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results 1-20 of 28 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
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1. [Bookplate by James Gourlay Gray] [Bookplate by James Gourlay Gray] Metallic brown black ink on cream paper. Border of two thin black lines with floral and leafy decorative features on the left and right sides. Latin script printed at the top of the bookplate in capitalized font with curling serif. An inner border surrounds two images. The top image has a black background with four white shining stars in the background. In the centre is a half circle strip with curled sends over marbled colouring, all of which surrounds sheet music. On top of the sheet music is a small harp-like instrument with horns protruding from it. At the top of the heart is a candle holder with smoke swirling from the top. On the outer left-hand side of the half-circle decoration is a reclining woman styled like a classical status in a draping dress. She is holding a pan flute in her right hand. On the right hand side, another similarly styled woman is reclining and holding a paint easel with several brushes in her left hand. Both women are barefooted. The bottom image has a thick marbled border. Within the border is a curlicue decoration, in the centre of which is an image of a work desk. There is a photograph hanging on the wall behind the desk. The desk itself is quite cluttered and features many photographs, papers, and books. The walls have decorative wall paper and there are various wall hangings. Below that section are two horizontal strips of different decorations. The top stripe has a dark snake like curving pattern, the borders of which are decorated with stylized, pointed lines. Thin white stripes are at the top and bottom of the horizontal strip. A row of small white dots separates this pattern from the next strip, which is a series of floral leaves curling in a line to meet at the centre. Below that, the bookplate owner’s name is printed in capitalized serif font with extra stylizing on the “A”s.

2. [Bookplate for Alfred C. Harmsworth] [Bookplate for Alfred C. Harmsworth] Black ink on cream paper. Crest features a crest-wreath with a knight’s right arm extended and bent at the elbow. The arm is armoured with a point at the elbow and circular decorations on the rest of the arm. The hand clutches a sword that has gone through a small lion’s head from the chin through to the crown. The lion has whiskers, but no mane. Below the crest, the bookplate owner’s name is written in black, sentence case, gothic font.

3. [Bookplate for Benjamin Gott] [Bookplate for Benjamin Gott] In black ink. Escutcheon inside a garter on which is the Latin motto. Inescutcheon parted per bend, argent [white], charged with two roses on either side of a lion, passant ; coticed, argent, and charged with three tufts of ermine each, sable [black].Two layer bordure, countercharged, argent and sable. Above the escutcheon is a curved crest wreath on which is a demi-gryphon, displayed.

4. [Bookplate for David Finlay] [Bookplate for David Finlay] Black on cream paper ; A beaded border surrounds the name of the owner and the town.

5. [Bookplate for David Finlay] [Bookplate for David Finlay] Black on yellow paper ; A beaded border surrounds the name of the owner and the town.

6. [Bookplate for Denis Le Marchant] [Bookplate for Denis Le Marchant] In black ink. No Escutcheon. Ducal coronet, on top of which is an upside down cock leg.

7. [Bookplate for E. R. Hunter by Thoreau MacDonald] [Bookplate for E. R. Hunter by Thoreau MacDonald] Printed in black ink on cream paper. The image shows a loon facing left, in profile, with its beak open. It is framed by ripples of water above and below. In the background, two islands are reflected in the water. The island on the left is larger than the one on the right. At the bottom of the bookplate, the personal name and geographic location are provided in an all-caps, serif font. This is framed by two squares containing mirror images of a closed pine cone on an evergreen sprig.

8. [Bookplate for Frank Louis Flight] [Bookplate for Frank Louis Flight] In light gray ink. A banner with the name of the owner and a small, circular, profile portrait are displayed on a background of vines. The stylized flora seems inspired by the late Nineteenth-century work of William Morris and others.

9. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

10. [Bookplate for Gilbert Finlay Girdwood] [Bookplate for Gilbert Finlay Girdwood] Black ink on white paper. Argent and sable with a straight line down the middle. Left hand side is sable and argent per pale charged with three castle towers, two over one. Right hand side is argent, with a chevron engrailed sable. Chevron surrounded by three roundlets sable, two over one. Shield is wrapped in stylized bordure. At the top, is a crest featuring a demi-lion rampant guardant, tail extended holding a tree in its right paw. Lion sits on a crest-wreath. Below is a motto on a stylized banner with decorative ends. The bottom of the bookplate has typed cursive fond followed by serif font.

11. [Bookplate for Ian Waldie by Alexander Scott Carter] [Bookplate for Ian Waldie by Alexander Scott Carter] In black ink on white paper, a sailboat at sea with a fish depicted in the waves below. Three seagulls are flying around the boat. A wide, bold floral border surrounds the image of the ship, with a few books and a lyre above it.

12. [Bookplate for J. B. R. Dufresne] [Bookplate for J. B. R. Dufresne] Black ink on green paper. A curving, vine-like border surrounds the title of the legal practice. A blank number line is printed below.

13. [Bookplate for J. W. Longley by Francis Adams Sc.] [Bookplate for J. W. Longley by Francis Adams Sc.] Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font.

14. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. This bookplate appears to be a smaller version of BP MUR SL P H475b, but the creator's initials are barely visible amongst the mantling.

15. [Bookplate for John Charles Alison Heriot by Graham Johnston] [Bookplate for John Charles Alison Heriot by Graham Johnston] This bookplate's design features, in black ink, an escutcheon, argent (silver), charged on the fess with three cinque foils within an indented bordure. Above the escutcheon is a tilting helmet, charged with a straight wreath and a dexter hand couped at the wrist, which holds a laurel wreath aloft. Decorative vegetative mantling surrounds the escutcheon within the bounds of a rectangular frame. The bookplate designer's initials and the date of creation are hidden among the mantling. Behind the laurel wreath, waves a banner containing the bookplate originator's Latin motto and below the coat of arms is a separate compartment containing the originator's name. A smaller version of this bookplate may also be viewed at BP MUR SL P H475a.

16. [Bookplate for John Charles Alison Heriot] [Bookplate for John Charles Alison Heriot] This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.

17. [Bookplate for John Charles Alison Heriot] [Bookplate for John Charles Alison Heriot] This bookplate's design features an escutcheon, argent (silver), charged with three roses. Above the escutcheon is an esquire helmet charged with a dexter hand holding a wreath. Decorative floral surrounds the escutcheon with a banner containing bookplate motto.

18. [Bookplate for John William Griffin by Leslie Victor Smith] [Bookplate for John William Griffin by Leslie Victor Smith] Black ink on white paper. Perforated edges with round corners surround the bookplate. The bookplate is surrounded by an incomplete border of two black lines that do not connect at the top. There are spaced out diamond shapes on the border with black circular centres. At the top, the border folds into triangles at the left and right corners. Each corner has a square flower with four petals and one leaf with a darker background. The border frames an image with a rounded pointed top. The image shows a desk with a window looking onto a moving steam engine. At the top of the image is a circle with a white border. In the centre on a gray background is a griffin rampant on a crest-wreath. The steam engine is outside the window in the centre of the bookplate with steam pouring out. The window has vertical and horizontal stripes with black circles at the intersections of the stripes. There is a curtain on either side of the window. Nothing sits on the window ledge, but on the desk in front is half of a lamp with a decorative, bell-shaped shade, eight books with different spine designs, an ink pot with a feather quill in it, and a workspace with several papers on it. Below the image is a black rectangle with capitalized white font. At the centre of the top and bottom of the rectangle is a slight downward facing point. Below the bottom point in black ink are the initials of the creator and the year of creation.

19. [Bookplate for Lieutenant Colonel E. L. Caldwell] [Bookplate for Lieutenant Colonel E. L. Caldwell] A simple line border surrounds the text. There are small circles framing each corner.

20. [Bookplate for Lorne A. Pierce by Marjorie Sankey] [Bookplate for Lorne A. Pierce by Marjorie Sankey] Printed in black ink on thick yellow/brown paper with visible chain and laid lines. The facade of a building entrance is supported and surrounded by a large tree. The owner's name appears in the otherwise blank doorway and two horizontal strips on the surrounding columns appear to be blacked out by hand.
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