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1. [Bookplate for Arthur Coburn by L. J. R.] [Bookplate for Arthur Coburn by L. J. R.] The image is of a man standing between two deciduous trees. The man has black hair and is wearing antique garments from the Italian Renaissance and white tights. He is also reading a large black book and has a small black leather belt and pouch. The whole image is surrounded by a double filleted black border.

2. [Bookplate for Francis Lawson] [Bookplate for Francis Lawson] This heraldic bookplate consists of a chippendale styled escutcheon, argent (silver) parted per pale ; first, argent, with a saltier, azure (blue), the upper part charged with three garbs, the lower a boar's head, and at dexter and sinister an etoile each ; second, argent, depicting a wolf salient, climbing a tree, vert (green), possibly oak. Above the escutcheon is a straight wreath, charged with a boar's head and below the escutcheon the name and location of the bookplate's owner. The entire escutcheon and accompanying text are surrounded by elaborate chippendale borders.

3. [Bookplate for Andrew Jack] [Bookplate for Andrew Jack] Black ink on yellow paper. An ornate border consists of two parts: an inner border of thick black line with rounded corners, outlined with thin black lines on each side and punctuated with evenly spaced scrolls ; an outer border of a repeated fan design with small pairs of circles between each fan. All four corners of the border have a trefoil on the inner edge and a diamond on the outer edge. Border houses the name, location, and date of the bookplate.

4. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is a view from overtop of a grey can sitting on a blue and white chequered background. The can has an inner and an outer ring with 8 red and green strawberries sitting at the centre of the can.

5. [Bookplate for Eliza Ann Taylor and Michael B. Kunze] [Bookplate for Eliza Ann Taylor and Michael B. Kunze] Colour ink on white paper. Gold outer border. Inner border is floral pattern on pink background. Text box at centre right.

6. [Bookplate for Basil Thomas Woodd by Benjamin Warwick] [Bookplate for Basil Thomas Woodd by Benjamin Warwick] In black ink. This bookplate consists of an escutcheon, parted per pale. The first pale is parted per quarter. Quarters one and four, gules (red), are charged with three demi-Hercules, two over one. Quarters two and three, sable (black), are charged with gryphons rampant, segreant. The second pale is parted per quarter. Quarters one and four, or (gold), charged with a lion rampant, sable, on a chief, gules, in the middle part a fillet, dovetailed, argent (silver). Quarters two and three, azure (blue), are charged with a fleur-de-lis. The escutcheon is set upon a backdrop of concentric circles. The inner circle is decorated with vine-like patterns. Within the outer circle, the originator's Latin motto "non nobis" appears. Below the concentric circles, the creator's signature and address, Benjn. Warwick 124 Regent Street appear. Above the circle is a peer helmet, surrounded by vegetative mantling, and atop the helmet is a straight wreath charged with a demi-figure of Hercules. (Bernard Burke considers the Hercules figures to be woodmen holding a club over their right shoulders or savages, depending upon the source consulted).

7. [Bookplate for Mark Rowe by J. P.] [Bookplate for Mark Rowe by J. P.] In black ink on thick paper, an architectural image contains a view of an inner library or study, with a wreath encircling the words, 'EX LIBRIS,' at the apex and a box or plaque with the name, Mark Rowe, at the bottom.

8. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] All printed markings in blue ink, all manuscript notes in black ink. Thin lines form a vertical rectangle with three vertically-stacked cells. The top cell contains the name of the library. The middle cell contains the seal of the institute: two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text. The seal has been inverted, so that it appears as white markings in a blue square. The bottom cell contains a space for presentation notes. In the last cell and above the outermost frame are manuscript notes.

9. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] All printed markings in blue ink and all manuscript notes in black ink. Thin lines form a vertical rectangle with three vertically-stacked cells. The top cell contains the name of the library. The middle cell contains the seal of the institute: two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text. The bottom cell contains a space for presentation notes. In the last cell and above the outermost frame are manuscript notes.

10. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] This bookplate is in two parts: One to show ownership by the library, the other to show who made the presentation of the book to the library. 1) In black ink on white or cream paper. The bookplate consists of lines for recording location information, the seal of the institute [two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text], and other lines for noting the number and receipt date of the book surrounding the library name.
2) In black ink on white or cream paper, the bookplate consists of a thin border surrounding black text.

11. [Bookplate for Bibliotheque paroissiale de St. Henri] [Bookplate for Bibliotheque paroissiale de St. Henri] Black ink on blue green paper. Thick line border with inner border comprised of thin lines. The borders are not connected at the corners. The library name is written in capital letters of different sizes and serif font styles. Sentence case serif font indicates the card number space. Handwritten notes in pencil in the card number section and on the verso of the bookplate.

12. [Bookplate for J.G. Grieve by William Walker Alexander] [Bookplate for J.G. Grieve by William Walker Alexander] Black ink on cream paper. Border features two parallel thin black lines on the outside with a thicker black line for the inner border. The upper-right hand corner has a microscope in profile against a sun with radiant rays. The microscope sits on a striped platform that tapers down to a point. In the upper-left hand corner is an oil lamp with a burning flame sitting on the same striped, tapered platform. In the centre of the two images is a rectangle with an indented top half. A white border surrounds black and white stripes of inconsistent length. Printed, capitalized, serif black text is printed on top. Below is a scene of a desk in a corner. There are two paintings, one on each wall. The one on the left is a nature scene and the one on the right is a landscape with a house and natural elements. On the right of the second painting is a vertical calendar for December 1963 listing Sunday the 24th to Saturday the 30th. The desk has drawers on both sides and one in the centre, all with handles. On top of the desk in the foregrounded left side is a black telephone sitting face down in the retriever. Behind the phone is a tall, thin plant in a white, hour-glass shaped pot. Next to the plant is a lamp with a short, wide, curved shade. In the centre of the back of the desk are four books, spines facing out, between two bookends. To the right of the books is a tall, thin vase with a scalloped edge holding several leafy flowers. To the right of that vase, in the right corner of the desk, is an analogue clock set in an upright square. The clock is set to approximately 4:05. Foregrounded in the right corner of the front of the desk is a book open to the title page. Across the bottom of the bookplate is a banner with curled ribbon ends. On the banner is stylized gothic font. Below the banner is a decorative row of leaves. In the bottom left hand corner is a small white patch with initials printed in black ink. Handwritten note in pencil on the verso.

13. [Bookplate by James Gourlay Gray] [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.

14. [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] [Bookplate for Dorothy Maclaren Hepton by William Walker Alexander] Brown ink on cream paper. A plain border with a thin brown outline on the outside and thick brown outline on the inside. The image in the center of the bookplate is surrounded by a decorative background. The background has brown dots overlaid with thin white leaves on a stem. The stems curl around the left and right sides of the image. The image in the center is surrounded by a border comprised of three petaled leaves. At the top, bottom, left, and right of the border are two crossed strips covering the leaves. A dark inner border separates the decorative leaves from the center image. The image itself depicts two women sitting in an ancient Grecian scene. There is a building with arches in the left background. Next to the building, right behind the women is a large, shaded column. The foregrounded woman is sitting on a platform. Behind her is a small bowl of flowers. The same flowers decorate her dark hair in a floral crown. She is wearing a flowing white dress with a jewelry band around her right arm, which is holding onto her knees. At her feet is a lyre perched against another ledge. Behind the lyre is a dark, three-legged vessel with smoke pouring from it. There are some bushes behind the vessel and a plain horizon with a dark landscape and a pale sky. To the left of the vessel is a woman either standing or on her knees ; her legs are blocked from view by the sitting woman. The woman is playing a wind instrument, potentially an aulos. Her hair is in a half bun and half down. The ribbons in her hair are also flowing behind her head. Curling ribbons extend from below the image’s bottom border. A thicker ribbon rolls out below the ribbon. The bookplate owner’s name is printed in capitalized, serif font. Each word in the owner’s name is printed on its own line, with each line becoming increasingly indented. Two daisy flowers on stems are printed to the left of the last word in the owner’s name.

15. [Bookplate for Andrew J. Kirpatrick] [Bookplate for Andrew J. Kirpatrick] Black ink on white paper. The bookplate has a thick black border with a thin inner white border. The bookplate is divided into two parts: the larger part has black corners that round on the inside. A thistle is printed in white on each corner. There is a white border with a thin black border inside it. At the top, a banner with curling ends sweeps across the bookplate. On the banner, the motto is printed in capitalized, black, serif font. Below the ribbon, an armoured arm extends from a crest-wreath. The right hand is clutching a dagger with the blade pointing to the left. Plants with leaves and berries on a branch extend from the left and right-hand sides of the bookplates. Below that image, there is a white horizontal rectangle with a thin black border. Inside the rectangle, the bookplate owner’s name is printed in cramped, stylized, large, black block font.

16. [Bookplate for George Kerr] [Bookplate for George Kerr] Grey ink on green-grey paper. The bookplate is in the shape of a rectangle with rounded corners and a bulging circle in the center. The top portion of the bookplate features a half circle basic graphic of the sun on the horizon. The design is created using simple lines. Surrounding this image are half circles of various sizes with thick borders on the outside and several thinner inner borders on the inside. The circle shape in the center has a thick border decorated with two thick black lines that are intersected by plain crisscrosses three times each on the left and right-hand sides. There are some decorative shapes at the top of the circle, forming a small point. Below those shapes text is printed in capitalized, block, grey letters. The center of the circle depicts a man in a wig and robe reading a large book. The spine of the book and face of the man are facing the viewer. The background of the image is comprised of thin, black, horizontal lines. The bookplate owner’s name is printed below the image in large, capitalized, block serif grey font. Decorative shapes like the one at the top of the circle extend from the bottom as well, forming a larger point. The base of the bookplate is decorated with various rounded shapes, in both oblong and tear drop shape, filled with thinner black lines. A plain section extends from the bottom left and right corners up to the middle of the bookplate, meeting the text at the base of the central circle. In these sections are printed mottos in smaller, capitalized, sans-serif font.

17. [Bookplate for Joseph Jopling] [Bookplate for Joseph Jopling] Black ink on cream paper. Paper has some damage and discolouration. The crest features a forearm and hand holding onto a shell atop a crest-wreath. The shield is charged with white stars two over one. The stars have shading and have black spots on them. In the center of the shield between the stars is a black crescent moon facing to the left. In the inner curve of the moon is half a human face looking outward. Below the shield, the motto is printed on a curling ribbon in capitalized, black, serif font.

18. [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] [Bookplate for Art Gallery of Toronto by Alexander Scott Carter] Blank ink on white paper. Border consists of a thin black line, then a thicker black line, then an alternating black and white dashed line, and finally a thin black line. Capitalized black font with the words separated by geometric dots surrounds a black square. The black square is decorated on the inside with floral motifs. There is a circle inside the square with black text and black borders. Inside the circle are some more floral motifs, as well as two shields. The top shield is divided per pale. The left hand side is quartered with alternating designs of 3 horizontal arrows and vertical triangles. On the right hand side, the top third features vertical stripes, while the bottom two thirds are charged with three black stars. The lower shield is divided in a similar way and has the same stars and stripe design on the right hand side. The left hand side has alternating designs of fish, waves, and lions passant. Between the two shields is a horizontal rectangular box with black text inside. At the bottom of the bookplate is another rectangle with a border decorated with a swirling black and white motif. There is also an inner black border, inside of which is more black text.
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