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results 61-80 of 83 item(s)  page 4 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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 Image: Title: Description:

61. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

62. [Bookplate for W. J. M. Jones] [Bookplate for W. J. M. Jones] The book plate owner's name and city are printed in black ink on cream paper in one script-style font.

63. [Bookplate for Rev. Pierre Beaumont] [Bookplate for Rev. Pierre Beaumont] The bookplate is printed in black ink on cream paper, now discolored. One penciled notation in the lower left.

64. [Bookplate for Theodore A. Jackson by Franklin Bittner] [Bookplate for Theodore A. Jackson by Franklin Bittner] The bookplate is printed in shiny, raised black ink. The image is a three-masted ship at sea above a compass rose. In the top left of the image is the illustrator’s copyright text, and below the image is text identifying the owner.

65. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image is of a white hollow horses head that might be used as part of a costume decoration for a festival day. The horse has a blue nose a beige and orange halter, a black and orange surrounded oval on its side and a blue and orange striped bridle. It is facing towards the left.

66. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The classical image of a cat puppet or doll is central to the image. It has green and blue coverings with white kanji script, blue/black eyes and black patches on its forepaws. Its foreground is placed at the right and it moves backwards towards the left part of the bookplate.

67. [Bookplate] [Bookplate] The text of the bookplate is surrounded by an elaborate border decorated with various religious figures and themes. Angels kneel on either side of the upper corners and face inwards towards a man holding a book and looking outwards from an arch. The sides are decorated with ornate columns, at the bottom of which are crosses and a symbol of the Holy Trinity. Both the top and bottom portions of the border are decorated with stylized curls. The word 'Catholic' is printed in a bold font, and 'Circulating Library' is in a curly stylized Gothic font. The rules of the library are divided from the rest of the text by bars at the top and bottom, and there is a hand symbol pointing to the library's hours of operation at the bottom of the bookplate. The price of the library subscription is given in shillings, dating this to the era of the Canadian pound which was in use until currency decimalization came into force in 1858.

68. [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] [Bookplate for William Charles de Meuron Wentworth-FitzWilliam by John Vinycomb] This bookplate consists of an escutcheon framed by a solid bordure. The escutcheon is divided quarterly ; first and fourth quadrants are lozengy, argent (silver) and gules (red) ; second and third quadrants are sable (black) with an or (gold) chevron, and three lion heads, two over one. The escutcheon is crested by a large earl's coronet. Above the coronet are two additional crests ; the dexter consists of a helm, sinister and grated, crowned by what appears to be a duke's coronet, and elaborate mantling ; the sinsister consists of a helm, dexter and grated, topped by a curved wreath, a gryphon passant, and elaborate mantling. The escutcheon and bordure are supported by a male "savage" on either side. In heraldry, the "savage" is a symbol of wildness and purity. Both figures are bearded and nude, except for a wreath of leaves to cover their middle section. Both figures hold a tree trunk. The dexter figure, who appears younger, holds the trunk with his right arm and it descends behind him. The sinister figure, who appears older, holds the trunk with his left arm and it descends in front of him. The escutcheon and the figures rest on a mantel, which is draped with a banner containing the Latin motto. From the mantel hang three medals ; the medal on the left represents the Order of the British Empire, the medal in the centre represents the Royal Victorian Order, and the medal on the right represents the Distinguished Service Order.

69. [Bookplate for Saul Globus] [Bookplate for Saul Globus] This bookplate features an airplane circling around an abstract structure against a dark sky.

70. [Bookplates for Bell Telephone Company of Canada] [Bookplates for Bell Telephone Company of Canada] This bookplate is in two parts ' one to show who made the presentation, the other to show ownership by the library. Part 1 (upper): This bookplate is composed of black text, with a dotted line at the bottom on which to record the name of the presenter. Part 2 (lower): This bookplate is composed of black text, with a small form number in the upper right, the major text with parts bolded, and a grid below that for recording due dates. Both of these pieces have an unused full glue coating on the back.

71. [Bookplate] [Bookplate] This bookplate is printed in black ink on cream paper, and consists of a decorative border with ivy leaves and trefoils attached to a thicker border, with a thin, multi-part border just inside. In the upper left is an ornate monogram and in the lower part are two dotted lines, the second of which is labeled.

72. [Bookplate for Lewis Hutchens by Don Wier] [Bookplate for Lewis Hutchens by Don Wier] This bookplate's design features a devil looking upwards and leaning against a book. He seems to point towards the bookplate originator's name with his left-hand, while holding a fountain pen in the crook of his other arm. Stylistically, this ex-libris appears to have originated in the early part of the 20th-century.

73. [Bookplate for Norman M. Keith by W. W. A.] [Bookplate for Norman M. Keith by W. W. A.] This bookplate's design features a lakeside camping scene with mountains visible in the distance. It is framed by Scottish thistles. Above the scene are three logos representing the Royal Army Medical Corps, the University of Toronto, and Johns Hopkins University. A globe and stack of books are featured in the lower left corner and a small escutcheon of the University of Toronto sits at the bottom centre of the design.

74. [Bookplate for F. H. Herrington by L. C. D.] [Bookplate for F. H. Herrington by L. C. D.] This bookplate's design features a learned Christian monk interrupted from his work, pausing, he looks outside of the frame at some unknown distraction. His desk is situated outside under a tree and the sun sets or rises behind him on the horizon. The brown tint to the monk's habit may indicate an affiliation with the Franciscan order or may merely be a design decision on the part of the artist.

75. [Bookplate for United Service Club] [Bookplate for United Service Club] This bookplate's design features a royal crown above a thistle, clovers, a rose, and two surrounding branches.

76. [Bookplate for Francis Lawson] [Bookplate for Francis Lawson] This heraldic bookplate consists of a chippendale styled escutcheon, argent (silver) parted per pale ; first, argent, with a saltier, azure (blue), the upper part charged with three garbs, the lower a boar's head, and at dexter and sinister an etoile each ; second, argent, depicting a wolf salient, climbing a tree, vert (green), possibly oak. Above the escutcheon is a straight wreath, charged with a boar's head and below the escutcheon the name and location of the bookplate's owner. The entire escutcheon and accompanying text are surrounded by elaborate chippendale borders.

77. [Bookplate for Charles A. Dashwood] [Bookplate for Charles A. Dashwood] This heraldic bookplate consists of a tilted escutcheon, argent (silver), a fess, gules (red), the fess charged with three griffin heads, erased (a term which describes the cutted edge of an animal's head) ; two bars above and below the fess, also gules. Steel helmet, positioned three-quartered faced, closed (denotes an esquire rank). The crest above the helmet is a griffin head, again erased. A banner is positioned at the lower part of escutcheon with Latin motto. Surrounding the escutcheon is elaborate mantling.

78. [Bookplate for Thomas Leland] [Bookplate for Thomas Leland] This heraldic bookplate consists of an escutcheon, argent (silver), with a fess, sable (black). The fess is charged with a lion passant, and an escallop on either side. The upper part of the escutcheon is charged with three sheaves of wheat, with three stocks apiece. Upon the escutcheon is a straight wreath, charged with a gryphon, possibly an opinicus, with wings elevated and addorsed. In the creature's beak are three stocks of wheat. Below the escutcheon is a banner, with Latin motto within.

79. [Bookplate for John Darby] [Bookplate for John Darby] This heraldic bookplate consists of an escutcheon, azure (blue), with a chevron, argent (silver), with the lower part a fillet. Upon the escutcheon are three sheaves of wheat (possibly corn, garbe), two over one . A military medal is at centre chief, with the word "NILE" immediately below. Within the chevron, an anchor each at dexter and sinister, with a naval crown at centre. Above the escutcheon is a crest of a sheaf of wheat (or possibly corn, garbe) and an anchor, upon a straight wreath. Below the escutcheon is a banner, with Latin motto within.

80. [Bookplate for John Lechmere] [Bookplate for John Lechmere] This heraldic bookplate consists of an escutcheon, gules (red), with a fess, or (gold). Above the fess at dexter and sinister chief, the escutcheon is charged with two birds, possibly pelicans, wings addorsed and inverted. Above the escutcheon is a ducal crown without a cap, which is charged with the same bird, wings addorsed and inverted. Below the escutcheon is a banner, with Latin motto inside.
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results 61-80 of 83 item(s)  page 4 of 5 : ( <<  1  2  3  4  5  >> ) :: previous : next
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