torch whose rays span out from the center of the plate. The text of the plate is on a scroll which is woven around a lyre, a symbol of harmony.

186.	[Bookplate for Parker]	Black ink on cream paper. Within a thin, single-line border sits a lancet arch with a coat of arms at the top. Floating above the coat of arms is a Western-style miter. Within the arch, the name of the reading room and details on the specific book loan is printed.

187.	[Bookplate for Queen Elizabeth Hospital]	Black ink on dark-yellow paper. A thin ornate border composed of curved lines houses the name of the institution in bold capital letters.

188.	[Bookplate for J. B. R. Dufresne]	Black ink on green paper. A curving, vine-like border surrounds the title of the legal practice. A blank number line is printed below.

189.	[Bookplate for A. Demers]	Black ink on grey paper. A beaded border surrounds the title of the law practice and location. A double-underline is printed above a filled in number line.

190.	[Bookplate for Roswell Goldie]	Black ink on grey paper. A border composed of small circles houses the name and town of the bookplate owner. The words are in Germanic lettering.

191.	[Bookplate for Dundas Mechanics’ Institute]	Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink.

192.	[Bookplate for Dundas Mechanics’ Institute]	Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink.

193.	[Bookplate for Dundas Mechanics’ Institute]	Black ink on grey paper. A border made up of small squares surrounds the title of the library, its opening hours, and its borrowing policies. Beneath the title of the library is a dividing line made up of vertical lines. Beneath the row listing the library’s business hours is a grid categorizing the section, shelf, book number, and class, with several hand-written notes in faded black ink.

194.	[Bookplate for K. M. Fenwick]	Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

195.	[Bookplate for K. M. Fenwick]	Black ink on grey paper. A border of four curlicue lines houses the name of the owner and the number and volume entries. Both the number and volume are handwritten in black ink.

196.	[Bookplate for Dundas Mechanics’ Institute]	Black ink on grey paper. A slim, double-lined border surrounds the title of the library and its borrowing policies. Beneath the title of the library is a dividing line with two ovals at the center. This divider is repeated beneath the open hours and the categorization rows. Within the categorization row is a space for number and a number in black ink is handwritten.

197.	[Bookplate for J. J. Girouard]	Black ink on grey paper. An ornate border composed of curlicues houses the name and number of the bookplate.

198.	[Bookplate for J. J. Girouard]	Black ink on grey paper. An ornate border composed of curlicues houses the name and number of the bookplate.

199.	[Bookplate for J. J. Girouard]	Black ink on grey paper. An ornate border composed of numerous curlicues houses the name and number of the bookplate.

200.	[Bookplate for Leipziger Stadtbibliothek and Michael B. Kunze]	Black ink on grey paper. Library coat of arms surrounded by an ornate border surmound picture of a library. Three men in late 18th century dress are looking at books.

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results 181-200 of 1043 item(s)

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