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1. [Bookplate for Jac Balfour Paul Ado] [Bookplate for Jac Balfour Paul Ado] Using black ink on white paper, the background of this pictorial bookplate portrays a window frame and windowsill. The top left side of the window is latticed, below which is an image of a rocky mountain and forest above which the sun is rising or setting. On the right side of the window frame is a shelf with three books. Leaning against the shelf is an unravelled scroll reading "In Soli / tudine / Solamen" [comfort in solitude]. Below this text is a lit lamp. On the windowsill are three figures. From left to right, the first figure is standing, nude and holding a comedy mask to its face. The second nude is sitting holding a cape over its shoulder (on the cape is a heraldic emblem: The shield is argent with a rampant lion). The third figure is sitting with its right leg crossed over the left leg, clothed in a judge/lawyer's wig, clothed in robes and holding a large open book in its lap.

2. [Bookplate for Lewis Harcourt] [Bookplate for Lewis Harcourt] There are several black fillets separating the top and bottom banners from the central and side images present on the bookplate. The sidebars of the bookplate have vines trailing down the die. The central image is an armorial. The image begins with a peacock symbolizing renewal or resurrection standing on top of a coronet on top of a closed helm facing dexter. The helm surmounts a shield leaning from the dexter chief to the sinister base. Both the helm and the shield are surrounded by mantling on either sides. The shield is a gules field with two bars of or. This bookplate belonged to Baron Lewis Harcourt of Nuneham who was an important administrator within the British government during the early decades of the 20th century.

3. [Bookplate for Aubrey F. Roberts by Bank B. Gordon] [Bookplate for Aubrey F. Roberts by Bank B. Gordon] Executed in brown ink on white paper, this bookplate depicts a picture frame in which stand several books with their spines facing outwards. In front of these is an open book leaning against a globe of the world. In the background of the frame is a stairway ascending a steep hill upon which is a heavily turreted castle and trees. Resting on top of the frame is a vase or urn containing an abundance of leaves, and it is supported by a mantle fronted with wings.

4. [Bookplate for Martha Beckmann and J. E. Horvath] [Bookplate for Martha Beckmann and J. E. Horvath] This bookplate depicts a decorated medallion within square frame. Two full figures appear in the medallion representing a sick man with a walking stick leaning on a nurse.

5. [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] [Bookplate for Thomae Perczel de Bonyhad and J. E. Horvath] Blue ink on light blue paper. The shield occupying the centre of the bookplate is quartered with rampant lions queue fourché on the dexter chief and sinister base, bendlets on the dexter base and a bend on the sinister chief. Over the shield sits a crowned helm with another rampant lion queue fourché leaning on a lyre. There is some mantling surrounding the shield and an ownership panel at the bottom with lion heads on its sides.

6. [Bookplate for Charles Hubert Bruyere] [Bookplate for Charles Hubert Bruyere] In red ochre ink, two books laying flat with a vase of flowers on top of them beside a third book leaning against the border.

7. [Bookplate for George Roe Lockwood] [Bookplate for George Roe Lockwood] Black ink on white paper. The image depicts two figures in a living room or study. The young woman wears an off-the-shoulder dress with a shawl and is leaning toward the older male with a fan in hand. The older male sits with his feet tucked up in the chair and an open book in his lap.

8. [Bookplate for Lewis Hutchens by Don Wier] [Bookplate for Lewis Hutchens by Don Wier] This bookplate's design features a devil looking upwards and leaning against a book. He seems to point towards the bookplate originator's name with his left-hand, while holding a fountain pen in the crook of his other arm. Stylistically, this ex-libris appears to have originated in the early part of the 20th-century.

9. [Bookplate for Edward Murphy] [Bookplate for Edward Murphy] Blazon is divided per quarter and per fess. Dexter chief and sinister base show a lion rampant on argent (silver) background. Sinister chief and dexter base show a lion rampant on gules (red). Fess shows three garbs over sable (black) background. Above the blazon is a straight wreath, charged with a lion rampant leaning on a garb. The motto is on a scroll below the blazon.

10. [Bookplate for Henry James Grasett] [Bookplate for Henry James Grasett] Black ink on cream paper. Crest features bow loaded with arrow aimed to the left. Feathers stretch outwards on either side of the base of the bow on a crest-wreath. Shield is argent and sable per saltire, divided with a sable cross. Top and bottom quarters are argent charged with a plant with round top and brush head. Feathery leaves appear at either side of the base. Top feature has two sable stylized decorations featuring roundels three over two atop three lines connected at the top that separate outwards at the bottom. Four of the same decorations are featured in the bottom quarter. Left and right quarters are sable charged with five point stars and a stylized design element similar to those in the top and bottom quarters, but thicker and in argent. The shield is surrounded by a stylized border decorated with various curls. Below the shield, the motto is written in capitalized block letters on ribbon with elaborately curled blackening ends.

11. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

12. [Bookplate for William Ralph Howard by Leslie Victor Smith] [Bookplate for William Ralph Howard by Leslie Victor Smith] Black ink on cream colored paper. The image depicts a tall ship at sea with all sails unfurled, in a swell of water, with a large cumulous cloud in the background. The image is framed by a length of rope that circles the entire bookplate. Below, a heraldic device is displayed in a circular frame. A broken ionic order column is in the center, with the top half of the column resting on the right side of the base and an oval shield with a flower on it leaning on the left side of the base. At the bottom of the bookplate, the owner’s name is presented in a solid-colored shield. The rope frame meets at both sides of the shield: on the left, the rope holds an anchor and on the right it holds a ship lantern.

13. [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] [Bookplate for Robert Hall and William Phillips Barrett by William Phillips Barrett] Printed in black ink on cream colored paper. The interior of a private library or study room is depicted. The right-hand side of the room is lined with a wall of books, which is topped with several carved busts. In the centre of the room, a large reading table holds several books and is surrounded by three chairs – an upholstered armchair on the left and two wooden chairs on the right. The books are heavy, bound manuscripts and one is open to display an illuminated frontispiece. In the background, a large bay window looks to a building with a spire that is surrounded by shrubbery.
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