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Description:
61.
[Bookplate for Eduard von Jan and Michael B. Kunze]
Black ink on white paper. A number of human figures surround the shield and crest, both of which consist of Janus faces. Crest rests on a closed helmet in profile, surmounted by horns.
62.
[Bookplate for Morley Ayearst by Stanley Howard]
Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A.
63.
[Bookplate for L. Emile Grothé by Aimé Dufesne]
Black ink on white paper. Border has white outlines, shaded for a three-dimensional effect and is filled in with thin black lines. The top and bottom sides of the border indent in the middle with squared corners. The left and right sides of the border indent in the middle with rounded corners. The top half of the bookplate has diagonal black lines extending wider from the centre. The top left corner features a person wearing a feathered headdress and a sash holding arrows in their left hand and a bow in their right hand. They are standing on a decorative ledge connected to the border and sitting atop of an elaborate curlicue. The right corner has the same curlicue and ledge and a person in a long coat and striped hat holding a pouch stands atop it. Between the two figures is an open book. The bottom of the top half of the bookplate contains half a round map of the world surrounded by a thick border of the same style as the overall bookplate border. The owner’s motto is written across the map’s border in thin, capitalized, sans-serif font. A rectangular border of the same design sits in the centre of the bookplate. The top of the border features large, captitalized, serif block font. The font is white with a black background and white stripes surrounding that background. On either side of that text are half circle decorations in a vertical stack between two thin white borders. The centre of the rectangle within the borders has a grey background with capitalized, sans-serif block font printed on top. The font is black with a white outline and dark shading. Two shields hang below the rectangle on the left and right side. The shield on the left is argent with sable dots per fess. The top third of the crest is charged with two fleurs-des-lis. The central portion of the crest, featuring sable and argent stripes. is charged with a lion passant guardant. The bottom third of the crest is charged with three maple leaves with connected stems. The shield on the right is per pale consisting of sable and argent stripes and argent with sable dots. The left side is charged with two lions passant that are argent with sable dots. The right side is charged with a lion sejant erect and eight hearts, each of which are sable and argent striped. Between the two crests, hanging from the central rectangular feature, is a checkered black rectangle with white borders on the left, right, and bottom sides. White curlicues extend from the left and right sides. Similar curlicues, leafy decoration, and black strip adorned with small circles extend from the bottom of the rectangle. The background of the bottom half of the bookplate not covered with other decorative features has the same black stripes as the top half. In the bottom left and right corners of the bookplate are four books each, spines facing out. Next to the books on the left is a black inkwell with two feather quills in it. Next to the inkwell is a beehive on a wooden platform surrounded by five bees. On the right of the beehive is an oil lamp with a bright flame burning. Outside the bottom border, inside the indent, the bookplate creator’s name and date of creation is printed in thin, black, sentence-case, serif font.
64.
[Bookplate for K. Geiger and Michael B. Kunze]
Black ink on white paper. Cross-legged man sitting on top of a violin from which is suspended a bottle of poison. Silhouette of town in the background.
65.
[Bookplate for Ernst Hohmann and Michael B. Kunze]
Black ink on white paper. Crowned man sits on stone decorated with small leaves, reading from a paper. His sword rests beside him. Text below picture.
66.
[Bookplate for Stanley Harrod by T. Z.]
Black ink on white paper. Image has overall appearance of watercolour. There is text printed in sans serif capitalized black font in the top left and top right corners. The bookplate background is a multihued pale gray. The image depicts a street in Bruges. A stone church is in the background, with a tall, pointed tower. A lower part of the church is visible, with upper level balconies visible. The windows are decorated at the top with crosses. To the right of that part of the building is the roof of another building, also decorated with crosses at the uppermost part of the roof. A couple other towers are visible in the distance behind these buildings. At the forefront of the image is a dark bridge/archway. Through the archway are several trees in the church yard. The arch itself has a round decorative feature in the center. The left hand side of the arch is lighter, with two round stone towers extending up. The central part of the bridge/arch and the buildings on the right hand side are in shadow. The building on the right hand side is shorter and squarer, with a window by the top of the arch and a rounded door on the ground. There is shading in front of the archway that then lightens. In the lightened portion is printed capitalized, black text in serif font. In the bottom right corner are overlapping letters, a Z and a T.
67.
[Bookplate for Mathias Weiland and Michael B. Kunze]
Black ink on white paper. Mercator projection map of the world above a spiral shell. Text surrounds picture at sides and top.
68.
[Bookplate for Michael B. Kunze]
Black ink on white paper. Oval shield. Right side displays knight's arm on a field azure and left side shows lion rampant on a field gules. Text surrounds shield inside a wider oval. Contributors include Menny.
69.
[Bookplate for Michael B. Kunze by Koildan Beckmoun]
Black ink on white paper. Rough sketch of bearded man holding a book. Book displays owner's name.
70.
[Bookplate for Christine Harder and Michael B. Kunze]
Black ink on white paper. Smiling sun overlooks a star, a rampant lion and a smiling crescent moon.
71.
[Bookplate for University of British Columbia Library]
Black ink on white paper. Stylized UBC shield lies on top of Lions Club symbol. Text above and below picture.
72.
[Bookplate for Falconer Books]
Black ink on white paper. Text at top and bottom. Picture shows men in a c.16th century printing workshop. It is in the style of an engraving or fine woodcut.
73.
[Bookplate for Book Store on Bastion Street]
Black ink on white paper. Text at top and bottom. Picture shows men working in a c.16th century printing workshop. It is in the style of a woodcut.
74.
[Bookplate for Stanley Harrod by S. Harrod]
Black ink on white paper. The bookplate image is surrounded by a border consisting of wide ribbons at the top and bottom wrapped around twisted rope on the left and right sides. The rope ends are knotted with three beaded and then frayed ends extending on each end of the rope. The top ribbon has printed, black, stylized gothic font in sentence case. Some text is separated by clusters of four diamonds. Inside the border is an image depicting a frigate with two masts and large sails billowing in the wind. Ribbons extend form the top of the sails. A smaller sail on a smaller mast is at the front of the ship. The ship is in an ocean with several waves. The bottom ribbon is more elaborated curling than the top ribbon. It has printed, black, stylized font in sentence case, but is smaller in size. Below the ribbon to the left and right is thin, sans-serif, capitalized font.
75.
[Bookplate for Ralph H. Kilby]
Black ink on white paper. The crest features a circle with a border with black outlines and horizontal black lines. Inside the border there is a crown. The crown as three leafy designs at the top and the band is decorated with different jewels. The crest sits upon a crest-wreath. The shield has a border comprised of curling sections with ornate decorations on the ends. The shield is charged at the top with three black circles with white centers ; smaller versions of the black border featured in the crest. Below the circles are three horizontal black stripes. In the center of the top stripe is a white circle with black dots. Underneath the shield, the motto is printed on a curling ribbon in capitalized, sans serif black font. The bookplate owner’s name is printed in large, cursive, sentence case black font.
76.
[Bookplate for Hugel]
Black ink on white paper. The crest features a lion rampant holding a flower with three petals between its paws. The lion stands atop a crown with elaborate, feathery wings extending upwards to the left and right. The crown is round and flat and decorated with three diamonds across the front. The crown sits on the head of a baronet and knight helm. Elaborate, curling mantling extends to the left and right and down the bookplate, becoming blacker towards the ends. The shield is divided per cross. The top left and bottom right sections are sable and charged with a lion rampant. The lion in the top left faces to the right, whereas the lion in the bottom right faces to the left. Like the lion in the crest, these lions hold a flower with three petals in their paws. The top right and bottom left sections of the shield are argent with sable dots. They are each charged with three black diamonds, two over one. The diamonds have black shading on the right-hand sides. Below the shield, a curling ribbon with non-straight edges has the motto printed in black, capitalized, serif font. Below the ribbon, the bookplate owner’s name is printed in elaborate, black, large, sentence case, Gothic font with extensive curling decorations surrounding the text.
77.
[Bookplate for Kennedy McIlwraith]
Black ink on white paper. The image depicts the main entrance to University College at the University of Toronto.
78.
[Bookplate for Hotchkiss School]
Black ink on white paper. Thin border made up of very small parallel lines surrounds text.
79.
[Bookplate for B. Hallé by L. P.]
Black ink on white paper. Thin, double-lined black border with rounded corners surrounds the bookplate. The background is filled in with vertical thin black stripes. At the top of the bookplate is printed capitalized sans-serif block text filled with horizontal black stripes. Some of the text is obscured by the top of a feather quill, which extends from the top right corner down to the bottom left corner. On top of the center of the quill is an open scroll with the top and bottom ends still rolled. The bookplate creator’s initials are printed in black sans-serif font on the curl of the paper at the top of the scroll. Cursive sentence case black font is printed on the scroll. The bottom of the scroll just grazes the bookplate author’s name, which is printed in the same large sans-serif block font with the horizontal stripes that is used for the text at the top of the bookplate.
80.
[Bookplate for Vincent Massey and Alice Massey by Alexander Scott Carter]
Black ink on white paper. This coat of arms is described in great detail by the Royal Heraldry Society of Canada (RHSC), in their 'Members' Roll of Arms,' under the entry for the Rt. Hon. Charles Vincent Massey. They write: 'The arms argent [silver], on a chevron sable [black] between three lozenges of the last, each charged with a fleur de lis of the first, three stags' heads erased or [gold] ; on a canton azure [blue], a representation of the crest of Canada as an honourable augmentation. The crest out of an antique crown or, a bull's head sable, armed gold, charged on the neck with a lozenge argent, thereon a fleur de lis also sable.' This bookplate adheres to the design described above by the RHSC, though the 'honourable augmentation,' of the Canadian crest in dexter chief, does not appear in this escutcheon.
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