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1. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font.

2. [Bookplate for Nicholas Garry] [Bookplate for Nicholas Garry] Printed in black ink on off-white paper. In the centre is a family shield, decorated with with a chevron pattern in solid black and white ground with a spotted pattern. A ‘V’ shape in the centre of the shield intercepts and counterchanges the chevron colours. Above this is an extended arm in armor holding a circular disc that repeats the pattern on the shield.

3. [Bookplate for Ödön Stern and J. E. Horvath by B. I.] [Bookplate for Ödön Stern and J. E. Horvath by B. I.] Black ink on cream paper. This bookplate combines Art Deco and Egyptian style and imagery. The black ink provides the background with most of the objects delineated in white from the paper. A figure in profile to walks towards the right of the scene holding high three books in offering. Behind the figure there is a curtain with a weaved pattern. Further back on the right hand side there is a vase with flowers, and two urns. One sits on the floor. Fire rises from the second one on a stand.

4. [Bookplate for National Prison Reform Association] [Bookplate for National Prison Reform Association] In black ink on white paper. Image includes a rectangular decorative border in a repetitive pattern. Within the border all of the text is in a capitalized sans serif font, except the owner's name, which consists of upper and lower case letters in a serif font.

5. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image contains a white mouse with blue ears riding on top of a brown empty spool of thread. The spool is oriented with the rear of the spool oriented towards the left, and the front of the spool is located on the right. The front of the spool located on the right and has five blue and red holes laid out in 2 over 1 over 2 pattern. The central hole has 2 red lines radiating outwards between the four other holes. The mouse appears as though he is riding the spool.

6. [Bookplate by Eiichi Hirose] [Bookplate by Eiichi Hirose] The central image contains rows of rice fields with green earthen barriers separating them in a 'Z' pattern. A group of blue and pink clouds in the background suggest the images of mountains. Two tall green trees are also in the background on the right side of the image.

7. [Bookplate for Coddington] [Bookplate for Coddington] The bookplate is an armorial bookplate that begins with the image of a lion's head facing to the dexter covered in a fretty pattern. At the base of the head is a trefoil leaf. The head is mounted above a wreath which is itself mounted above a shield. The shield is an argent shield upon which is mounted an argent fretty. In both the dexter chief and sinister base positions are square ermine insets upon which are mounted trefoil leaves. In the sinister chief and dexter base positions are square insets upon which are mounted lion heads facing dexter.

8. [Bookplate for Maxwell K. Heap] [Bookplate for Maxwell K. Heap] There is an elaborate border on this bookplate beginning with a rolled barred fillet with fleur-de-lis at each corner. Within this border are three additional black fillets the middle one is slightly thicker with alternating black and white bars suggesting a rope like pattern. The central image is of a large book overlaying a lighted torch behind it. Birds wings sit below the book supporting it.

9. [Bookplate for James John Joicey] [Bookplate for James John Joicey] This bookplate is printed on light brown paper with brown ink. It consists of an escutcheon argent (silver), and three diamonds in pale between two endorses in a crosshatch pattern. The escutcheon is charged with a pick-axe at both dexter and sinister. Above the escutcheon is a helmet, positioned at three-quarter profile, indicating the status of peer. Upon the helmet is a straight wreath, charged with a young man holding a pick-axe and lantern. Radiating from the wreath is elaborate mantling. Below the escutcheon is a banner, with Latin motto within. Entire crest is contained within a border, with name of bookplate owner at bottom.

10. [Bookplate] [Bookplate] The text is surrounded by small diamond shapes in a linear pattern.

11. [Bookplate for Joint Board of Theological Colleges] [Bookplate for Joint Board of Theological Colleges] Black ink on cream paper. An ornate banned frame with leaf sprigs houses the text. At the bottom of the frame, the letters MTD are incorporated amid a sprig. The outside of the frame is decorated with a repeating leaf pattern. The corners of the frame are four shields. The top left tablet shield is dotted (gold) and charged with an undecipherable center object. An open book sits atop the shield. The top right tablet shield is horizontally lined (azure) and charged with a downward facing bird (dove) at the chief and an open book at the base. A tree sits atop the shield. The bottom left Norman pointed shield is horizontally lined (azure) with a cross (argent). It is charged with an open book with writing over the center of the cross. A coronet sits atop the shield. The bottom right spade shield is blank (argent) and is charged with an anchor. A mitre sits atop the shield.

12. [Bookplate for A. C. Jones by Clare Victor Dwiggins] [Bookplate for A. C. Jones by Clare Victor Dwiggins] Black ink on cream paper. The border of the bookplate consists of intertwined thorny and leafy vines with thicker leaves in the corners. The top left and right corners also feature rose-like flowers. Near the top of the border, vines extend from the left and right sides towards the center of the bookplate design. Capitalized, black, whimsical font is at the top of the bookplate. Dots surround some of the words and some letters are looping or intertwined. In the center of the bookplate, a tall, thin, beautiful woman in a whimsical fluted dress stands atop a closed book. The woman’s hair is done up and decorated with flowers. Flowers also decorate the top of the dress, the bottom of which features a spiral pattern. The dress is cinched at the waist with a belt and similarly cinched around the thighs with a large ribbon tied in a bow. The bottom of the dress extends outwards and there is a lacey layer underneath. The woman is wearing slip-on high heels with bows on the front. Next to the large book the woman is standing on are two books, one small one in front of the book sitting on its side. The other book is standing upright and is behind the large book. The woman is bending towards a small, naked cherub with a single curl atop its head and feathery wings. The cherub is standing in front of a book open and standing on its pages with the spine up. The cherub is also holding an open book and looking smilingly up at the woman. Behind the woman, the bookplate creator’s name is printed in curling, capitalized, black font. At the bottom of the bookplate, the owner’s name is printed in black, gothic, sentence case font.

13. [Bookplate for Morley Ayearst by Stanley Howard] [Bookplate for Morley Ayearst by Stanley Howard] Black ink on white paper. Bookplate design mimics a decorative medieval manuscript. An elaborate letter A is decorated with interlocking swirls and a Celtic knot pattern. Decorative features surround the letter and below it is stylized black font surrounded by black dots. There is also text in the same font above and to the right of the letter A.
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